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The Collected Works of William Hazlitt, Vol. 08 (of 12)
The Collected Works of William Hazlitt, Vol. 08 (of 12)

Chapter VI

Chapter 6 of The Collected Works of William Hazlitt, Vol. 08 (of 12) is here in full — 393 sentences across 79 reading sections, with audio for every sentence and word.

Cover illustration for The Collected Works of William Hazlitt, Vol. 08 (of 12)
Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
Mr. Wilkie paints interiors: but still you generally connect them with the country.
Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.
In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.
In fact, I know no one who had a less pastoral imagination than Hogarth.
He delights in the thick of St. Giles’s or St. James’s.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Collected Works of William Hazlitt, Vol. 08 (of 12)

Chapter VI

Chapter 6 of The Collected Works of William Hazlitt, Vol. 08 (of 12) is here in full — 393 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
Mr. Wilkie paints interiors: but still you generally connect them with the country.
Line 2
Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.
Line 3
In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.
Line 4
In fact, I know no one who had a less pastoral imagination than Hogarth.
/ɪn fækt aɪ noʊ noʊ wʌn huː hæd ə les ˈpæstərəl ˌɪmædʒəˈneɪʃən ðæn ˈhoʊɡɑːrθ/
Line 5
He delights in the thick of St. Giles’s or St. James’s.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

connect verb US /kəˈnekt/

connect, fasten, or put together two or more pieces

From this reading “Mr. Wilkie paints interiors: but still you generally connect them with the country.”

dyer noun US /ˈdaɪər/

someone whose job is to dye cloth

From this reading “Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.”

emblem noun US /ˈembləm/

special design or visual object representing a quality, type, group, etc.

From this reading “In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.”

Hogarth noun US /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading “Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.”

interiors noun US /ˌɪnˈtɪriərz/

plural of “interior” — the region that is inside of something

From this reading “Mr. Wilkie paints interiors: but still you generally connect them with the country.”

James's noun US /ˈdʒeɪmzɪz/

possessive form of “james” — a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

paints noun US /peɪnts/

plural of “paint” — a substance used as a coating to protect or decorate a surface (especially a mixture of pigment suspended in a liquid); dries to form a hard coating

From this reading “Mr. Wilkie paints interiors: but still you generally connect them with the country.”

polling verb US /ˈpoʊlɪŋ/

-ing form of “poll” — get the opinions (of people) by asking specific questions

From this reading “Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

open air verb + noun

where the air is unconfined

In this reading “Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.”

In fact preposition + noun

in reality or actuality

In this reading “In fact, I know no one who had a less pastoral imagination than Hogarth.”

delights in verb + particle counted as “delight in”

In this reading “He delights in the thick of St. Giles’s or St. James’s.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

atprepositionUS /æt/

in or near a particular place or position

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

Bagnigge

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

Brentford

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

connectverbUS /kəˈnekt/

connect, fasten, or put together two or more pieces

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

contrivedadjectiveUS /kənˈtraɪvd/

showing effects of planning or manipulation

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

convertverbUS /ˈkɑːnvərt/

change from one system to another or to a new plan or policy

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

delightsnounUS /dɪˈlaɪts/

plural of “delight” — a feeling of extreme pleasure or satisfaction

From this reading He delights in the thick of St. Giles’s or St. James’s.

dyernounUS /ˈdaɪər/

someone whose job is to dye cloth

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

emblemnounUS /ˈembləm/

special design or visual object representing a quality, type, group, etc.

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

Giles's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He delights in the thick of St. Giles’s or St. James’s.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

HogarthnounUS /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

honoursnoun

a university degree with honors

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

interiorsnounUS /ˌɪnˈtɪriərz/

plural of “interior” — the region that is inside of something

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

James'snounUS /ˈdʒeɪmzɪz/

possessive form of “james” — a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading He delights in the thick of St. Giles’s or St. James’s.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

lastadjectiveUS /læst/

immediately past

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

nodeterminerUS /noʊ/

not any; not one

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

paintsnounUS /peɪnts/

plural of “paint” — a substance used as a coating to protect or decorate a surface (especially a mixture of pigment suspended in a liquid); dries to form a hard coating

