Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Confounding of Camelia
The Confounding of Camelia

Chapter II

Chapter 2 of The Confounding of Camelia is here in full — 86 sentences across 18 reading sections, with audio for every sentence and word.

Cover illustration for The Confounding of Camelia
Context Illustration Reading 1/17 · 5 lines
English subtitles · tap any word to listen 1 / 5
On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.
Her friend Mrs. Fox-Darriel was with her.
Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.
There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.
The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Confounding of Camelia

Chapter II

Chapter 2 of The Confounding of Camelia is here in full — 86 sentences across 18 reading sections, with audio for every sentence and word.

Reading 1/17 · 5 reading units · Lines 1–5

Line 1
On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.
Line 2
Her friend Mrs. Fox-Darriel was with her.
Line 3
Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.
Line 4
There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.
Line 5
The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

contour noun US /ˈkɑːntʊr/

a line drawn on a map connecting points of equal height

From this reading “There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.”

denoted verb US /dɪˈnoʊtəd/

past form of “denote” — be a sign or indication of

From this reading “On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.”

distinctive adjective US /dɪˈstɪŋktɪv/

of a feature that helps to distinguish a person or thing

From this reading “Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.”

irresponsibility noun US /ˌɪrəspɑːnsəˈbɪləti/

a form of untrustworthiness; the trait of lacking a sense of responsibility and not feeling accountable for your actions

From this reading “There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.”

leans noun US /liːnz/

plural of “lean” — the property possessed by a line or surface that departs from the vertical

From this reading “There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.”

Paton noun US /ˈpætən/

South African writer (1903-1988)

From this reading “On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.”

plaque noun US /plæk/

(pathology) a small abnormal patch on or inside the body

From this reading “There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.”

throated adjective US /ˈθroʊtɪd/

having a throat as specified

From this reading “There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

leaned against verb + particle counted as “lean against”

rest on for support

In this reading “Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.”

against the mantelpiece preposition + article + noun counted as “against … mantelpiece”

In this reading “Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.”

autumn day noun + noun

In this reading “On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.”

glance over verb + particle

examine hastily

In this reading “Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.”

in the morning preposition + article + noun counted as “in … morning”

In this reading “On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.”

All words in this reading · 140

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

addedverbUS /ˈædəd/

past form of “add” — make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

affordingverbUS /əˈfɔːrdɪŋ/

-ing form of “afford” — be able to spare or give up

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

alertadjectiveUS /əˈlɜːrt/

engaged in or accustomed to close observation

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

anxietynounUS /æŋˈzaɪəti/

(psychiatry) a relatively permanent state of worry and nervousness occurring in a variety of mental disorders, usually accompanied by compulsive behavior or attacks of panic

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

artificialadjectiveUS /ˌɑːrtəˈfɪʃəl/

contrived by art rather than nature

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

atprepositionUS /æt/

in or near a particular place or position

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

autumnnounUS /ˈɔːtəm/

the season when the leaves fall from the trees

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

brownounUS /braʊ/

the part of the face above the eyes

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

browsnounUS /braʊz/

plural of “brow” — the part of the face above the eyes

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

byprepositionUS /baɪ/

showing who or what does the action

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

calmlyadverbUS /ˈkɑːmli/

with self-possession (especially in times of stress)

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

Camelia's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

cheeknounUS /tʃiːk/

either side of the face below the eyes

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

clearverbUS /klɪr/

rid of obstructions

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

clocknounUS /klɑːk/

a timepiece that shows the time of day

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

contournounUS /ˈkɑːntʊr/

a line drawn on a map connecting points of equal height

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

cornersnounUS /ˈkɔːrnərz/

plural of “corner” — a place off to the side of an area

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

curvenounUS /kɜːrv/

the trace of a point whose direction of motion changes

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

delicateadjectiveUS /ˈdeləkət/

exquisitely fine and subtle and pleasing; susceptible to injury

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

della

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

denotedverbUS /dɪˈnoʊtəd/

past form of “denote” — be a sign or indication of

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

distinctiveadjectiveUS /dɪˈstɪŋktɪv/

of a feature that helps to distinguish a person or thing

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

dressverbUS /dres/

put on clothes

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

elegancenounUS /ˈeləɡəns/

a refined quality of gracefulness and good taste

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

enchantingadjectiveUS /enˈtʃæntɪŋ/

capturing interest as if by a spell

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

Enthorpe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

equallyadverbUS /ˈiːkwəli/

to the same degree (often followed by “as”)

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

exasperatingadjectiveUS /ɪɡˈzæspəreɪtɪŋ/

extremely annoying or displeasing

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

extendedadjectiveUS /ɪkˈstendəd/

relatively long in duration; tediously protracted

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

eyesnounUS /aɪz/

opinion or judgment

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

fallingadjectiveUS /ˈfɑːlɪŋ/

decreasing in amount or degree

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

FlorencenounUS /ˈflɔːrəns/

a city in central Italy on the Arno; provincial capital of Tuscany; center of the Italian Renaissance from 14th to 16th centuries

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

foldsnounUS /foʊldz/

plural of “fold” — an angular or rounded shape made by folding

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

Fox-Darriel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Her friend Mrs. Fox-Darriel was with her.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading Her friend Mrs. Fox-Darriel was with her.

friend'snounUS /frendz/

possessive form of “friend” — a person you know well and regard with affection and trust

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

girl'snounUS /ɡɜːrlz/

possessive form of “girl” — a young female

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

glanceverbUS /ɡlæns/

throw a glance at; take a brief look at

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

hoveringverbUS /ˈhʌvərɪŋ/

-ing form of “hover” — be undecided about something; waver between conflicting positions or courses of action

