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The Collected Works of Ambrose Bierce — Volume 10
The Collected Works of Ambrose Bierce — Volume 10

Chapter V

Chapter 5 of The Collected Works of Ambrose Bierce — Volume 10 is here in full — 391 sentences across 79 reading sections, with audio for every sentence and word.

Cover illustration for The Collected Works of Ambrose Bierce — Volume 10
Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.
In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.
Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.
That would serve if it had style.
Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Collected Works of Ambrose Bierce — Volume 10

Chapter V

Chapter 5 of The Collected Works of Ambrose Bierce — Volume 10 is here in full — 391 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.
Line 2
In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.
/ɪn ˈɪŋɡlənd ɪt ˈflɜːrɪʃt les ðæn ə ˈsentʃəri ənd ə hæf bɪˈɡɪnɪŋ wɪð ˈrɪtʃərdsən ənd ˈendɪŋ wɪð ˈθækəri sɪns huːz deθ noʊ ˈnɑːvəlz ˈprɑːbəbliː hæv bɪn ˈrɪtən ðæt ɑːr wɜːrθ əˈtenʃən ðoʊ æz tuː ðɪs wʌn kæn nɑːt ˈpɑːzətɪvli seɪ fɔːr ʌv ðə ˌɪnˈkælkjələbəl ˈmʌltətuːd ˈrɪtən ˈoʊnli ə fjuː hæv bɪn red baɪ ˈkɑːmpətɪnt ˈdʒʌdʒɪz ənd ʌv ðiːz ˈdʒʌdʒɪz fjuː ˌɪnˈdiːd hæv ˈʌtərd ˈdʒʌdʒmənt ðæt ɪz ʌv rəˈkɔːrd/
Line 3
Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.
Line 4
That would serve if it had style.
/ðæt wʊd sɜːrv ɪf ɪt hæd staɪl/
Line 5
Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

acclaim verb US /əˈkleɪm/

praise vociferously

From this reading “Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.”

broader adjective US /ˈbrɔːdər/

comparative of “broad” — having great (or a certain) extent from one side to the other

From this reading “Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.”

faulty adjective US /ˈfɔːlti/

having a defect

From this reading “Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.”

flourished verb US /ˈflɜːrɪʃt/

past form of “flourish” — grow vigorously

From this reading “In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.”

incalculable adjective US /ˌɪnˈkælkjələbəl/

not able to be computed or enumerated

From this reading “In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.”

reporting noun US /riˈpɔːrtɪŋ/

the news as presented by reporters for newspapers or radio or television

From this reading “Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.”

Richardson noun US /ˈrɪtʃərdsən/

United States architect (1838-1886)

From this reading “In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.”

Thackeray noun US /ˈθækəri/

English writer (born in India) (1811-1863)

From this reading “In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

reasons why noun + noun counted as “reason why”

In this reading “Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.”

permanent place adjective + noun

In this reading “Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.”

other reasons adjective + noun counted as “other reason”

In this reading “Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.”

in literature preposition + noun

In this reading “Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

abundancenounUS /əˈbʌndəns/

the property of a more than adequate quantity or supply

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

acclaimverbUS /əˈkleɪm/

praise vociferously

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

AmongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

broaderadjectiveUS /ˈbrɔːdər/

comparative of “broad” — having great (or a certain) extent from one side to the other

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

byprepositionUS /baɪ/

showing who or what does the action

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

competentadjectiveUS /ˈkɑːmpətɪnt/

properly or sufficiently qualified or capable or efficient

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

deathnounUS /deθ/

the event of dying or departure from life

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

endingnounUS /ˈendɪŋ/

the end of a word (a suffix or inflectional ending or final morpheme)

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

fataladjectiveUS /ˈfeɪtəl/

bringing death

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

faultinessnoun

the state of being defective

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

faultyadjectiveUS /ˈfɔːlti/

having a defect

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

flourishedverbUS /ˈflɜːrɪʃt/

past form of “flourish” — grow vigorously

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading That would serve if it had style.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading That would serve if it had style.

impermanentadjective

not permanent; not lasting

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

inartisticadjective

lacking aesthetic sensibility

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

incalculableadjectiveUS /ˌɪnˈkælkjələbəl/

not able to be computed or enumerated

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

judgesnounUS /ˈdʒʌdʒɪz/

a book of the Old Testament that tells the history of Israel under the leaders known as judges

