Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Confessions of Harry Lorrequer — Volume 2
The Confessions of Harry Lorrequer — Volume 2

Chapter II · Chapter 2

Chapter 2 of The Confessions of Harry Lorrequer — Volume 2 is here in full — 141 sentences across 29 reading sections, with audio for every sentence and word.

Cover illustration for The Confessions of Harry Lorrequer — Volume 2
Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.
Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.
With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."
Oh!
Dublin, sure, there is no doubtin', Beats every city upon the say.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Confessions of Harry Lorrequer — Volume 2

Chapter II · Chapter 2

Chapter 2 of The Confessions of Harry Lorrequer — Volume 2 is here in full — 141 sentences across 29 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.
Line 2
Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.
Line 3
With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."
Line 4
Oh!
/oʊ/
Line 5
Dublin, sure, there is no doubtin', Beats every city upon the say.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Beats noun US /biːts/

a United States youth subculture of the 1950s; rejected possessions or regular work or traditional dress; for communal living and psychedelic drugs and anarchism; favored modern forms of jazz (e.g., bebop)

From this reading “Dublin, sure, there is no doubtin', Beats every city upon the say.”

conversant adjective US /kənˈvɜːrsənt/

(usually followed by “with”) well informed about or knowing thoroughly

From this reading “With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."”

dublin noun US /ˈdʌblɪn/

capital and largest city and major port of the Irish Republic

From this reading “DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.”

Groves noun US /ɡroʊvz/

United States general who served as military director of the atomic bomb project (1896-1970)

From this reading “With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."”

lengthened adjective US /ˈleŋθənd/

drawn out or made longer spatially

From this reading “With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."”

o'flaherty noun US /oʊˈfleɪhərti/

Irish writer of short stories (1896-1984)

From this reading “DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.”

peninsula noun US /pəˈnɪnsələ/

a large mass of land projecting into a body of water

From this reading “DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.”

reminiscence noun US /ˌreməˈnɪsəns/

a mental impression retained and recalled from the past

From this reading “DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.”

All words in this reading · 88

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

afterprepositionUS /ˈæftər/

later than; following

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

apologynounUS /əˈpɑːlədʒiː/

an expression of regret at having caused trouble for someone

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

BeatsnounUS /biːts/

a United States youth subculture of the 1950s; rejected possessions or regular work or traditional dress; for communal living and psychedelic drugs and anarchism; favored modern forms of jazz (e.g., bebop)

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

begverbUS /beɡ/

call upon in supplication; entreat

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

Blarneynoun

flattery designed to gain favor

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

conversantadjectiveUS /kənˈvɜːrsənt/

(usually followed by “with”) well informed about or knowing thoroughly

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

DearadjectiveUS /dɪr/

dearly loved

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

dirtyadjectiveUS /ˈdɜːrti/

soiled or likely to soil with dirt or grime

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

doubtin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

DUBLINnounUS /ˈdʌblɪn/

capital and largest city and major port of the Irish Republic

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

everadverbUS /ˈevər/

at any time

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

excellentadjectiveUS /ˈeksələnt/

very good; of the highest quality

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

expressverbUS /ɪkˈspres/

give expression to

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

feelingsnounUS /ˈfiːlɪŋz/

emotional or moral sensitivity (especially in relation to personal principles or dignity)

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

GrovesnounUS /ɡroʊvz/

United States general who served as military director of the atomic bomb project (1896-1970)

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

happenverbUS /ˈhæpən/

come to pass

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

humverbUS /hʌm/

sing with closed lips

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

IonounUS /ˈaɪoʊ/

(Greek mythology) a maiden seduced by Zeus; when Hera was about to discover them together Zeus turned her into a white heifer

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

landingnounUS /ˈlændɪŋ/

an intermediate platform in a staircase

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

lengthenedadjectiveUS /ˈleŋθənd/

drawn out or made longer spatially

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

lovedadjectiveUS /lʌvd/

held dear

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

melodynounUS /ˈmelədi/

a succession of notes forming a distinctive sequence

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

mostadverbUS /moʊst/

used to form the superlative

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

nodeterminerUS /noʊ/

not any; not one

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

O'FLAHERTYnounUS /oʊˈfleɪhərti/

Irish writer of short stories (1896-1984)

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading Oh!

