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The cobbler of Nîmes
The cobbler of Nîmes

Chapter X

Chapter 10 of The cobbler of Nîmes is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/26 · 5 lines
English subtitles · tap any word to listen 1 / 5
A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.
Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.
He was watching the old face before him, with indifferent eyes, a smile on his lips.
She was ill at ease; he was well satisfied.
He was the first to break the pause.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The cobbler of Nîmes

Chapter X

Chapter 10 of The cobbler of Nîmes is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.
Line 2
Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.
Line 3
He was watching the old face before him, with indifferent eyes, a smile on his lips.
/hiː wɑːz ˈwɑːtʃɪŋ ðə oʊld feɪs bɪˈfɔːr hɪm wɪð ˌɪnˈdɪfrənt aɪz ə smaɪl ɑːn hɪz lɪps/
Line 4
She was ill at ease; he was well satisfied.
/ʃiː wɑːz ɪl æt iːz hiː wɑːz wel ˈsætəsfaɪd/
Line 5
He was the first to break the pause.
/hiː wɑːz ðə fɜːrst tuː breɪk ðə pɔːz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

absent adjective US /ˈæbsənt/

not being in a specified place

From this reading “A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.”

ease verb US /iːz/

move gently or carefully

From this reading “She was ill at ease; he was well satisfied.”

elbow noun US /ˈelboʊ/

hinge joint between the forearm and upper arm and the corresponding joint in the forelimb of a quadruped

From this reading “Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.”

elegant adjective US /ˈeləɡənt/

refined and tasteful in appearance or behavior or style

From this reading “Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.”

folded verb US /ˈfoʊldəd/

past form of “fold” — bend or lay so that one part covers the other

From this reading “A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.”

indifferent adjective US /ˌɪnˈdɪfrənt/

marked by a lack of interest

From this reading “He was watching the old face before him, with indifferent eyes, a smile on his lips.”

lap verb US /læp/

lie partly over or alongside of something or of one another

From this reading “A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.”

leaning adjective US /ˈliːnɪŋ/

departing or being caused to depart from the true vertical or horizontal

From this reading “A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

elegant figure adjective + noun

In this reading “Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.”

on the mantelpiece preposition + article + noun counted as “on … mantelpiece”

In this reading “Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.”

hands folded noun + noun counted as “hands fold”

In this reading “A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.”

well satisfied adverb + adjective

In this reading “She was ill at ease; he was well satisfied.”

white hands noun + noun

In this reading “A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.”

All words in this reading · 57

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

absentadjectiveUS /ˈæbsənt/

not being in a specified place

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

atprepositionUS /æt/

in or near a particular place or position

From this reading She was ill at ease; he was well satisfied.

backadverbUS /bæk/

in or to or toward a former location

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

Baudri

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

breakverbUS /breɪk/

terminate

From this reading He was the first to break the pause.

chairnounUS /tʃer/

a seat for one person, with a support for the back

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

Cyr

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

DANGEROUSadjectiveUS /ˈdeɪndʒərəs/

involving or causing danger or risk; liable to hurt or harm

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

easeverbUS /iːz/

move gently or carefully

From this reading She was ill at ease; he was well satisfied.

elbownounUS /ˈelboʊ/

hinge joint between the forearm and upper arm and the corresponding joint in the forelimb of a quadruped

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

elegantadjectiveUS /ˈeləɡənt/

refined and tasteful in appearance or behavior or style

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

eyesnounUS /aɪz/

opinion or judgment

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading He was the first to break the pause.

fixedadjectiveUS /fɪkst/

(of a number) having a fixed and unchanging value

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

foldedverbUS /ˈfoʊldəd/

past form of “fold” — bend or lay so that one part covers the other

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

gazenounUS /ɡeɪz/

a long fixed look

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

illadjectiveUS /ɪl/

affected by an impairment of normal physical or mental function

From this reading She was ill at ease; he was well satisfied.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

indifferentadjectiveUS /ˌɪnˈdɪfrənt/

marked by a lack of interest

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

lapverbUS /læp/

lie partly over or alongside of something or of one another

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

leaningadjectiveUS /ˈliːnɪŋ/

departing or being caused to depart from the true vertical or horizontal

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

MadamenounUS /ˈmædəm/

title used for a married Frenchwoman

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

mantelpiecenoun

shelf that projects from wall above fireplace

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

OppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

outsideadjectiveUS /ˈaʊtˈsaɪd/

relating to or being on or near the outer side or limit

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading He was the first to break the pause.

satisfiedadjectiveUS /ˈsætəsfaɪd/

filled with satisfaction

From this reading She was ill at ease; he was well satisfied.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She was ill at ease; he was well satisfied.

sitting-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

spacenounUS /speɪs/

the unlimited expanse in which everything is located

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

SUITverbUS /suːt/

be agreeable or acceptable to

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Opposite to her, leaning his elbow on the mantelpiece was the elegant figure of M. de Baudri.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

watchingnounUS /ˈwɑːtʃɪŋ/

the act of observing; taking a patient look

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading She was ill at ease; he was well satisfied.

whitenounUS /waɪt/

a Caucasian

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

windownounUS /ˈwɪndoʊ/

a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air

From this reading A DANGEROUS SUIT Madame de St. Cyr was leaning back in her chair, her white hands folded in her lap, her eyes fixed in an absent gaze on the space outside the sitting-room window.

withprepositionUS /wɪð/

in the company of; together with

From this reading He was watching the old face before him, with indifferent eyes, a smile on his lips.

Chapter 10 of The cobbler of Nîmes by Mary Imlay Taylor holds 134 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of The cobbler of Nîmes contain?

Chapter 10 holds 134 sentences of The cobbler of Nîmes, unabridged, divided into 27 reading sections.

This page carries chapter 10 of The cobbler of Nîmes by Mary Imlay Taylor exactly as it stands in the source edition, without abridgement. It runs to 134 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of The cobbler of Nîmes?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The cobbler of Nîmes

Common questions about reading The cobbler of Nîmes by Mary Imlay Taylor on this page, its source edition and its audio.

Is this the complete text of The cobbler of Nîmes?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The cobbler of Nîmes is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The cobbler of Nîmes take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The cobbler of Nîmes

Words and structures a reader meets early in The cobbler of Nîmes, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The cobbler of Nîmes, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The cobbler of Nîmes, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The cobbler of Nîmes, divided into 5-sentence reading sections.