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The Confidence-Man: His Masquerade
The Confidence-Man: His Masquerade

Chapter XVI · Chapter 16

Chapter 16 of The Confidence-Man: His Masquerade is here in full — 153 sentences across 31 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/30 · 5 lines
English subtitles · tap any word to listen 1 / 5
IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.
"Well, what do you think of the story of Charlemont?" mildly asked he who had told it.
"A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"
"Of course not; it is a story which I told with the purpose of every story-teller--to amuse.
Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Confidence-Man: His Masquerade

Chapter XVI · Chapter 16

Chapter 16 of The Confidence-Man: His Masquerade is here in full — 153 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.
Line 2
"Well, what do you think of the story of Charlemont?" mildly asked he who had told it.
Line 3
"A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"
/ə ˈveri streɪndʒ wʌn ˈænsərd ðə ˈɔːdɪtər huː hæd bɪn sʌtʃ nɑːt wɪð pərˈfekt iːz bʌt ɪz ɪt truː/
Line 4
"Of course not; it is a story which I told with the purpose of every story-teller--to amuse.
Line 5
Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.
/hens ɪf ɪt siːm streɪndʒ tuː juː ðæt ˈstreɪndʒnəs ɪz ðə roʊˈmæns ɪt ɪz wʌt ˈkɑːntræsts ɪt wɪð riːl laɪf ɪt ɪz ðə ˌɪnˈvenʃən ɪn briːf ðə ˈfɪkʃən æz əˈpoʊzd tuː ðə fækt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

auditor noun US /ˈɔːdɪtər/

someone who listens attentively

From this reading “"A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"”

contrasts noun US /ˈkɑːntræsts/

plural of “contrast” — the opposition or dissimilarity of things that are compared

From this reading “Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.”

cosmopolitan adjective US /ˌkɑːzməˈpɑːlətən/

growing or occurring in many parts of the world

From this reading “IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.”

fiction noun US /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading “Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.”

invention noun US /ˌɪnˈvenʃən/

the creation of something in the mind

From this reading “Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.”

mildly adverb US /ˈmaɪldli/

to a moderate degree

From this reading “"Well, what do you think of the story of Charlemont?" mildly asked he who had told it.”

strangeness noun US /ˈstreɪndʒnəs/

unusualness as a consequence of not being well known

From this reading “Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.”

strikingly adverb US /ˈstraɪkɪŋli/

in a striking manner

From this reading “IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.”

All words in this reading · 61

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

amuseverbUS /əˈmjuːz/

occupy in an agreeable, entertaining or pleasant fashion

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

answeredverbUS /ˈænsərd/

past form of “answer” — react verbally

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

ARTLESSNESSnoun

the quality of innocent naivete

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

auditornounUS /ˈɔːdɪtər/

someone who listens attentively

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

briefadjectiveUS /briːf/

of short duration or distance

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

Charlemont

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

contrastsnounUS /ˈkɑːntræsts/

plural of “contrast” — the opposition or dissimilarity of things that are compared

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

COSMOPOLITANadjectiveUS /ˌkɑːzməˈpɑːlətən/

growing or occurring in many parts of the world

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

easeverbUS /iːz/

move gently or carefully

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

EVINCES

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

HenceadverbUS /hens/

for this reason

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

inventionnounUS /ˌɪnˈvenʃən/

the creation of something in the mind

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

mildlyadverbUS /ˈmaɪldli/

to a moderate degree

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

NATUREnounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

opposedadjectiveUS /əˈpoʊzd/

being in opposition or having an opponent

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

story-teller

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

strangenessnounUS /ˈstreɪndʒnəs/

unusualness as a consequence of not being well known

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

STRIKINGLYadverbUS /ˈstraɪkɪŋli/

in a striking manner

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Hence, if it seem strange to you, that strangeness is the romance; it is what contrasts it with real life; it is the invention, in brief, the fiction as opposed to the fact.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "Of course not; it is a story which I told with the purpose of every story-teller--to amuse.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

veryadjectiveUS /ˈveri/

precisely as stated

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

WelladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

whatpronounUS /wʌt/

used to ask for information about something

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE.

whopronounUS /huː/

which person or people

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

withprepositionUS /wɪð/

in the company of; together with

From this reading "A very strange one," answered the auditor, who had been such not with perfect ease, "but is it true?"

youpronounUS /juː/

the person or people being spoken to

From this reading "Well, what do you think of the story of Charlemont?" mildly asked he who had told it.

Chapter 16 of The Confidence-Man: His Masquerade by Herman Melville holds 153 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of The Confidence-Man: His Masquerade contain?

Chapter 16 holds 153 sentences of The Confidence-Man: His Masquerade, unabridged, divided into 31 reading sections.

This page carries chapter 16 of The Confidence-Man: His Masquerade by Herman Melville exactly as it stands in the source edition, without abridgement. It runs to 153 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of The Confidence-Man: His Masquerade?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Confidence-Man: His Masquerade

Common questions about reading The Confidence-Man: His Masquerade by Herman Melville on this page, its source edition and its audio.

Is this the complete text of The Confidence-Man: His Masquerade?

Yes. All 4679 sentences of Project Gutenberg eBook #21816 are kept, with a record of which sentences cover which part.

Which edition of The Confidence-Man: His Masquerade is used?

Project Gutenberg eBook #21816, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Confidence-Man: His Masquerade take to read?

About 389 minutes of reading across 936 sections of 5 sentences each, at an unhurried pace.

How to read The Confidence-Man: His Masquerade section by section

How to work through The Confidence-Man: His Masquerade section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 20 chapters of The Confidence-Man: His Masquerade to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Confidence-Man: His Masquerade

Words and structures a reader meets early in The Confidence-Man: His Masquerade, each tappable for pronunciation and meaning.

Aboard
A word that appears in the opening chapter of The Confidence-Man: His Masquerade; the reader can tap it to hear it and see its dictionary entry.
Mississippi
A word that appears in the opening chapter of The Confidence-Man: His Masquerade; the reader can tap it to hear it and see its dictionary entry.
Sunrise
A word that appears in the opening chapter of The Confidence-Man: His Masquerade; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of The Confidence-Man: His Masquerade; the reader can tap it to hear it and see its dictionary entry.