Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Classic Myths in English Literature and in Art (2nd Ed.) (1911)
The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Chapter I

Chapter 1 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) is here in full — 665 sentences across 133 reading sections, with audio for every sentence and word.

Cover illustration for The Classic Myths in English Literature and in Art (2nd Ed.) (1911)
Context Illustration Reading 1/133 · 5 lines
English subtitles · tap any word to listen 1 / 5
CHARLES MILLS GAYLEY, LITT.D., LL.D.
+The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.
Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;
Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;
Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Chapter I

Chapter 1 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) is here in full — 665 sentences across 133 reading sections, with audio for every sentence and word.

Reading 1/133 · 5 reading units · Lines 1–5

Line 1
CHARLES MILLS GAYLEY, LITT.D., LL.D.
Line 2
+The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.
Line 3
Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;
Line 4
Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;
Line 5
Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;
/ˈweðər ɑːn ˈkrɪstəl rɑːks jiː roʊv bɪˈniːθ ðə ˈbʊzəm ʌv ðə siː ˈwɑːndərɪŋ ɪn ˈmeni ə ˈkɔːrəl ɡroʊv fer naɪn fɔːrˈseɪkɪŋ ˈpoʊətri/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

coral noun US /ˈkɔːrəl/

a variable color averaging a deep pink

From this reading “Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;”

forsaking noun US /fɔːrˈseɪkɪŋ/

the act of forsaking

From this reading “Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;”

melodious adjective US /məˈloʊdiəs/

having a musical sound; especially a pleasing tune

From this reading “Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;”

melody noun US /ˈmelədi/

a succession of notes forming a distinctive sequence

From this reading “Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;”

mills noun US /mɪlz/

United States architect who was the presidentially appointed architect of Washington D.C. (1781-1855)

From this reading “CHARLES MILLS GAYLEY, LITT.D., LL.D.”

proprietors noun US /prəˈpraɪətərz/

plural of “proprietor” — (law) someone who owns (is legal possessor of) a business

From this reading “+The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.”

rove verb US /roʊv/

move about aimlessly or without any destination, often in search of food or employment

From this reading “Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;”

shady adjective US /ˈʃeɪdi/

quiet, dark, or concealed

From this reading “Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;”

All words in this reading · 62

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

Athenæum

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

BeneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

birthnounUS /bɜːrθ/

the time when something begins (especially life)

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

blueadjectiveUS /bluː/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

bosomnounUS /ˈbʊzəm/

the chest considered as the place where secret thoughts are kept

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

BOSTONnounUS /ˈbɑːstən/

state capital and largest city of Massachusetts; a major center for banking and financial services

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

brownounUS /braʊ/

the part of the face above the eyes

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

ceas'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

chambersnounUS /ˈtʃeɪmbərz/

English architect (1723-1796)

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

CHARLESnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading CHARLES MILLS GAYLEY, LITT.D., LL.D.

COMPANYnounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

coralnounUS /ˈkɔːrəl/

a variable color averaging a deep pink

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

cornersnounUS /ˈkɔːrnərz/

plural of “corner” — a place off to the side of an area

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

crystalnounUS /ˈkrɪstəl/

a solid formed by the solidification of a chemical and having a highly regular atomic structure

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

DnounUS /diː/

a fat-soluble vitamin that prevents rickets

From this reading CHARLES MILLS GAYLEY, LITT.D., LL.D.

earthnounUS /ɜːrθ/

the 3rd planet from the sun; the planet we live on

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

EastnounUS /iːst/

the cardinal compass point that is at 90 degrees

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

forsakingnounUS /fɔːrˈseɪkɪŋ/

the act of forsaking

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

GAYLEY

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CHARLES MILLS GAYLEY, LITT.D., LL.D.

GINN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

greennounUS /ɡriːn/

green color or pigment; resembling the color of growing grass

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

grovenounUS /ɡroʊv/

a small growth of trees without underbrush

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

Heav'n

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

Ida's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

LITT

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CHARLES MILLS GAYLEY, LITT.D., LL.D.

