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The Collected Works in Verse and Prose of William — Vol. 4
The Collected Works in Verse and Prose of William — Vol. 4

Chapter IV

Chapter 4 of The Collected Works in Verse and Prose of William — Vol. 4 is here in full — 466 sentences across 94 reading sections, with audio for every sentence and word.

Cover illustration for The Collected Works in Verse and Prose of William — Vol. 4
Context Illustration Reading 1/93 · 5 lines
English subtitles · tap any word to listen 1 / 5
What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.
A farce and a tragedy are alike in this that they are a moment of intense life.
An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.
The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.
The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Collected Works in Verse and Prose of William — Vol. 4

Chapter IV

Chapter 4 of The Collected Works in Verse and Prose of William — Vol. 4 is here in full — 466 sentences across 94 reading sections, with audio for every sentence and word.

Reading 1/93 · 5 reading units · Lines 1–5

Line 1
What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.
/wʌt əˈtrækts wʌn tuː ˈdrɑːmə ɪz ðæt ɪt ɪz ɪn ðə moʊst ˈɑːbviəs weɪ wʌt ɔːl ðə ɑːrts ɑːr əˈpɑːn ə læst əˈnæləsəs/
Line 2
A farce and a tragedy are alike in this that they are a moment of intense life.
/ə fɑːrs ənd ə ˈtrædʒədi ɑːr əˈlaɪk ɪn ðɪs ðæt ðeɪ ɑːr ə ˈmoʊmənt ʌv ˌɪnˈtens laɪf/
Line 3
An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.
Line 4
The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.
Line 5
The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

analysis noun US /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading “What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.”

attracts verb US /əˈtrækts/

third-person singular of “attract” — direct toward itself or oneself by means of some psychological power or physical attributes

From this reading “What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.”

dramatist noun US /ˈdrɑːmətɪst/

someone who writes plays

From this reading “The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.”

eddy verb US /ˈedi/

flow in a circular current, of liquids

From this reading “The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.”

farce noun US /fɑːrs/

a comedy characterized by broad satire and improbable situations

From this reading “A farce and a tragedy are alike in this that they are a moment of intense life.”

musician noun US /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading “The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.”

purified verb US /ˈpjʊrəfaɪd/

inflected form of “purify” — remove impurities from, increase the concentration of, and separate through the process of distillation

From this reading “The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.”

sculptor noun US /ˈskʌlptər/

an artist who creates sculptures

From this reading “The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

last analysis adjective + noun

In this reading “What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.”

less important adverb + adjective

In this reading “The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.”

most obvious adverb + adjective

In this reading “What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.”

freed from verb + particle counted as “free from”

In this reading “The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.”

simple form adjective + noun

In this reading “An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.”

in the world preposition + article + noun counted as “in … world”

In this reading “An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.”

All words in this reading · 88

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

actionsnounUS /ˈækʃənz/

plural of “action” — something done (usually as opposed to something said)

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

activitynounUS /ækˈtɪvəti/

any specific behavior

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

alikeadverbUS /əˈlaɪk/

equally

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

analysisnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

anyrate

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

artsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

atprepositionUS /æt/

in or near a particular place or position

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

attractsverbUS /əˈtrækts/

third-person singular of “attract” — direct toward itself or oneself by means of some psychological power or physical attributes

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

bodilyadverbUS /ˈbɑːdəli/

in bodily form

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

dramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

eddyverbUS /ˈedi/

flow in a circular current, of liquids

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

energynounUS /ˈenərdʒi/

(physics) a thermodynamic quantity equivalent to the capacity of a physical system to do work; the units of energy are joules or ergs

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

escapenounUS /ɪˈskeɪp/

the act of escaping physically

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

everythingpronounUS /ˈevriθɪŋ/

all things; all of a situation

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

farcenounUS /fɑːrs/

a comedy characterized by broad satire and improbable situations

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

freedverbUS /friːd/

past form of “free” — grant freedom to; free from confinement

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

hair-breadth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

intenseadjectiveUS /ˌɪnˈtens/

possessing or displaying a distinctive feature to a heightened degree

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

involvedadjectiveUS /ˌɪnˈvɑːlvd/

connected by participation or association or use

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

kindsnounUS /kaɪndz/

plural of “kind” — a category of things distinguished by some common characteristic or quality

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

lastadjectiveUS /læst/

immediately past

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

losingverbUS /ˈluːzɪŋ/

-ing form of “lose” — fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

mostadverbUS /moʊst/

used to form the superlative

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

musiciannounUS /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

obviousadjectiveUS /ˈɑːbviəs/

easily perceived by the senses or grasped by the mind

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

purifiedverbUS /ˈpjʊrəfaɪd/

inflected form of “purify” — remove impurities from, increase the concentration of, and separate through the process of distillation

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

reducedadjectiveUS /rəˈduːst/

made less in size or amount or degree

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

sculptornounUS /ˈskʌlptər/

an artist who creates sculptures

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

sensenounUS /sens/

a general conscious awareness

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

soulsnounUS /soʊlz/

plural of “soul” — the immaterial part of a person; the actuating cause of an individual life

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading A farce and a tragedy are alike in this that they are a moment of intense life.

unpreoccupied

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

waynounUS /weɪ/

how something is done or how it happens

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What attracts one to drama is that it is, in the most obvious way, what all the arts are upon a last analysis.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading The characters that are involved in it are freed from everything that is not a part of that action; and whether it is, as in the less important kinds of drama, a mere bodily activity, a hair-breadth escape or the like, or as it is in the more important kinds, an activity of the souls of the characters, it is an energy, an eddy of life purified from everything but itself.

withprepositionUS /wɪð/

in the company of; together with

From this reading The dramatist must picture life in action, with an unpreoccupied mind, as the musician pictures her in sound and the sculptor in form.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading An action is taken out of all other actions; it is reduced to its simple form, or at anyrate to as simple a form as it can be brought to without our losing the sense of its place in the world.

Chapter 4 of The Collected Works in Verse and Prose of William — Vol. 4 by W. B. (William Butler) Yeats holds 466 sentences, grouped into 94 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Collected Works in Verse and Prose of William — Vol. 4 contain?

Chapter 4 holds 466 sentences of The Collected Works in Verse and Prose of William — Vol. 4, unabridged, divided into 94 reading sections.

This page carries chapter 4 of The Collected Works in Verse and Prose of William — Vol. 4 by W. B. (William Butler) Yeats exactly as it stands in the source edition, without abridgement. It runs to 466 sentences, grouped into 94 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Collected Works in Verse and Prose of William — Vol. 4?

Work through the 94 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 94 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Yes. All 2250 sentences of Project Gutenberg eBook #49611 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #49611, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Collected Works in Verse and Prose of William — Vol. 4 take to read?

About 187 minutes of reading across 450 sections of 5 sentences each, at an unhurried pace.

How to read The Collected Works in Verse and Prose of William — Vol. 4 section by section

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Vocabulary met early in The Collected Works in Verse and Prose of William — Vol. 4

Words and structures a reader meets early in The Collected Works in Verse and Prose of William — Vol. 4, each tappable for pronunciation and meaning.

Knows
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 4; the reader can tap it to hear it and see its dictionary entry.
Everything
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 4; the reader can tap it to hear it and see its dictionary entry.
Hares
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 4; the reader can tap it to hear it and see its dictionary entry.
Wisdom
A word that appears in the opening chapter of The Collected Works in Verse and Prose of William — Vol. 4; the reader can tap it to hear it and see its dictionary entry.