Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Charterhouse of Parma, Volume 1
The Charterhouse of Parma, Volume 1

Chapter I

Chapter 1 of The Charterhouse of Parma, Volume 1 is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for The Charterhouse of Parma, Volume 1
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.
Pisa, December, 1924.
A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.
These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.
In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Charterhouse of Parma, Volume 1

Chapter I

Chapter 1 of The Charterhouse of Parma, Volume 1 is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.
Line 2
Pisa, December, 1924.
Line 3
A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.
Line 4
These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.
Line 5
In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Balzac noun US /bɑːlˈzæk/

French novelist; he portrays the complexity of 19th century French society (1799-1850)

From this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

coined verb US /kɔɪnd/

past form of “coin” — make up

From this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

decadence noun US /ˈdekədəns/

the state of being degenerate in mental or moral qualities

From this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

imagery noun US /ˈɪmədʒri/

the ability to form mental images of things or events

From this reading “In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.”

Pisa noun US /ˈpiːsə/

a city in Tuscany; site of the famous Leaning Tower

From this reading “Pisa, December, 1924.”

survives verb US /sərˈvaɪvz/

third-person singular of “survive” — continue to live and avoid dying

From this reading “In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.”

transpose verb US /trænˈspoʊz/

change the order or arrangement of

From this reading “In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.”

unmask verb US /ənˈmæsk/

reveal the true nature of

From this reading “In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

nineteenth century adjective + noun

In this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

eighteenth centuries adjective + noun counted as “eighteenth century”

In this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

literary talent adjective + noun

In this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

adopted country adjective + noun

In this reading “In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.”

natural enough adjective + noun

In this reading “A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.”

exist in verb + particle

In this reading “These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.”

at a time preposition + article + noun counted as “at … time”

simultaneously

In this reading “These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.”

All words in this reading · 148

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1924

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Pisa, December, 1924.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

abundancenounUS /əˈbʌndəns/

the property of a more than adequate quantity or supply

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

adoptedadjectiveUS /əˈdɑːptɪd/

acquired as your own by free choice

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

advanceverbUS /ədˈvæns/

move forward, also in the metaphorical sense

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

ambitionnounUS /æmˈbɪʃən/

a cherished desire

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

appreciators

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

aspectsnounUS /ˈæspekts/

plural of “aspect” — a distinct feature or element in a problem

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

atprepositionUS /æt/

in or near a particular place or position

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

attachverbUS /əˈtætʃ/

cause to be attached

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

BalzacnounUS /bɑːlˈzæk/

French novelist; he portrays the complexity of 19th century French society (1799-1850)

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

BEYLE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

boundadjectiveUS /baʊnd/

confined by bonds

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

byprepositionUS /baɪ/

showing who or what does the action

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

CnounUS /siː/

a degree on the centigrade scale of temperature

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

centuriesnounUS /ˈsentʃəriz/

plural of “century” — a period of 100 years

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

chooseverbUS /tʃuːz/

pick out, select, or choose from a number of alternatives

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

coinedverbUS /kɔɪnd/

past form of “coin” — make up

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

contemplativeadjectiveUS /kənˈtemplətɪv/

deeply or seriously thoughtful

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

correspondverbUS /ˌkɔːrəˈspɑːnd/

be compatible, similar or consistent; coincide in their characteristics

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

countrywomannoun

a woman who lives in the country and has country ways

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

CousinnounUS /ˈkʌzən/

the child of your aunt or uncle

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

DenounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

decadencenounUS /ˈdekədəns/

the state of being degenerate in mental or moral qualities

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

DecembernounUS /dɪˈsembər/

the last (12th) month of the year

From this reading Pisa, December, 1924.

declareverbUS /dɪˈkler/

state emphatically and authoritatively

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

dedicatedadjectiveUS /ˈdedəkeɪtəd/

devoted to a cause or ideal or purpose

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

dislikenounUS /dɪˈslaɪk/

an inclination to withhold approval from some person or group

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

eighteenthadjectiveUS /eɪˈtiːnθ/

coming next after the seventeenth in position

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

elegiacadjective

resembling or characteristic of or appropriate to an elegy

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

encourageverbUS /enˈkɜːrɪdʒ/

contribute to the progress or growth of

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

evidentlyadverbUS /ˈevədəntli/

unmistakably (“plain” is often used informally for “plainly”)

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

existverbUS /ɪɡˈzɪst/

have an existence, be extant

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

generationsnounUS /ˌdʒenərˈeɪʃənz/

plural of “generation” — all the people living at the same time or of approximately the same age

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

Honoré

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

imagerynounUS /ˈɪmədʒri/

the ability to form mental images of things or events

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

increasenounUS /ˌɪnˈkriːs/

a quantity that is added

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

intriguenounUS /ˌɪnˈtriːɡ/

a crafty and involved plot to achieve your (usually sinister) ends

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

invariableadjectiveUS /ˌɪnˈveriəbəl/

not liable to or capable of change

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

KnounUS /keɪ/

the basic unit of thermodynamic temperature adopted under the Systeme International d'Unites

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

knowledgenounUS /ˈnɑːlədʒ/

the psychological result of perception and learning and reasoning

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

likeverbUS /laɪk/

prefer or wish to do something

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

meditativeadjectiveUS /ˈmedəteɪtɪv/

deeply or seriously thoughtful

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

mindsnounUS /maɪndz/

plural of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

nineteenthadjectiveUS /ˈnaɪnˈtiːnθ/

coming next after the eighteenth in position

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

numbernounUS /ˈnʌmbər/

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

obedientadjectiveUS /oʊˈbiːdiənt/

dutifully complying with the commands or instructions of those in authority

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

offerverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

peoplesnounUS /ˈpiːpəlz/

the human beings of a particular nation or community or ethnic group

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

PisanounUS /ˈpiːsə/

a city in Tuscany; site of the famous Leaning Tower

From this reading Pisa, December, 1924.