LL

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading CHARLES MILLS GAYLEY, LITT.D., LL.D.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

melodiousadjectiveUS /məˈloʊdiəs/

having a musical sound; especially a pleasing tune

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

melodynounUS /ˈmelədi/

a succession of notes forming a distinctive sequence

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

MILLSnounUS /mɪlz/

United States architect who was the presidentially appointed architect of Washington D.C. (1781-1855)

From this reading CHARLES MILLS GAYLEY, LITT.D., LL.D.

NinenounUS /naɪn/

the cardinal number that is the sum of eight and one

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

OrconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

PoetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

PressverbUS /pres/

exert pressure or force to or upon

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

PROPRIETORSnounUS /prəˈpraɪətərz/

plural of “proprietor” — (law) someone who owns (is legal possessor of) a business

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

regionsnounUS /ˈriːdʒənz/

plural of “region” — the extended spatial location of something

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

rocksnounUS /rɑːks/

plural of “rock” — a lump or mass of hard consolidated mineral matter

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

roveverbUS /roʊv/

move about aimlessly or without any destination, often in search of food or employment

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

SnounUS /es/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

seanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

shadyadjectiveUS /ˈʃeɪdi/

quiet, dark, or concealed

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

sunnounUS /sʌn/

the star that is the source of light and heat for the planets in the solar system

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

UnounUS /juː/

a base containing nitrogen that is found in RNA (but not in DNA) and derived from pyrimidine; pairs with adenine

From this reading +The Athenæum Press+ GINN AND COMPANY · PROPRIETORS · BOSTON · U.S.A.

wanderverbUS /ˈwɑːndər/

move about aimlessly or without any destination, often in search of food or employment

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

WanderingadjectiveUS /ˈwɑːndərɪŋ/

migratory

From this reading Whether on crystal rocks ye rove, Beneath the bosom of the sea, Wandering in many a coral grove, Fair Nine, forsaking Poetry;

WhereconjunctionUS /wer/

in or at the place that

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

WhetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Whether on Ida's shady brow, Or in the chambers of the East, The chambers of the sun, that now From ancient melody have ceas'd;

windsnounUS /wɪndz/

plural of “wind” — air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

yepronounUS /jiː/

an old word for “you”, speaking to more than one person

From this reading Whether in Heav'n ye wander fair, Or the green corners of the earth, Or the blue regions of the air, Where the melodious winds have birth;

Chapter 1 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) by Charles Mills Gayley holds 665 sentences, grouped into 133 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) contain?

Chapter 1 holds 665 sentences of The Classic Myths in English Literature and in Art (2nd Ed.) (1911), unabridged, divided into 133 reading sections.

This page carries chapter 1 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) by Charles Mills Gayley exactly as it stands in the source edition, without abridgement. It runs to 665 sentences, grouped into 133 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911)?

Work through the 133 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 133 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Common questions about reading The Classic Myths in English Literature and in Art (2nd Ed.) (1911) by Charles Mills Gayley on this page, its source edition and its audio.

Is this the complete text of The Classic Myths in English Literature and in Art (2nd Ed.) (1911)?

Yes. All 11665 sentences of Project Gutenberg eBook #46063 are kept, with a record of which sentences cover which part.

Which edition of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) is used?

Project Gutenberg eBook #46063, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Classic Myths in English Literature and in Art (2nd Ed.) (1911) take to read?

About 600 minutes of reading across 2333 sections of 5 sentences each, at an unhurried pace.

How to read The Classic Myths in English Literature and in Art (2nd Ed.) (1911) section by section

How to work through The Classic Myths in English Literature and in Art (2nd Ed.) (1911) section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 33 chapters of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Words and structures a reader meets early in The Classic Myths in English Literature and in Art (2nd Ed.) (1911), each tappable for pronunciation and meaning.

Charles
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.
Mills
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.
Gayley
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.
Athen
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.