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The Connecticut Wits, and Other Essays
The Connecticut Wits, and Other Essays

Chapter V

Chapter 5 of The Connecticut Wits, and Other Essays is here in full — 384 sentences across 77 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/76 · 5 lines
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The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.
But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!
After having married you I should never pretend to taste again, I allow.”
But why expose these tricks of the trade?
All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.
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The Connecticut Wits, and Other Essays

Chapter V

Chapter 5 of The Connecticut Wits, and Other Essays is here in full — 384 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/76 · 5 reading units · Lines 1–5

Line 1
The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.
Line 2
But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!
Line 3
After having married you I should never pretend to taste again, I allow.”
/ˈæftər ˈhævɪŋ ˈmerid juː aɪ ʃʊd ˈnevər priˈtend tuː teɪst əˈɡen aɪ əˈlaʊ/
Line 4
But why expose these tricks of the trade?
/bʌt waɪ ɪkˈspoʊz ðiːz trɪks ʌv ðə treɪd/
Line 5
All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.
/ɔːl ˈpleɪraɪts hæv ðem ənd ˈʃerɪdən ˈjuːsəz ðem ˈveri ˈklevərli ɪf ˈræðər trænˈsperəntli/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cleverly adverb US /ˈklevərli/

in a clever manner

From this reading “All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.”

intellects noun US /ˈɪntəlekts/

plural of “intellect” — knowledge and intellectual ability

From this reading “But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!”

ironical adjective US /aɪˈrɑːnɪkəl/

characterized by often poignant difference or incongruity between what is expected and what actually is

From this reading “The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.”

playwrights noun US /ˈpleɪraɪts/

plural of “playwright” — someone who writes plays

From this reading “All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.”

retort noun US /ˈriːtɔːrt/

a quick reply to a question or remark (especially a witty or critical one)

From this reading “The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.”

Shaw noun US /ʃɔː/

United States clarinetist and leader of a swing band (1910-2004)

From this reading “The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.”

Sheridan noun US /ˈʃerɪdən/

Irish playwright remembered for his satirical comedies of manners (1751-1816)

From this reading “But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!”

transparently adverb US /trænˈsperəntli/

so as to be easily understood or seen through

From this reading “All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.”

All words in this reading · 77

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

addressingverbUS /əˈdresɪŋ/

-ing form of “address” — speak to

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

AfterprepositionUS /ˈæftər/

later than; following

From this reading After having married you I should never pretend to taste again, I allow.”

againadverbUS /əˈɡen/

anew

From this reading After having married you I should never pretend to taste again, I allow.”

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

allowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading After having married you I should never pretend to taste again, I allow.”

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

answerverbUS /ˈænsər/

react verbally

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

answeringadjectiveUS /ˈænsərɪŋ/

replying

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

bluntadjectiveUS /blʌnt/

having a broad or rounded end

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

bownounUS /baʊ/

a knot with two loops and loose ends; used to tie shoelaces

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

cleverlyadverbUS /ˈklevərli/

in a clever manner

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

doesn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

exposeverbUS /ɪkˈspoʊz/

expose or make accessible to some action or influence

From this reading But why expose these tricks of the trade?

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading After having married you I should never pretend to taste again, I allow.”

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading After having married you I should never pretend to taste again, I allow.”

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

inevitableadjectiveUS /ˌɪˈnevətəbəl/

incapable of being avoided or prevented

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

intellectsnounUS /ˈɪntəlekts/

plural of “intellect” — knowledge and intellectual ability

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

ironicaladjectiveUS /aɪˈrɑːnɪkəl/

characterized by often poignant difference or incongruity between what is expected and what actually is

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

lady'snounUS /ˈleɪdiz/

possessive form of “lady” — a polite name for any woman

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

leaveverbUS /liːv/

go away from a place

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

makeverbUS /meɪk/

engage in

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

marriedadjectiveUS /ˈmerid/

joined in matrimony

From this reading After having married you I should never pretend to taste again, I allow.”

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading After having married you I should never pretend to taste again, I allow.”

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading But why expose these tricks of the trade?