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

pastoraladjectiveUS /ˈpæstərəl/

of or relating to a pastor

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

pollingverbUS /ˈpoʊlɪŋ/

-ing form of “poll” — get the opinions (of people) by asking specific questions

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

representsverbUS /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

returningadjectiveUS /rɪˈtɜːrnɪŋ/

tending to return to an earlier state

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

ruraladjectiveUS /ˈrʊrəl/

living in or characteristic of farming or country life

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He delights in the thick of St. Giles’s or St. James’s.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

thickadjectiveUS /θɪk/

not thin; of a specific thickness or of relatively great extent from one surface to the opposite usually in the smallest of the three solid dimensions

From this reading He delights in the thick of St. Giles’s or St. James’s.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading In this last picture, he has contrived to convert a common rural image into a type and emblem of city honours.

votesnounUS /voʊts/

plural of “vote” — a choice that is made by counting the number of people in favor of each alternative

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

WellsnounUS /welz/

prolific English writer best known for his science-fiction novels; he also wrote on contemporary social problems and wrote popular accounts of history and science (1866-1946)

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

whenconjunctionUS /wen/

at the time that

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

whopronounUS /huː/

which person or people

From this reading In fact, I know no one who had a less pastoral imagination than Hogarth.

wifenounUS /waɪf/

a married woman; a man's partner in marriage

From this reading Hogarth, even when he paints people in the open air, represents them either as coming from London, as in the polling for votes at Brentford, or as returning to it, as the dyer and his wife at Bagnigge Wells.

Wilkie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

withprepositionUS /wɪð/

in the company of; together with

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

youpronounUS /juː/

the person or people being spoken to

From this reading Mr. Wilkie paints interiors: but still you generally connect them with the country.

Chapter 6 of The Collected Works of William Hazlitt, Vol. 08 (of 12) by William Hazlitt holds 393 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of The Collected Works of William Hazlitt, Vol. 08 (of 12) contain?

Chapter 6 holds 393 sentences of The Collected Works of William Hazlitt, Vol. 08 (of 12), unabridged, divided into 79 reading sections.

This page carries chapter 6 of The Collected Works of William Hazlitt, Vol. 08 (of 12) by William Hazlitt exactly as it stands in the source edition, without abridgement. It runs to 393 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of The Collected Works of William Hazlitt, Vol. 08 (of 12)?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Collected Works of William Hazlitt, Vol. 08 (of 12)

Common questions about reading The Collected Works of William Hazlitt, Vol. 08 (of 12) by William Hazlitt on this page, its source edition and its audio.

Is this the complete text of The Collected Works of William Hazlitt, Vol. 08 (of 12)?

Yes. All 11920 sentences of Project Gutenberg eBook #59506 are kept, with a record of which sentences cover which part.

Which edition of The Collected Works of William Hazlitt, Vol. 08 (of 12) is used?

Project Gutenberg eBook #59506, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Collected Works of William Hazlitt, Vol. 08 (of 12) take to read?

About 600 minutes of reading across 2384 sections of 5 sentences each, at an unhurried pace.

How to read The Collected Works of William Hazlitt, Vol. 08 (of 12) section by section

How to work through The Collected Works of William Hazlitt, Vol. 08 (of 12) section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Collected Works of William Hazlitt, Vol. 08 (of 12)

Words and structures a reader meets early in The Collected Works of William Hazlitt, Vol. 08 (of 12), each tappable for pronunciation and meaning.

Lectures
A word that appears in the opening chapter of The Collected Works of William Hazlitt, Vol. 08 (of 12); the reader can tap it to hear it and see its dictionary entry.
English
A word that appears in the opening chapter of The Collected Works of William Hazlitt, Vol. 08 (of 12); the reader can tap it to hear it and see its dictionary entry.
Comic
A word that appears in the opening chapter of The Collected Works of William Hazlitt, Vol. 08 (of 12); the reader can tap it to hear it and see its dictionary entry.
Writers
A word that appears in the opening chapter of The Collected Works of William Hazlitt, Vol. 08 (of 12); the reader can tap it to hear it and see its dictionary entry.