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The Charterhouse of Parma, Volume 1
The Charterhouse of Parma, Volume 1

Chapter III

Chapter 3 of The Charterhouse of Parma, Volume 1 is here in full — 397 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for The Charterhouse of Parma, Volume 1
Context Illustration Reading 1/79 · 5 lines
English subtitles · tap any word to listen 1 / 5
There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.
I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.
If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.
Is there not a whole drama in the love of a celibate priest?
So there is a whole drama in the love of the Coadjutor and Clelia.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Charterhouse of Parma, Volume 1

Chapter III

Chapter 3 of The Charterhouse of Parma, Volume 1 is here in full — 397 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.
Line 2
I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.
/aɪ ɪkˈspleɪn ðɪs ˈendɪŋ tuː juː ɪn ə fjuː wɜːrdz sɪns ɪn spaɪt ʌv ˈbjuːtəfəl dɪˈteɪlz ɪt ɪz sketʃt ˈræðər ðæn ˈfɪnɪʃt/
Line 3
If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.
/ɪf ðə ˈɔːθər hæd hæd tuː dɪˈveləp ðə roʊˈmæns ʌv ðə end laɪk ðæt ʌv ðə bɪˈɡɪnɪŋ ɪt wʊd hæv bɪn ˈdɪfəkəlt tuː noʊ wer tuː stɑːp/
Line 4
Is there not a whole drama in the love of a celibate priest?
/ɪz ðer nɑːt ə hoʊl ˈdrɑːmə ɪn ðə lʌv ʌv ə ˈselɪbət priːst/
Line 5
So there is a whole drama in the love of the Coadjutor and Clelia.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Archbishop noun US /ˈɑːrtʃˈbɪʃəp/

a bishop of highest rank

From this reading “There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.”

celibate noun US /ˈselɪbət/

an unmarried person who has taken a religious vow of chastity

From this reading “Is there not a whole drama in the love of a celibate priest?”

Charterhouse noun US /ˈtʃɑːrtərhaʊs/

a Carthusian monastery

From this reading “There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.”

develop verb US /dɪˈveləp/

make something new, such as a product or a mental or artistic creation

From this reading “If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.”

dies noun US /daɪz/

plural of “die” — a small cube with 1 to 6 spots on the six faces; used in gambling to generate random numbers

From this reading “There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.”

resignation noun US /ˌrezəɡˈneɪʃən/

acceptance of despair

From this reading “There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.”

sketched verb US /sketʃt/

past form of “sketch” — make a sketch of

From this reading “I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.”

withdrawal noun US /wɪðˈdrɔːəl/

a retraction of a previously held position

From this reading “There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

few words adjective + noun

In this reading “I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.”

in spite preposition + noun

In this reading “I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.”

beloved child adjective + noun

In this reading “There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

afterprepositionUS /ˈæftər/

later than; following

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

ArchbishopnounUS /ˈɑːrtʃˈbɪʃəp/

a bishop of highest rank

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

belovedadjectiveUS /bɪˈlʌvd/

dearly loved

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

celibatenounUS /ˈselɪbət/

an unmarried person who has taken a religious vow of chastity

From this reading Is there not a whole drama in the love of a celibate priest?

CharterhousenounUS /ˈtʃɑːrtərhaʊs/

a Carthusian monastery

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

childnounUS /tʃaɪld/

a young person of either sex

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

Clelia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

Coadjutornoun

an assistant to a bishop

From this reading So there is a whole drama in the love of the Coadjutor and Clelia.

deathnounUS /deθ/

the event of dying or departure from life

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

detailsnounUS /dɪˈteɪlz/

true confidential information

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

developverbUS /dɪˈveləp/

make something new, such as a product or a mental or artistic creation

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

diesnounUS /daɪz/

plural of “die” — a small cube with 1 to 6 spots on the six faces; used in gambling to generate random numbers

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Is there not a whole drama in the love of a celibate priest?

endnounUS /end/

either extremity of something that has length

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

endingnounUS /ˈendɪŋ/

the end of a word (a suffix or inflectional ending or final morpheme)

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

endsnounUS /endz/

plural of “end” — either extremity of something that has length

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

expiationnoun

compensation for a wrong

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

Fabrizio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

followsverbUS /ˈfɑːloʊz/

third-person singular of “follow” — to travel behind, go after, come after

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

likeverbUS /laɪk/

prefer or wish to do something

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Is there not a whole drama in the love of a celibate priest?

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

Parma

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

priestnounUS /priːst/

a clergyman in Christian churches who has the authority to perform or administer various religious rites; one of the Holy Orders

From this reading Is there not a whole drama in the love of a celibate priest?

ratheradverbUS /ˈræðər/

on the contrary

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

resignationnounUS /ˌrezəɡˈneɪʃən/

acceptance of despair

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

sketchedverbUS /sketʃt/

past form of “sketch” — make a sketch of

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So there is a whole drama in the love of the Coadjutor and Clelia.

spitenounUS /spaɪt/

feeling a need to see others suffer

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

stopverbUS /stɑːp/

come to a halt, stop moving

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

ThereadverbUS /ðer/

in or at that place or location

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

whereconjunctionUS /wer/

in or at the place that

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

whopronounUS /huː/

which person or people

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading Is there not a whole drama in the love of a celibate priest?

withdrawalnounUS /wɪðˈdrɔːəl/

a retraction of a previously held position

From this reading There follows the love of Clelia and Archbishop Fabrizio, which ends in the death of Clelia, in that of a beloved child, and in the resignation and withdrawal of the Archbishop, who dies, doubtless after a long expiation, in the Charterhouse of Parma.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading If the author had had to develop the romance of the end like that of the beginning, it would have been difficult to know where to stop.

youpronounUS /juː/

the person or people being spoken to

From this reading I explain this ending to you in a few words, since, in spite of beautiful details, it is sketched rather than finished.

Chapter 3 of The Charterhouse of Parma, Volume 1 by Stendhal holds 397 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The Charterhouse of Parma, Volume 1 contain?

Chapter 3 holds 397 sentences of The Charterhouse of Parma, Volume 1, unabridged, divided into 80 reading sections.

This page carries chapter 3 of The Charterhouse of Parma, Volume 1 by Stendhal exactly as it stands in the source edition, without abridgement. It runs to 397 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The Charterhouse of Parma, Volume 1?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Charterhouse of Parma, Volume 1

Common questions about reading The Charterhouse of Parma, Volume 1 by Stendhal on this page, its source edition and its audio.

Is this the complete text of The Charterhouse of Parma, Volume 1?

Yes. All 4798 sentences of Project Gutenberg eBook #66374 are kept, with a record of which sentences cover which part.

Which edition of The Charterhouse of Parma, Volume 1 is used?

Project Gutenberg eBook #66374, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Charterhouse of Parma, Volume 1 take to read?

About 399 minutes of reading across 960 sections of 5 sentences each, at an unhurried pace.

How to read The Charterhouse of Parma, Volume 1 section by section

How to work through The Charterhouse of Parma, Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of The Charterhouse of Parma, Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Charterhouse of Parma, Volume 1

Words and structures a reader meets early in The Charterhouse of Parma, Volume 1, each tappable for pronunciation and meaning.

Alone
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Survives
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Spirit
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Sanseverina
A word that appears in the opening chapter of The Charterhouse of Parma, Volume 1; the reader can tap it to hear it and see its dictionary entry.