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

ownverbUS /oʊn/

have ownership or possession of

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

panegyricnoun

a formal expression of praise

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

PENINSULAnounUS /pəˈnɪnsələ/

a large mass of land projecting into a body of water

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

REMINISCENCEnounUS /ˌreməˈnɪsəns/

a mental impression retained and recalled from the past

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

saluteverbUS /səˈluːt/

propose a toast to

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

sayverbUS /seɪ/

express in words

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

shortlyadverbUS /ˈʃɔːrtli/

for a short time

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

spotnounUS /spɑːt/

a point located with respect to surface features of some region

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

sungnounUS /sʌŋ/

the imperial dynasty of China from 960 to 1279; noted for art and literature and philosophy

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

tenounUS /tiː/

a brittle silver-white metalloid element that is related to selenium and sulfur; it is used in alloys and as a semiconductor; occurs mainly as tellurides in ores of copper and nickel and silver and gold

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

theepronounUS /ðiː/

an old word for “you”, as the object, speaking to one person

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

thereadverbUS /ðer/

in or at that place or location

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

TOMnounUS /tɑːm/

male cat

From this reading DUBLIN--TOM O'FLAHERTY--A REMINISCENCE OF THE PENINSULA.

unfortunatelyadverbUS /ənˈfɔːrtʃənətli/

by bad luck

From this reading Dear, dirty Dublin--"Io te salute"--how many excellent things might be said of thee, if, unfortunately, it did not happen that the theme is an old one, and has been much better sung than it can ever now be said.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Dublin, sure, there is no doubtin', Beats every city upon the say.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

WithprepositionUS /wɪð/

in the company of; together with

From this reading With thus much of apology for no more lengthened panegyric, let me beg of my reader, if he be conversant with that most moving melody--the Groves of Blarney--to hum the following lines, which I heard shortly after my landing, and which well express my own feelings for the "loved spot."

Chapter 2 of The Confessions of Harry Lorrequer — Volume 2 by Charles Lever holds 141 sentences, grouped into 29 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Confessions of Harry Lorrequer — Volume 2 contain?

Chapter 2 holds 141 sentences of The Confessions of Harry Lorrequer — Volume 2, unabridged, divided into 29 reading sections.

This page carries chapter 2 of The Confessions of Harry Lorrequer — Volume 2 by Charles Lever exactly as it stands in the public-domain source edition, without abridgement. It runs to 141 sentences, grouped into 29 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Confessions of Harry Lorrequer — Volume 2?

Work through the 29 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 29 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Confessions of Harry Lorrequer — Volume 2

Common questions about reading The Confessions of Harry Lorrequer — Volume 2 by Charles Lever on this page, its source edition and its audio.

Is this the complete text of The Confessions of Harry Lorrequer — Volume 2?

Yes. All 1140 sentences of Project Gutenberg eBook #5235 are kept, with a record of which sentences cover which part.

Which edition of The Confessions of Harry Lorrequer — Volume 2 is used?

Project Gutenberg eBook #5235, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Confessions of Harry Lorrequer — Volume 2 take to read?

About 95 minutes of reading across 228 sections of 5 sentences each, at an unhurried pace.

How to read The Confessions of Harry Lorrequer — Volume 2 section by section

How to work through The Confessions of Harry Lorrequer — Volume 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of The Confessions of Harry Lorrequer — Volume 2 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Confessions of Harry Lorrequer — Volume 2

Words and structures a reader meets early in The Confessions of Harry Lorrequer — Volume 2, each tappable for pronunciation and meaning.

Cheltenham--matrimonial
A word that appears in the opening chapter of The Confessions of Harry Lorrequer — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Adventure--showing
A word that appears in the opening chapter of The Confessions of Harry Lorrequer — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Friend
A word that appears in the opening chapter of The Confessions of Harry Lorrequer — Volume 2; the reader can tap it to hear it and see its dictionary entry.
Evening
A word that appears in the opening chapter of The Confessions of Harry Lorrequer — Volume 2; the reader can tap it to hear it and see its dictionary entry.