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The Combined Maze
The Combined Maze

Chapter XXII · Chapter 22

Chapter 22 of The Combined Maze is here in full — 362 sentences across 73 reading sections, with audio for every sentence and word.

Cover illustration for The Combined Maze
Context Illustration Reading 1/72 · 5 lines
English subtitles · tap any word to listen 1 / 5
That was the first and by far the most impressive of their really great scenes.
There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.
But those that followed, like those that had gone before, were beyond all comparison inferior.
They lacked vehemence, vividness, intensity.
After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Combined Maze

Chapter XXII · Chapter 22

Chapter 22 of The Combined Maze is here in full — 362 sentences across 73 reading sections, with audio for every sentence and word.

Reading 1/72 · 5 reading units · Lines 1–5

Line 1
That was the first and by far the most impressive of their really great scenes.
/ðæt wɑːz ðə fɜːrst ənd baɪ fɑːr ðə moʊst ˌɪmˈpresɪv ʌv ðer ˈrɪli ɡreɪt siːnz/
Line 2
There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.
/ðer wɑːz noʊ daʊt əˈbaʊt ɪt ˈvaɪəlɪt kʊd meɪk siːnz ənd ðer wɑːz noʊ end tuː ðə siːnz ʃiː meɪd/
Line 3
But those that followed, like those that had gone before, were beyond all comparison inferior.
/bʌt ðoʊz ðæt ˈfɑːloʊd laɪk ðoʊz ðæt hæd ɡɔːn bɪˈfɔːr wɜːr bɪˈɑːnd ɔːl kəmˈperəsən ˌɪnˈfɪriər/
Line 4
They lacked vehemence, vividness, intensity.
/ðeɪ lækt ˈviːəməns ˈvɪvədnəs ɪnˈtensəti/
Line 5
After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

impressive adjective US /ˌɪmˈpresɪv/

making a strong or vivid impression

From this reading “That was the first and by far the most impressive of their really great scenes.”

inferior adjective US /ˌɪnˈfɪriər/

of or characteristic of low rank or importance

From this reading “But those that followed, like those that had gone before, were beyond all comparison inferior.”

intensity noun US /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading “They lacked vehemence, vividness, intensity.”

lacked verb US /lækt/

past form of “lack” — be without

From this reading “They lacked vehemence, vividness, intensity.”

monotonous adjective US /məˈnɑːtənəs/

tediously repetitious or lacking in variety

From this reading “After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.”

revolt noun US /rɪˈvoʊlt/

organized opposition to authority; a conflict in which one faction tries to wrest control from another

From this reading “After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.”

vehemence noun US /ˈviːəməns/

intensity or forcefulness of expression

From this reading “They lacked vehemence, vividness, intensity.”

vividness noun US /ˈvɪvədnəs/

interest and variety and intensity

From this reading “They lacked vehemence, vividness, intensity.”

All words in this reading · 53

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading That was the first and by far the most impressive of their really great scenes.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

beyondprepositionUS /bɪˈɑːnd/

on the far side of; further than

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

byprepositionUS /baɪ/

showing who or what does the action

From this reading That was the first and by far the most impressive of their really great scenes.

comparisonnounUS /kəmˈperəsən/

the act of examining resemblances

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

declinedverbUS /dɪˈklaɪnd/

past form of “decline” — grow worse

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

endnounUS /end/

either extremity of something that has length

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading That was the first and by far the most impressive of their really great scenes.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading That was the first and by far the most impressive of their really great scenes.

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading That was the first and by far the most impressive of their really great scenes.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

impressiveadjectiveUS /ˌɪmˈpresɪv/

making a strong or vivid impression

From this reading That was the first and by far the most impressive of their really great scenes.

inferioradjectiveUS /ˌɪnˈfɪriər/

of or characteristic of low rank or importance

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

intensitynounUS /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading They lacked vehemence, vividness, intensity.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

lackedverbUS /lækt/

past form of “lack” — be without

From this reading They lacked vehemence, vividness, intensity.

likeverbUS /laɪk/

prefer or wish to do something

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

makeverbUS /meɪk/

engage in

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

monotonousadjectiveUS /məˈnɑːtənəs/

tediously repetitious or lacking in variety

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

mostadverbUS /moʊst/

used to form the superlative

From this reading That was the first and by far the most impressive of their really great scenes.

nodeterminerUS /noʊ/

not any; not one

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading That was the first and by far the most impressive of their really great scenes.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading That was the first and by far the most impressive of their really great scenes.

reproachnounUS /riˈproʊtʃ/

a mild rebuke or criticism

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

resentmentnounUS /rɪˈzentmənt/

a feeling of deep and bitter anger and ill-will

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

revoltnounUS /rɪˈvoʊlt/

organized opposition to authority; a conflict in which one faction tries to wrest control from another

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading That was the first and by far the most impressive of their really great scenes.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

sullennessnoun

a gloomy ill-tempered feeling

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading That was the first and by far the most impressive of their really great scenes.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading That was the first and by far the most impressive of their really great scenes.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading That was the first and by far the most impressive of their really great scenes.

ThereadverbUS /ðer/

in or at that place or location

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They lacked vehemence, vividness, intensity.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading After that first passion of resentment and revolt Violet declined upon sullenness and flat, monotonous reproach.

vehemencenounUS /ˈviːəməns/

intensity or forcefulness of expression

From this reading They lacked vehemence, vividness, intensity.

VioletnounUS /ˈvaɪəlɪt/

any of numerous low-growing violas with small flowers

From this reading There was no doubt about it, Violet could make scenes, and there was no end to the scenes she made.

vividnessnounUS /ˈvɪvədnəs/

interest and variety and intensity

From this reading They lacked vehemence, vividness, intensity.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading That was the first and by far the most impressive of their really great scenes.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading But those that followed, like those that had gone before, were beyond all comparison inferior.

Chapter 22 of The Combined Maze by May Sinclair holds 362 sentences, grouped into 73 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 22 of The Combined Maze contain?

Chapter 22 holds 362 sentences of The Combined Maze, unabridged, divided into 73 reading sections.

This page carries chapter 22 of The Combined Maze by May Sinclair exactly as it stands in the source edition, without abridgement. It runs to 362 sentences, grouped into 73 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 22 of The Combined Maze?

Work through the 73 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 73 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 22 be read aloud to me?

Yes — every sentence and every individual word in chapter 22 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Combined Maze

Common questions about reading The Combined Maze by May Sinclair on this page, its source edition and its audio.

Is this the complete text of The Combined Maze?

Yes. All 7137 sentences of Project Gutenberg eBook #28461 are kept, with a record of which sentences cover which part.

Which edition of The Combined Maze is used?

Project Gutenberg eBook #28461, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Combined Maze take to read?

About 594 minutes of reading across 1428 sections of 5 sentences each, at an unhurried pace.

How to read The Combined Maze section by section

How to work through The Combined Maze section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of The Combined Maze to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Combined Maze

Words and structures a reader meets early in The Combined Maze, each tappable for pronunciation and meaning.

Something
A word that appears in the opening chapter of The Combined Maze; the reader can tap it to hear it and see its dictionary entry.
Wrong
A word that appears in the opening chapter of The Combined Maze; the reader can tap it to hear it and see its dictionary entry.
Somewhere
A word that appears in the opening chapter of The Combined Maze; the reader can tap it to hear it and see its dictionary entry.
Mistake
A word that appears in the opening chapter of The Combined Maze; the reader can tap it to hear it and see its dictionary entry.