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The Countess of Pembroke's Arcadia
The Countess of Pembroke's Arcadia

Chapter I

Chapter 1 of The Countess of Pembroke's Arcadia is here in full — 348 sentences across 70 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/69 · 5 lines
English subtitles · tap any word to listen 1 / 5
A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.
LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.
{vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.
The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.
When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Countess of Pembroke's Arcadia

Chapter I

Chapter 1 of The Countess of Pembroke's Arcadia is here in full — 348 sentences across 70 reading sections, with audio for every sentence and word.

Reading 1/69 · 5 reading units · Lines 1–5

Line 1
A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.
Line 2
LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.
Line 3
{vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.
Line 4
The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.
Line 5
When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.
/wen ɪn ðə ˌelɪzəˈbiːθən eɪdʒ ðə ˈlɪtərətʃər ʌv trəˈdɪʃən ɡeɪv weɪ tuː ðə ˈlɪtərətʃər ʌv ˌɪnˈvenʃən ə dɪˈsaɪsɪv step ɪn ədˈvæns wɑːz meɪd bʌt ðə ˈnɑːvəl stɪl rɪˈteɪnd ɔːl ðə eˈsenʃəl ˈfiːtʃərz ʌv ɪts poʊˈetɪk ˈænsestri/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

ancestry noun US /ˈænsestri/

the descendants of one individual

From this reading “When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.”

decisive adjective US /dɪˈsaɪsɪv/

determining or having the power to determine an outcome

From this reading “When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.”

Elizabethan noun US /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading “When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.”

embellishing verb US /emˈbelɪʃɪŋ/

-ing form of “embellish” — add details to

From this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

expanding verb US /ɪkˈspændɪŋ/

-ing form of “expand” — extend in one or more directions

From this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

legendary adjective US /ˈledʒənderi/

so celebrated as to having taken on the nature of a legend

From this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

metrical adjective US /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

periods noun US /ˈpɪriədz/

plural of “period” — an amount of time

From this reading “{vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

middle ages noun + noun counted as “middle age”

the time of life between youth and old age (e.g., between 40 and 60 years of age)

In this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

decisive step adjective + noun

In this reading “When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.”

early history adjective + noun

In this reading “{vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.”

gave way verb + noun counted as “give way”

move in order to make room for someone for something

In this reading “When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.”

same spirit adjective + noun

In this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

worked upon verb + particle counted as “work upon”

In this reading “The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.”

All words in this reading · 93

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

advanceverbUS /ədˈvæns/

move forward, also in the metaphorical sense

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

agenounUS /eɪdʒ/

how long something has existed

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

agesnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

ancestrynounUS /ˈænsestri/

the descendants of one individual

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

AUTHORnounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

BAKERnounUS /ˈbeɪkər/

someone who bakes commercially

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

broadadjectiveUS /brