Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Collected Works in Verse and Prose of William — Vol. 1
The Collected Works in Verse and Prose of William — Vol. 1

Chapter I

Chapter 1 of The Collected Works in Verse and Prose of William — Vol. 1 is here in full — 557 sentences across 112 reading sections, with audio for every sentence and word.

Cover illustration for The Collected Works in Verse and Prose of William — Vol. 1
Context Illustration Reading 1/111 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.
The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.
The host is rushing ’twixt night and day, And where is there hope or deed as fair?
Caolte tossing his burning hair, And Niamh calling _Away, come away_.
O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Collected Works in Verse and Prose of William — Vol. 1

Chapter I

Chapter 1 of The Collected Works in Verse and Prose of William — Vol. 1 is here in full — 557 sentences across 112 reading sections, with audio for every sentence and word.

Reading 1/111 · 5 reading units · Lines 1–5

Line 1
THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.
Line 2
The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.
Line 3
The host is rushing ’twixt night and day, And where is there hope or deed as fair?
Line 4
Caolte tossing his burning hair, And Niamh calling _Away, come away_.
Line 5
O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?
/oʊ swiːt ˌevərˈlæstɪŋ ˈvɔɪsəz biː stɪl ɡoʊ tuː ðə ɡɑːrdz ʌv ðə ˈhevənli foʊld ənd bɪd ðem ˈwɑːndər oʊˈbeɪɪŋ jɔːr wɪl fleɪm ˈʌndər fleɪm tɪl taɪm biː noʊ mɔːr hæv juː nɑːt hɜːrd ðæt ˈaʊər hɑːrts ɑːr oʊld ðæt juː kɔːl ɪn bɜːrdz ɪn waɪnd ɑːn ðə hɪl ɪn ˈʃeɪkən baʊz ɪn taɪd ɑːn ðə ʃɔːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

awaken verb US /əˈweɪkən/

cause to become awake or conscious

From this reading “The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.”

breasts noun US /brests/

plural of “breast” — the front of the trunk from the neck to the abdomen

From this reading “The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.”

everlasting adjective US /ˌevərˈlæstɪŋ/

continuing forever or indefinitely

From this reading “O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?”

fold noun US /foʊld/

an angular or rounded shape made by folding

From this reading “O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?”

heaving noun US /ˈhiːvɪŋ/

an upward movement (especially a rhythmical rising and falling)

From this reading “The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.”

obeying verb US /oʊˈbeɪɪŋ/

-ing form of “obey” — be obedient to

From this reading “O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?”

unbound adjective US /ʌnˈbaʊnd/

Released from physical or magical bonds; free and unrestricted.

From this reading “The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.”

whirl verb US /wɜːrl/

turn in a twisting or spinning motion

From this reading “The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

whirl round verb + noun

In this reading “The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.”

on the shore preposition + article + noun counted as “on … shore”

In this reading “O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?”

on the hill preposition + article + noun counted as “on … hill”

In this reading “O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?”

All words in this reading · 102

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

a-gleam

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

apartadverbUS /əˈpɑːrt/

separated or at a distance in place or position or time

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

armsnounUS /ɑːrmz/

weapons considered collectively

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

awakenverbUS /əˈweɪkən/

cause to become awake or conscious

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

AwayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

bandnounUS /bænd/

an unofficial association of people or groups

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

bidverbUS /bɪd/

propose a payment

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

birdsnounUS /bɜːrdz/

plural of “bird” — warm-blooded egg-laying vertebrates characterized by feathers and forelimbs modified as wings

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

boughsnounUS /baʊz/

plural of “bough” — any of the larger branches of a tree

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

breastsnounUS /brests/

plural of “breast” — the front of the trunk from the neck to the abdomen

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

burningnounUS /ˈbɜːrnɪŋ/

the act of burning something

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

callingnounUS /ˈkɔːlɪŋ/

the particular occupation for which you are trained

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

Caolte

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

cheeksnounUS /tʃiːks/

plural of “cheek” — either side of the face below the eyes

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

Clooth-na-bare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

deednounUS /diːd/

a legal document signed and sealed and delivered to effect a transfer of property and to show the legal right to possess it

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

EmptyverbUS /ˈempti/

make void or empty of contents

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

everlastingadjectiveUS /ˌevərˈlæstɪŋ/

continuing forever or indefinitely

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

eyesnounUS /aɪz/

opinion or judgment

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

FlamenounUS /fleɪm/

A hot glowing body of ignited gas produced by fire.

