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The Charterhouse of Parma, Volume 1
The Charterhouse of Parma, Volume 1

Chapter II

Chapter 2 of The Charterhouse of Parma, Volume 1 is here in full — 406 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for The Charterhouse of Parma, Volume 1
Context Illustration Reading 1/81 · 5 lines
English subtitles · tap any word to listen 1 / 5
In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.
One does not corrupt, one never succeeds in buying this conscience.
The actor who wishes most harm to his theatre or to an author will never play a part badly.
The chemist, called in to look for arsenic in a body, will find it if there is any there.
The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Charterhouse of Parma, Volume 1

Chapter II

Chapter 2 of The Charterhouse of Parma, Volume 1 is here in full — 406 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.
/ɪn ˈevəri wɔːk ʌv laɪf ˈɑːrtɪsts hæv æn ˌɪnˈvɪnsəbəl ˌselfrɪˈspekt ə sens ʌv ðer ɑːrt ə prəˈfeʃənəl ˈkɑːnʃəns wɪtʃ ɪz ˌɪnərˈædəkʌbəl frʌm ðə mæn/
Line 2
One does not corrupt, one never succeeds in buying this conscience.
/wʌn dʌz nɑːt kərˈʌpt wʌn ˈnevər səkˈsiːdz ɪn ˈbaɪɪŋ ðɪs ˈkɑːnʃəns/
Line 3
The actor who wishes most harm to his theatre or to an author will never play a part badly.
/ðə ˈæktər huː ˈwɪʃɪz moʊst hɑːrm tuː hɪz ˈθiːətər ɔːr tuː æn ˈɔːθər wɪl ˈnevər pleɪ ə pɑːrt ˈbædli/
Line 4
The chemist, called in to look for arsenic in a body, will find it if there is any there.
/ðə ˈkemɪst kɔːld ɪn tuː lʊk fɔːr ˈɑːrsənɪk ɪn ə ˈbɑːdi wɪl faɪnd ɪt ɪf ðer ɪz ˈeni ðer/
Line 5
The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.
/ðə ˈraɪtər ðə ˈpeɪntər ɑːr ˈɔːlweɪz ˈfeɪθfəl tuː ðer ˈdʒiːnjəs ˈiːvɪn æt ðə fʊt ʌv ðə ˈskæfəld/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arsenic noun US /ˈɑːrsənɪk/

a white powdered poisonous trioxide of arsenic; used in manufacturing glass and as a pesticide (rat poison) and weed killer

From this reading “The chemist, called in to look for arsenic in a body, will find it if there is any there.”

chemist noun US /ˈkemɪst/

a scientist who specializes in chemistry

From this reading “The chemist, called in to look for arsenic in a body, will find it if there is any there.”

corrupt verb US /kərˈʌpt/

corrupt morally or by intemperance or sensuality

From this reading “One does not corrupt, one never succeeds in buying this conscience.”

ineradicable adjective US /ˌɪnərˈædəkʌbəl/

not able to be destroyed or rooted out

From this reading “In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.”

invincible adjective US /ˌɪnˈvɪnsəbəl/

incapable of being overcome or subdued

From this reading “In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.”

scaffold noun US /ˈskæfəld/

a platform from which criminals are executed (hanged or beheaded)

From this reading “The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.”

self-respect noun US /ˌselfrɪˈspekt/

the quality of being worthy of esteem or respect

From this reading “In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.”

succeeds verb US /səkˈsiːdz/

third-person singular of “succeed” — attain success or reach a desired goal

From this reading “One does not corrupt, one never succeeds in buying this conscience.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

succeeds in verb + particle counted as “succeed in”

In this reading “One does not corrupt, one never succeeds in buying this conscience.”

play a part verb + article + noun counted as “play … part”

In this reading “The actor who wishes most harm to his theatre or to an author will never play a part badly.”

at the foot preposition + article + noun counted as “at … foot”

In this reading “The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.”