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

multitudenounUS /ˈmʌltətuːd/

a large indefinite number

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

nodeterminerUS /noʊ/

not any; not one

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

permanentadjectiveUS /ˈpɜːrmənənt/

continuing or enduring without marked change in status or condition or place

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

positivelyadverbUS /ˈpɑːzətɪvli/

extremely

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

readverbUS /red/

interpret something that is written or printed

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

reasonsnounUS /ˈriːzənz/

plural of “reason” — a rational motive for a belief or action

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

recordnounUS /rəˈkɔːrd/

anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

reportingnounUS /riˈpɔːrtɪŋ/

the news as presented by reporters for newspapers or radio or television

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

RichardsonnounUS /ˈrɪtʃərdsən/

United States architect (1838-1886)

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

sayverbUS /seɪ/

express in words

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

sentencesnounUS /ˈsentənsəz/

plural of “sentence” — a string of words satisfying the grammatical rules of a language

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

serveverbUS /sɜːrv/

serve a purpose, role, or function

From this reading That would serve if it had style.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

suspiciousadjectiveUS /səˈspɪʃəs/

openly distrustful and unwilling to confide

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

ThackeraynounUS /ˈθækəri/

English writer (born in India) (1811-1863)

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Not only is the novel, for the reason given, and for others, a faulty form of art, but because of its faultiness it has no permanent place in literature.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

to-day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Novels are still produced in suspicious abundance and read with fatal acclaim but the novel of to-day has no art broader and better than that of its individual sentences—the art of style.

utteredadjectiveUS /ˈʌtərd/

communicated in words

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

whosedeterminerUS /huːz/

belonging to which person

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Among the other reasons why the novel is both inartistic and impermanent is this—it is mere reporting.

withprepositionUS /wɪð/

in the company of; together with

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

worthnounUS /wɜːrθ/

an indefinite quantity of something having a specified value

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading That would serve if it had style.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading In England it flourished less than a century and a half, beginning with Richardson and ending with Thackeray, since whose death no novels, probably, have been written that are worth attention; though as to this, one can not positively say, for of the incalculable multitude written only a few have been read by competent judges, and of these judges few indeed have uttered judgment that is of record.

Chapter 5 of The Collected Works of Ambrose Bierce — Volume 10 by Ambrose Bierce holds 391 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The Collected Works of Ambrose Bierce — Volume 10 contain?

Chapter 5 holds 391 sentences of The Collected Works of Ambrose Bierce — Volume 10, unabridged, divided into 79 reading sections.

This page carries chapter 5 of The Collected Works of Ambrose Bierce — Volume 10 by Ambrose Bierce exactly as it stands in the source edition, without abridgement. It runs to 391 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The Collected Works of Ambrose Bierce — Volume 10?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Collected Works of Ambrose Bierce — Volume 10

Common questions about reading The Collected Works of Ambrose Bierce — Volume 10 by Ambrose Bierce on this page, its source edition and its audio.

Is this the complete text of The Collected Works of Ambrose Bierce — Volume 10?

Yes. All 2762 sentences of Project Gutenberg eBook #66576 are kept, with a record of which sentences cover which part.

Which edition of The Collected Works of Ambrose Bierce — Volume 10 is used?

Project Gutenberg eBook #66576, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Collected Works of Ambrose Bierce — Volume 10 take to read?

About 230 minutes of reading across 553 sections of 5 sentences each, at an unhurried pace.

How to read The Collected Works of Ambrose Bierce — Volume 10 section by section

How to work through The Collected Works of Ambrose Bierce — Volume 10 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of The Collected Works of Ambrose Bierce — Volume 10 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Collected Works of Ambrose Bierce — Volume 10

Words and structures a reader meets early in The Collected Works of Ambrose Bierce — Volume 10, each tappable for pronunciation and meaning.

Consists
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.
Hundred
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.
Fifty
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.
Numbered
A word that appears in the opening chapter of The Collected Works of Ambrose Bierce — Volume 10; the reader can tap it to hear it and see its dictionary entry.