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The Collected Works of Ambrose Bierce — Volume 10
The Collected Works of Ambrose Bierce — Volume 10

Chapter IV

Chapter 4 of The Collected Works of Ambrose Bierce — Volume 10 is here in full — 386 sentences across 78 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/77 · 5 lines
English subtitles · tap any word to listen 1 / 5
Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.
To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.
A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.
’Mid pulse of dungeoned forges down the stunned, Undominated firmament.
It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Collected Works of Ambrose Bierce — Volume 10

Chapter IV

Chapter 4 of The Collected Works of Ambrose Bierce — Volume 10 is here in full — 386 sentences across 78 reading sections, with audio for every sentence and word.

Reading 1/77 · 5 reading units · Lines 1–5

Line 1
Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.
Line 2
To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.
/tuː kwoʊt ɔːl ðə ˈstraɪkɪŋ ˈpæsədʒəz ɪn ˈmɪstər ˈstɜːrlɪŋz ˈpoʊəm wʊd biː tuː kwoʊt moʊst ʌv ðə ˈpoʊəm bʌt aɪ wɪl æsk ðə ˈriːdərz əˈtenʃən tuː sʌm ʌv ðə moʊst ˈɡræfɪk ənd ˈmemərəbəl/
Line 3
A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.
Line 4
’Mid pulse of dungeoned forges down the stunned, Undominated firmament.
Line 5
It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

forges noun US /ˈfɔːrdʒɪz/

plural of “forge” — furnace consisting of a special hearth where metal is heated before shaping

From this reading “’Mid pulse of dungeoned forges down the stunned, Undominated firmament.”

graphic adjective US /ˈɡræfɪk/

written or drawn or engraved

From this reading “To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.”

obstruction noun US /əbˈstrʌkʃən/

any structure that makes progress difficult

prosaic adjective US /proʊˈzeɪɪk/

not fanciful or imaginative

From this reading “Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.”

reader's noun US /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

Sterling's noun US /ˈstɜːrlɪŋz/

possessive form of “sterling” — British money; especially the pound sterling as the basic monetary unit of the UK

vials noun US /ˈvaɪəlz/

plural of “vial” — a small bottle that contains a drug (especially a sealed sterile container for injection by needle)

From this reading “A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.”

Wizardry noun US /ˈwɪzərdri/

exceptional creative ability

From this reading “Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

meant by verb + particle counted as “mean by”

In this reading “It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.”

lie in verb + particle

originate (in)

In this reading “It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

burnsnounUS /bɜːrnz/

United States comedian and film actor (1896-1996)

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

cowledadjective

having the head enclosed in a cowl or hood

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

damnedadjectiveUS /dæmd/

expletives used informally as intensifiers

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

dungeoned

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

firmamentnoun

the apparent surface of the imaginary sphere on which celestial bodies appear to be projected

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

forgesnounUS /ˈfɔːrdʒɪz/

plural of “forge” — furnace consisting of a special hearth where metal is heated before shaping

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

graphicadjectiveUS /ˈɡræfɪk/

written or drawn or engraved

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

lieverbUS /laɪ/

be located or situated somewhere; occupy a certain position

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

magiciannounUS /məˈdʒɪʃ.ən/

A practitioner of magic and ancient arcane arts, often wielding deception and powerful spells.

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

meantverbUS /ment/

inflected form of “mean” — mean or intend to express or convey

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

memorableadjectiveUS /ˈmemərəbəl/

worth remembering

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

MidadjectiveUS /mɪd/

used in combination to denote the middle

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

mostadverbUS /moʊst/

used to form the superlative

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

obstructionnounUS /əbˈstrʌkʃən/

any structure that makes progress difficult

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

peeringverbUS /ˈpiːrɪŋ/

-ing form of “peer” — look searchingly

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

poisonverbUS /ˈpɔɪzən/

spoil as if by poison

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

prosaicadjectiveUS /proʊˈzeɪɪk/

not fanciful or imaginative

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

pulsenounUS /pʌls/

(electronics) a sharp transient wave in the normal electrical state (or a series of such transients)

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

quoteverbUS /kwoʊt/

repeat a passage from

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

reader'snounUS /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

rotnounUS /rɑːt/

a state of decay usually accompanied by an offensive odor

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

sayverbUS /seɪ/

express in words

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

Shakspeare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

splendidadjectiveUS /ˈsplendɪd/

having great beauty and splendor

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

Sterling'snounUS /ˈstɜːrlɪŋz/

possessive form of “sterling” — British money; especially the pound sterling as the basic monetary unit of the UK

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

stunnedadjectiveUS /stʌnd/

filled with the emotional impact of overwhelming surprise or shock

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

Thro

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

Undominated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ’Mid pulse of dungeoned forges down the stunned, Undominated firmament.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

vialsnounUS /ˈvaɪəlz/

plural of “vial” — a small bottle that contains a drug (especially a sealed sterile container for injection by needle)

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

whatpronounUS /wʌt/

used to ask for information about something

From this reading It is not for me to say what may be meant here by “undominated,” any more than to explain what Shakspeare meant by To lie in cold _obstruction_ and to rot.

wherein

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A cowled magician peering on the damned Thro’ vials wherein a splendid poison burns.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

WinenounUS /waɪn/

fermented juice (of grapes especially)

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

withprepositionUS /wɪð/

in the company of; together with

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

WizardrynounUS /ˈwɪzərdri/

exceptional creative ability

From this reading Great lines are not all that go to the making of great poetry, but a poem with many great lines is a great poem, even if it have—as usually it has, and as “A Wine of Wizardry” has not—prosaic lines as well.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading To quote all the striking passages in Mr. Sterling’s poem would be to quote most of the poem, but I will ask the reader’s attention to some of the most graphic and memorable.

Chapter 4 of The Collected Works of Ambrose Bierce — Volume 10 by Ambrose Bierce holds 386 sentences, grouped into 78 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Collected Works of Ambrose Bierce — Volume 10 contain?

Chapter 4 holds 386 sentences of The Collected Works of Ambrose Bierce — Volume 10, unabridged, divided into 78 reading sections.

This page carries chapter 4 of The Collected Works of Ambrose Bierce — Volume 10 by Ambrose Bierce exactly as it stands in the source edition, without abridgement. It runs to 386 sentences, grouped into 78 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Collected Works of Ambrose Bierce — Volume 10?

Work through the 78 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 78 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Collected Works of Ambrose Bierce — Volume 10

Common questions about reading The Collected Works of Ambrose Bierce — Volume 10 by Ambrose Bierce on this page, its source edition and its audio.

Is this the complete text of The Collected Works of Ambrose Bierce — Volume 10?

Yes. All 2762 sentences of Project Gutenberg eBook #66576 are kept, with a record of which sentences cover which part.

Which edition of The Collected Works of Ambrose Bierce — Volume 10 is used?

Project Gutenberg eBook #66576, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Collected Works of Ambrose Bierce — Volume 10 take to read?

About 230 minutes of reading across 553 sections of 5 sentences each, at an unhurried pace.

How to read The Collected Works of Ambrose Bierce — Volume 10 section by section

How to work through The Collected Works of Ambrose Bierce — Volume 10 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of The Collected Works of Ambrose Bierce — Volume 10 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Collected Works of Ambrose Bierce — Volume 10

Words and structures a reader meets early in The Collected Works of Ambrose Bierce — Volume 10, each tappable for pronunciation and meaning.

Consists
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.
Hundred
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.
Fifty
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.
Numbered
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.