All words in this reading · 65

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

actornounUS /ˈæktər/

a theatrical performer

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

arsenicnounUS /ˈɑːrsənɪk/

a white powdered poisonous trioxide of arsenic; used in manufacturing glass and as a pesticide (rat poison) and weed killer

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

artistsnounUS /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

atprepositionUS /æt/

in or near a particular place or position

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

badlyadverbUS /ˈbædli/

to a severe or serious degree

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

buyingnounUS /ˈbaɪɪŋ/

the act of buying

From this reading One does not corrupt, one never succeeds in buying this conscience.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

chemistnounUS /ˈkemɪst/

a scientist who specializes in chemistry

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

consciencenounUS /ˈkɑːnʃəns/

motivation deriving logically from ethical or moral principles that govern a person's thoughts and actions

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

corruptverbUS /kərˈʌpt/

corrupt morally or by intemperance or sensuality

From this reading One does not corrupt, one never succeeds in buying this conscience.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading One does not corrupt, one never succeeds in buying this conscience.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

faithfuladjectiveUS /ˈfeɪθfəl/

steadfast in affection or allegiance

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

harmnounUS /hɑːrm/

any physical damage to the body caused by violence or accident or fracture etc.

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

ineradicableadjectiveUS /ˌɪnərˈædəkʌbəl/

not able to be destroyed or rooted out

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

invincibleadjectiveUS /ˌɪnˈvɪnsəbəl/

incapable of being overcome or subdued

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

mostadverbUS /moʊst/

used to form the superlative

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading One does not corrupt, one never succeeds in buying this conscience.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading One does not corrupt, one never succeeds in buying this conscience.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading One does not corrupt, one never succeeds in buying this conscience.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

playverbUS /pleɪ/

participate in games or sport

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

professionaladjectiveUS /prəˈfeʃənəl/

engaged in a profession or engaging in as a profession or means of livelihood

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

scaffoldnounUS /ˈskæfəld/

a platform from which criminals are executed (hanged or beheaded)

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

self-respectnounUS /ˌselfrɪˈspekt/

the quality of being worthy of esteem or respect

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

sensenounUS /sens/

a general conscious awareness

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

succeedsverbUS /səkˈsiːdz/

third-person singular of “succeed” — attain success or reach a desired goal

From this reading One does not corrupt, one never succeeds in buying this conscience.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

thereadverbUS /ðer/

in or at that place or location

From this reading The chemist, called in to look for arsenic in a body, will find it if there is any there.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading One does not corrupt, one never succeeds in buying this conscience.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

walknounUS /wɔːk/

the act of traveling by foot

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In every walk of life, artists have an invincible self-respect, a sense of their art, a professional conscience which is ineradicable from the man.

whopronounUS /huː/

which person or people

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

wishesnounUS /ˈwɪʃɪz/

plural of “wish” — a specific feeling of desire

From this reading The actor who wishes most harm to his theatre or to an author will never play a part badly.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The writer, the painter, are always faithful to their genius, even at the foot of the scaffold.

Chapter 2 of The Charterhouse of Parma, Volume 1 by Stendhal holds 406 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Charterhouse of Parma, Volume 1 contain?

Chapter 2 holds 406 sentences of The Charterhouse of Parma, Volume 1, unabridged, divided into 82 reading sections.

This page carries chapter 2 of The Charterhouse of Parma, Volume 1 by Stendhal exactly as it stands in the source edition, without abridgement. It runs to 406 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Charterhouse of Parma, Volume 1?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Charterhouse of Parma, Volume 1

Common questions about reading The Charterhouse of Parma, Volume 1 by Stendhal on this page, its source edition and its audio.

Is this the complete text of The Charterhouse of Parma, Volume 1?

Yes. All 4798 sentences of Project Gutenberg eBook #66374 are kept, with a record of which sentences cover which part.

Which edition of The Charterhouse of Parma, Volume 1 is used?

Project Gutenberg eBook #66374, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Charterhouse of Parma, Volume 1 take to read?

About 399 minutes of reading across 960 sections of 5 sentences each, at an unhurried pace.

How to read The Charterhouse of Parma, Volume 1 section by section

How to work through The Charterhouse of Parma, Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of The Charterhouse of Parma, Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Charterhouse of Parma, Volume 1

Words and structures a reader meets early in The Charterhouse of Parma, Volume 1, each tappable for pronunciation and meaning.

Alone
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Survives
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Spirit
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Sanseverina
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.