practicenounUS /ˈpræktəs/

a customary way of operation or behavior

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

presentsnounUS /ˈprezənts/

plural of “present” — the period of time that is happening now; any continuous stretch of time including the moment of speech

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

progressnounUS /ˈprɑːɡres/

gradual improvement or growth or development

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

resistverbUS /rɪˈzɪst/

elude, especially in a baffling way

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

SnounUS /es/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

Sanseverina

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

seventeenthadjectiveUS /ˈsevənˈtiːnθ/

coming next after the sixteenth in position

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

solenounUS /soʊl/

the underside of footwear or a golf club

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

spectaclesnounUS /ˈspektəkəlz/

(plural) optical instrument consisting of a frame that holds a pair of lenses for correcting defective vision

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

spreadverbUS /spred/

distribute or disperse widely

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

STUDYnounUS /ˈstʌdi/

a detailed critical inspection

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

survivesverbUS /sərˈvaɪvz/

third-person singular of “survive” — continue to live and avoid dying

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

sympathiesnounUS /ˈsɪmpəθiz/

plural of “sympathy” — an inclination to support or be loyal to or to agree with an opinion

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

symptomnounUS /ˈsɪmptəm/

(medicine) any sensation or change in bodily function that is experienced by a patient and is associated with a particular disease

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

systemnounUS /ˈsɪstəm/

instrumentality that combines interrelated interacting artifacts designed to work as a coherent entity

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

systemsnounUS /ˈsɪstəmz/

plural of “system” — instrumentality that combines interrelated interacting artifacts designed to work as a coherent entity

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

talentnounUS /ˈtælənt/

natural abilities or qualities

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

thereadverbUS /ðer/

in or at that place or location

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

transposeverbUS /trænˈspoʊz/

change the order or arrangement of

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

tributenounUS /ˈtrɪbjuːt/

something given or done as an expression of esteem

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

trinitynounUS /ˈtrɪnəti/

the cardinal number that is the sum of one and one and one

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

triplicitynoun

(astrology) one of four groups of the zodiac where each group consists of three signs separated from each other by 120 degrees

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

tyrannynounUS /ˈtɪrəni/

a form of government in which the ruler is an absolute dictator (not restricted by a constitution or laws or opposition etc.)

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

unmaskverbUS /ənˈmæsk/

reveal the true nature of

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

unparalleledadjectiveUS /ənˈperəleld/

radically distinctive and without equal

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

usenounUS /juːs/

the act of using

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading In all generations and among all peoples there are minds that are elegiac, meditative, contemplative, minds that attach themselves more especially to the great imagery, the vast spectacles of nature, and transpose these into themselves.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

whenconjunctionUS /wen/

at the time that

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

whicheverdeterminerUS /wɪˈtʃevər/

any one of a set, it does not matter which

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading In whom alone survives the spirit of the Sanseverina, to resist tyranny, to unmask intrigue, to encourage ambition, this story of her countrywoman is, in the language of her adopted country, dedicated by C. K. S. M.

withprepositionUS /wɪð/

in the company of; together with

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading A STUDY OF M. BEYLE By Honoré De Balzac In our day, literature quite evidently presents three aspects; and, so far from being a symptom of decadence, this triplicity, to use an expression coined by M. Cousin in his dislike of the word trinity, seems to me a natural enough effect of the abundance of literary talent: it is a tribute to the nineteenth century, which does not offer one sole and invariable form, like the seventeenth and eighteenth centuries, which were more or less obedient to the tyranny of a man or of a system.

youpronounUS /juː/

the person or people being spoken to

From this reading These three forms, aspects or systems, by whichever name you choose to call them, exist in nature and correspond to general sympathies which were bound to declare themselves at a time when literature has seen, through the spread of knowledge, the number of its appreciators increase and the practice of reading advance with unparalleled progress.

Chapter 1 of The Charterhouse of Parma, Volume 1 by Stendhal holds 412 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Charterhouse of Parma, Volume 1 contain?

Chapter 1 holds 412 sentences of The Charterhouse of Parma, Volume 1, unabridged, divided into 83 reading sections.

This page carries chapter 1 of The Charterhouse of Parma, Volume 1 by Stendhal exactly as it stands in the source edition, without abridgement. It runs to 412 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Charterhouse of Parma, Volume 1?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Charterhouse of Parma, Volume 1

Common questions about reading The Charterhouse of Parma, Volume 1 by Stendhal on this page, its source edition and its audio.

Is this the complete text of The Charterhouse of Parma, Volume 1?

Yes. All 4798 sentences of Project Gutenberg eBook #66374 are kept, with a record of which sentences cover which part.

Which edition of The Charterhouse of Parma, Volume 1 is used?

Project Gutenberg eBook #66374, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Charterhouse of Parma, Volume 1 take to read?

About 399 minutes of reading across 960 sections of 5 sentences each, at an unhurried pace.

How to read The Charterhouse of Parma, Volume 1 section by section

How to work through The Charterhouse of Parma, Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of The Charterhouse of Parma, Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Charterhouse of Parma, Volume 1

Words and structures a reader meets early in The Charterhouse of Parma, Volume 1, each tappable for pronunciation and meaning.

Alone
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Survives
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Spirit
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Sanseverina
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.