Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Classic Myths in English Literature and in Art (2nd Ed.) (1911)
The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Chapter XXX

Chapter 30 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) is here in full — 486 sentences across 98 reading sections, with audio for every sentence and word.

Cover illustration for The Classic Myths in English Literature and in Art (2nd Ed.) (1911)
Context Illustration Reading 1/97 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE RING OF THE NIBELUNG =284.
Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.
He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.
As musical dramas the four plays constitute the grandest series of the kind that the world possesses.
But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Chapter XXX

Chapter 30 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) is here in full — 486 sentences across 98 reading sections, with audio for every sentence and word.

Reading 1/97 · 5 reading units · Lines 1–5

Line 1
THE RING OF THE NIBELUNG =284.
Line 2
Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.
Line 3
He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.
/hiː ɪz riˈspɑːnsəbəl nɑːt ˈoʊnli fɔːr ðə ˈmjuːzɪkəl skɔːr ʌv ðə fɔːr ˈɑːprəz ʌv wɪtʃ ðə rɪŋ kənˈsɪsts bʌt fɔːr ðə tekst ənd ˈsiːnɪk ərˈeɪndʒmənt æz wel/
Line 4
As musical dramas the four plays constitute the grandest series of the kind that the world possesses.
/æz ˈmjuːzɪkəl ˈdrɑːməz ðə fɔːr pleɪz ˈkɑːnstətuːt ðə ˈɡrændəst ˈsɪriz ʌv ðə kaɪnd ðæt ðə wɜːrld pəˈzesəz/
Line 5
But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

composer noun US /kəmˈpoʊzər/

someone who composes music as a profession

From this reading “Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.”

diction noun US /ˈdɪkʃən/

the articulation of speech regarded from the point of view of its intelligibility to the audience

From this reading “But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.”

Norse noun US /nɔːrs/

an inhabitant of Scandinavia

From this reading “Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.”

operas noun US /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading “He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.”

scenic adjective US /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading “He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.”

Siegfried noun US /ˈsiːɡfriːd/

(German mythology) mythical German warrior hero of the Nibelungenlied who takes possession of the accursed treasure of the Nibelungs by slaying the dragon that guards it and awakens Brynhild and is eventually killed

Valkyrie noun US /ˌvælˈkiːriːə/

(Norse mythology) one of the maidens of Odin who chose heroes to be slain in battle and conducted them to Valhalla

Wagner's noun US /ˈwæɡnərz/

possessive form of “wagner” — Austrian architect and pioneer of modern architecture (1841-1918)

From this reading “Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.”

All words in this reading · 80

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

284

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE RING OF THE NIBELUNG =284.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

composernounUS /kəmˈpoʊzər/

someone who composes music as a profession

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

consistsverbUS /kənˈsɪsts/

third-person singular of “consist” — originate

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

constituteverbUS /ˈkɑːnstətuːt/

form or compose

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

dictionnounUS /ˈdɪkʃən/

the articulation of speech regarded from the point of view of its intelligibility to the audience

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

dramasnounUS /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

DusknounUS /dʌsk/

the time of day immediately following sunset

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

entitledadjectiveUS /enˈtaɪtəld/

qualified for by right according to law

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

GermannounUS /ˈdʒɜːrmən/

a person of German nationality

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

GodsnounUS /ɡɑːdz/

plural of “god” — the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

grandestadjectiveUS /ˈɡrændəst/

superlative of “grand” — of behavior that is impressive and ambitious in scale or scope

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

insightnounUS /ˈɪnsaɪt/

clear or deep perception of a situation

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

inventionnounUS /ˌɪnˈvenʃən/

the creation of something in the mind

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

NIBELUNGnoun

(German mythology) a companion or follower of Siegfried

From this reading THE RING OF THE NIBELUNG =284.