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

PeternounUS /ˈpiːtər/

disciple of Jesus and leader of the Apostles; regarded by Catholics as the vicar of Christ on earth and first Pope

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

Pinero

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

playwrightsnounUS /ˈpleɪraɪts/

plural of “playwright” — someone who writes plays

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

playwriter

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

pretendverbUS /priˈtend/

make believe with the intent to deceive

From this reading After having married you I should never pretend to taste again, I allow.”

ratheradverbUS /ˈræðər/

on the contrary

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

retortnounUS /ˈriːtɔːrt/

a quick reply to a question or remark (especially a witty or critical one)

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

sayverbUS /seɪ/

express in words

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

ShawnounUS /ʃɔː/

United States clarinetist and leader of a swing band (1910-2004)

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

SheridannounUS /ˈʃerɪdən/

Irish playwright remembered for his satirical comedies of manners (1751-1816)

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading After having married you I should never pretend to taste again, I allow.”

SirnounUS /sɜːr/

term of address for a man

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

subtleadjectiveUS /ˈsʌtəl/

difficult to detect or grasp by the mind or analyze

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading After having married you I should never pretend to taste again, I allow.”

Teazle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

termsnounUS /tɜːrmz/

status with respect to the relations between people or groups

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

That's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But why expose these tricks of the trade?

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

tradenounUS /treɪd/

the commercial exchange (buying and selling on domestic or international markets) of goods and services

From this reading But why expose these tricks of the trade?

transparentlyadverbUS /trænˈsperəntli/

so as to be easily understood or seen through

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

tricksnounUS /trɪks/

plural of “trick” — a cunning or deceitful action or device

From this reading But why expose these tricks of the trade?

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

usesnounUS /ˈjuːsəz/

plural of “use” — the act of using

From this reading All playwrights have them, and Sheridan uses them very cleverly, if rather transparently.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But Sheridan was not addressing subtle intellects, and he doesn’t let us off from the lady’s answer in good blunt terms: “That’s very true indeed, Sir Peter!

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading But why expose these tricks of the trade?

withprepositionUS /wɪð/

in the company of; together with

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading The retort is inevitable and a modern playwriter—say, Shaw or Pinero—would leave the audience to make it, Lady Teazle answering merely with an ironical bow.

youpronounUS /juː/

the person or people being spoken to

From this reading After having married you I should never pretend to taste again, I allow.”

Chapter 5 of The Connecticut Wits, and Other Essays by Henry A. (Henry Augustin) Beers holds 384 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The Connecticut Wits, and Other Essays contain?

Chapter 5 holds 384 sentences of The Connecticut Wits, and Other Essays, unabridged, divided into 77 reading sections.

This page carries chapter 5 of The Connecticut Wits, and Other Essays by Henry A. (Henry Augustin) Beers exactly as it stands in the source edition, without abridgement. It runs to 384 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The Connecticut Wits, and Other Essays?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Connecticut Wits, and Other Essays

Common questions about reading The Connecticut Wits, and Other Essays by Henry A. (Henry Augustin) Beers on this page, its source edition and its audio.

Is this the complete text of The Connecticut Wits, and Other Essays?

Yes. All 2346 sentences of Project Gutenberg eBook #50915 are kept, with a record of which sentences cover which part.

Which edition of The Connecticut Wits, and Other Essays is used?

Project Gutenberg eBook #50915, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Connecticut Wits, and Other Essays take to read?

About 195 minutes of reading across 470 sections of 5 sentences each, at an unhurried pace.

How to read The Connecticut Wits, and Other Essays section by section

How to work through The Connecticut Wits, and Other Essays section by section, using the audio and the tap-to-define vocabulary.

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Connecticut Wits, and Other Essays

Words and structures a reader meets early in The Connecticut Wits, and Other Essays, each tappable for pronunciation and meaning.

Review
A word that appears in the opening chapter of The Connecticut Wits, and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Verse
A word that appears in the opening chapter of The Connecticut Wits, and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Poems
A word that appears in the opening chapter of The Connecticut Wits, and Other Essays; the reader can tap it to hear it and see its dictionary entry.
Second
A word that appears in the opening chapter of The Connecticut Wits, and Other Essays; the reader can tap it to hear it and see its dictionary entry.