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

foldnounUS /foʊld/

an angular or rounded shape made by folding

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

gazenounUS /ɡeɪz/

a long fixed look

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

GoverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

gravenounUS /ɡreɪv/

death of a person

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

guardsnounUS /ɡɑːrdz/

plural of “guard” — a person who keeps watch over something or someone

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

Haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

heartsnounUS /hɑːrts/

a form of whist in which players avoid winning tricks containing hearts or the queen of spades

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

heavenlyadjectiveUS /ˈhevənli/

relating to or inhabiting a divine heaven

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

heavingnounUS /ˈhiːvɪŋ/

an upward movement (especially a rhythmical rising and falling)

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

hillnounUS /hɪl/

a local and well-defined elevation of the land

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

hostnounUS /hoʊst/

a person who invites guests to a social event (such as a party in his or her own home) and who is responsible for them while they are there

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

Knocknarea

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

mortaladjectiveUS /ˈmɔːrtəl/

subject to death

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

Niamh

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

nodeterminerUS /noʊ/

not any; not one

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

OnounUS /oʊ/

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

obeyingverbUS /oʊˈbeɪɪŋ/

-ing form of “obey” — be obedient to

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

paleadjectiveUS /peɪl/

very light colored; highly diluted with white

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

ridingnounUS /ˈraɪdɪŋ/

the sport of sitting on the back of a horse while controlling its movements

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

rushingnounUS /ˈrʌʃɪŋ/

(American football) an attempt to advance the ball by running into the line

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

shakenadjectiveUS /ˈʃeɪkən/

disturbed psychologically as if by a physical jolt or shock

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

shorenounUS /ʃɔːr/

the land along the edge of a body of water

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

stilladjectiveUS /stɪl/

not in physical motion

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

SWEETadjectiveUS /swiːt/

having or denoting the characteristic taste of sugar

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

thereadverbUS /ðer/

in or at that place or location

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

tidenounUS /taɪd/

the periodic rise and fall of the sea level under the gravitational pull of the moon

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

tillprepositionUS /tɪl/

up to a particular time

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

TimenounUS /taɪm/

an instance or single occasion for some event

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

tossingverbUS /ˈtɔːsɪŋ/

-ing form of “toss” — throw or toss with a light motion

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

twixt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

unboundadjectiveUS /ʌnˈbaʊnd/

Released from physical or magical bonds; free and unrestricted.

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

VoicesnounUS /ˈvɔɪsəz/

plural of “voice” — the distinctive quality or pitch or condition of a person's speech

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

wanderverbUS /ˈwɑːndər/

move about aimlessly or without any destination, often in search of food or employment

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

wavingnounUS /ˈweɪvɪŋ/

the act of signaling by a movement of the hand

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

whereconjunctionUS /wer/

in or at the place that

From this reading The host is rushing ’twixt night and day, And where is there hope or deed as fair?

whirlverbUS /wɜːrl/

turn in a twisting or spinning motion

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

windsnounUS /wɪndz/

plural of “wind” — air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart_.

youpronounUS /juː/

the person or people being spoken to

From this reading O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore?

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading THE host is riding from Knocknarea And over the grave of Clooth-na-bare; Caolte tossing his burning hair And Niamh calling _Away, come away: Empty your heart of its mortal dream.

Chapter 1 of The Collected Works in Verse and Prose of William — Vol. 1 by W. B. (William Butler) Yeats holds 557 sentences, grouped into 112 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Collected Works in Verse and Prose of William — Vol. 1 contain?

Chapter 1 holds 557 sentences of The Collected Works in Verse and Prose of William — Vol. 1, unabridged, divided into 112 reading sections.

This page carries chapter 1 of The Collected Works in Verse and Prose of William — Vol. 1 by W. B. (William Butler) Yeats exactly as it stands in the source edition, without abridgement. It runs to 557 sentences, grouped into 112 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Collected Works in Verse and Prose of William — Vol. 1?

Work through the 112 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 112 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Collected Works in Verse and Prose of William — Vol. 1

Common questions about reading The Collected Works in Verse and Prose of William — Vol. 1 by W. B. (William Butler) Yeats on this page, its source edition and its audio.

Is this the complete text of The Collected Works in Verse and Prose of William — Vol. 1?

Yes. All 948 sentences of Project Gutenberg eBook #49608 are kept, with a record of which sentences cover which part.

Which edition of The Collected Works in Verse and Prose of William — Vol. 1 is used?

Project Gutenberg eBook #49608, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Collected Works in Verse and Prose of William — Vol. 1 take to read?

About 79 minutes of reading across 190 sections of 5 sentences each, at an unhurried pace.

How to read The Collected Works in Verse and Prose of William — Vol. 1 section by section

How to work through The Collected Works in Verse and Prose of William — Vol. 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 4 chapters of The Collected Works in Verse and Prose of William — Vol. 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Collected Works in Verse and Prose of William — Vol. 1

Words and structures a reader meets early in The Collected Works in Verse and Prose of William — Vol. 1, each tappable for pronunciation and meaning.

Riding
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Knocknarea
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Grave
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 1; the reader can tap it to hear it and see its dictionary entry.
Clooth-na-bare
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 1; the reader can tap it to hear it and see its dictionary entry.