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

impatiencenounUS /ˌɪmˈpeɪʃəns/

a lack of patience; irritation with anything that causes delay

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

irresponsibilitynounUS /ˌɪrəspɑːnsəˈbɪləti/

a form of untrustworthiness; the trait of lacking a sense of responsibility and not feeling accountable for your actions

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

leanedverbUS /liːnd/

past form of “lean” — to incline or bend from a vertical position

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

leansnounUS /liːnz/

plural of “lean” — the property possessed by a line or surface that departs from the vertical

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

likeverbUS /laɪk/

prefer or wish to do something

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

LodgeverbUS /lɑːdʒ/

be a lodger; stay temporarily

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

lovelinessnoun

the quality of being good looking and attractive

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

mantelpiecenoun

shelf that projects from wall above fireplace

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

merryadjectiveUS /ˈmeri/

full of or showing high-spirited merriment

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Her friend Mrs. Fox-Darriel was with her.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

nodeterminerUS /noʊ/

not any; not one

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

nobodypronounUS /ˈnoʊbɑːdiː/

no person; not anyone

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

opensnounUS /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

outwardadjectiveUS /ˈaʊtwərd/

relating to physical reality rather than with thoughts or the mind

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

ownverbUS /oʊn/

have ownership or possession of

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

PatonnounUS /ˈpætən/

South African writer (1903-1988)

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

Paton's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

perceptibleadjectiveUS /pərˈseptəbəl/

capable of being perceived by the mind or senses

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

perhapsadverbUS /pərˈhæps/

by chance

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

plaquenounUS /plæk/

(pathology) a small abnormal patch on or inside the body

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

pleasingadjectiveUS /ˈpliːzɪŋ/

giving pleasure and satisfaction

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

pureadjectiveUS /pjʊr/

free of extraneous elements of any kind

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

raisedadjectiveUS /reɪzd/

located or moved above the surround or above the normal position

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

Robbia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

saint-like

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

serenelyadverbUS /sərˈiːnəli/

in a peacefully serene manner

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

smiledverbUS /smaɪld/

past form of “smile” — change one's facial expression by spreading the lips, often to signal pleasure

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

sunnyadjectiveUS /ˈsʌni/

bright and pleasant; promoting a feeling of cheer

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

suspensenounUS /səˈspens/

apprehension about what is going to happen

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

swervingnoun

the act of turning aside suddenly

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

talkedverbUS /tɔːkt/

past form of “talk” — exchange thoughts; talk with

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

throatedadjectiveUS /ˈθroʊtɪd/

having a throat as specified

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

upwardadjectiveUS /ˈʌpwərd/

directed up

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

whitenounUS /waɪt/

a Caucasian

From this reading Miss Paton leaned against the mantelpiece as she talked, her eyes often swerving to the clock, but calmly, with no perceptible impatience, or passing in a quiet glance over her hand, the falling folds of her white dress, her friend's face and figure--figure and face equally artificial, and perhaps affording to Miss Paton's mind a pleasing contrast to her own distinctive elegance.

whopronounUS /huː/

which person or people

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

wing-like

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

wingsnounUS /wɪŋz/

a means of flight or ascent

From this reading The outward corners of her eyes smiled into a long upward curve of shadow, her brows above them made a wing-like line, wings hovering extended, and a little raised.

withprepositionUS /wɪð/

in the company of; together with

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading There is in Florence a plaque by one of the della Robbia; a long throated girl's head leans from it, serenely looking down upon the world; a delicate head, with a clear brow, a pure cheek, a mouth of sad enchanting loveliness; Camelia's head was like it; saint-like in contour, but with an added air, an air of merry irresponsibility.

yetconjunctionUS /jet/

but in spite of that

From this reading On the sunny autumn day with which this story opens, Miss Paton was in the morning room at Enthorpe Lodge, waiting for some one--a some one who to her was not a nobody; and though her attitude hardly denoted much anxiety, her mind was alert and very conscious of a pleasing and yet exasperating suspense.

Chapter 2 of The Confounding of Camelia by Anne Douglas Sedgwick holds 86 sentences, grouped into 18 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Confounding of Camelia contain?

Chapter 2 holds 86 sentences of The Confounding of Camelia, unabridged, divided into 18 reading sections.

This page carries chapter 2 of The Confounding of Camelia by Anne Douglas Sedgwick exactly as it stands in the source edition, without abridgement. It runs to 86 sentences, grouped into 18 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Confounding of Camelia?

Work through the 18 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 18 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Confounding of Camelia

Common questions about reading The Confounding of Camelia by Anne Douglas Sedgwick on this page, its source edition and its audio.

Is this the complete text of The Confounding of Camelia?

Yes. All 5072 sentences of Project Gutenberg eBook #41917 are kept, with a record of which sentences cover which part.

Which edition of The Confounding of Camelia is used?

Project Gutenberg eBook #41917, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Confounding of Camelia take to read?

About 422 minutes of reading across 1015 sections of 5 sentences each, at an unhurried pace.

How to read The Confounding of Camelia section by section

How to work through The Confounding of Camelia section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of The Confounding of Camelia to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Confounding of Camelia

Words and structures a reader meets early in The Confounding of Camelia, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Confounding of Camelia; the reader can tap it to hear it and see its dictionary entry.
Archinard
A word that appears in the opening chapter of The Confounding of Camelia; the reader can tap it to hear it and see its dictionary entry.
Camelia
A word that appears in the opening chapter of The Confounding of Camelia; the reader can tap it to hear it and see its dictionary entry.
Country
A word that appears in the opening chapter of The Confounding of Camelia; the reader can tap it to hear it and see its dictionary entry.