NorsenounUS /nɔːrs/

an inhabitant of Scandinavia

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

notableadjectiveUS /ˈnoʊtəbəl/

widely known and esteemed

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE RING OF THE NIBELUNG =284.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

operasnounUS /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

possessesverbUS /pəˈzesəz/

third-person singular of “possess” — have as an attribute, knowledge, or skill

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

precedingadjectiveUS /priˈsiːdɪŋ/

existing or coming before

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

ranknounUS /ræŋk/

a row or line of people (especially soldiers or police) standing abreast of one another

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

recountedverbUS /rɪˈkaʊntɪd/

past form of “recount” — narrate or give a detailed account of

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

responsibleadjectiveUS /riˈspɑːnsəbəl/

worthy of or requiring responsibility or trust; or held accountable

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

returnsnounUS /rɪˈtɜːrnz/

plural of “return” — document giving the tax collector information about the taxpayer's tax liability

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

Rhine-gold

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

RINGverbUS /rɪŋ/

sound loudly and sonorously

From this reading THE RING OF THE NIBELUNG =284.

scenicadjectiveUS /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

scorenounUS /skɔːr/

a number or letter indicating quality (especially of a student's performance)

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

SiegfriednounUS /ˈsiːɡfriːd/

(German mythology) mythical German warrior hero of the Nibelungenlied who takes possession of the accursed treasure of the Nibelungs by slaying the dragon that guards it and awakens Brynhild and is eventually killed

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

Tetralogynoun

a series of four related works (plays or operas or novels)

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

textnounUS /tekst/

the words of something written

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE RING OF THE NIBELUNG =284.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

TwilightnounUS /ˈtwaɪlaɪt/

the time of day immediately following sunset

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

ValkyrienounUS /ˌvælˈkiːriːə/

(Norse mythology) one of the maidens of Odin who chose heroes to be slain in battle and conducted them to Valhalla

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

versionnounUS /ˈvɜːrʒən/

an interpretation of a matter from a particular viewpoint

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

WagnernounUS /ˈwæɡnər/

Austrian architect and pioneer of modern architecture (1841-1918)

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

Wagner'snounUS /ˈwæɡnərz/

possessive form of “wagner” — Austrian architect and pioneer of modern architecture (1841-1918)

From this reading Wagner's Tetralogy.= In his famous Ring of the Nibelung the German composer, Richard Wagner, returns to the Norse version of the stories recounted in the chapter preceding this.

weddedadjectiveUS /ˈwedɪd/

having been taken in marriage

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He is responsible not only for the musical score of the four operas of which the Ring consists, but for the text and scenic arrangement as well.

withprepositionUS /wɪð/

in the company of; together with

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading As musical dramas the four plays constitute the grandest series of the kind that the world possesses.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading But even if they were not wedded to such music, the _Rhine-gold_, the _Valkyrie_, the _Siegfried_, and the _Twilight_ (or _Dusk_) _of the Gods_ would be entitled, for creative invention, imaginative insight and power, and poetic diction, to rank with notable dramas, ancient or modern.

Chapter 30 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) by Charles Mills Gayley holds 486 sentences, grouped into 98 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 30 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) contain?

Chapter 30 holds 486 sentences of The Classic Myths in English Literature and in Art (2nd Ed.) (1911), unabridged, divided into 98 reading sections.

This page carries chapter 30 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) by Charles Mills Gayley exactly as it stands in the source edition, without abridgement. It runs to 486 sentences, grouped into 98 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 30 of The Classic Myths in English Literature and in Art (2nd Ed.) (1911)?

Work through the 98 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 98 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 30 be read aloud to me?

Yes — every sentence and every individual word in chapter 30 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Common questions about reading The Classic Myths in English Literature and in Art (2nd Ed.) (1911) by Charles Mills Gayley on this page, its source edition and its audio.

Is this the complete text of The Classic Myths in English Literature and in Art (2nd Ed.) (1911)?

Yes. All 11665 sentences of Project Gutenberg eBook #46063 are kept, with a record of which sentences cover which part.

Which edition of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) is used?

Project Gutenberg eBook #46063, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Classic Myths in English Literature and in Art (2nd Ed.) (1911) take to read?

About 600 minutes of reading across 2333 sections of 5 sentences each, at an unhurried pace.

How to read The Classic Myths in English Literature and in Art (2nd Ed.) (1911) section by section

How to work through The Classic Myths in English Literature and in Art (2nd Ed.) (1911) section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 33 chapters of The Classic Myths in English Literature and in Art (2nd Ed.) (1911) to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Classic Myths in English Literature and in Art (2nd Ed.) (1911)

Words and structures a reader meets early in The Classic Myths in English Literature and in Art (2nd Ed.) (1911), each tappable for pronunciation and meaning.

Charles
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.
Mills
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.
Gayley
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.
Athen
A word that appears in the opening chapter of The Classic Myths in English Literature and in Art (2nd Ed.) (1911); the reader can tap it to hear it and see its dictionary entry.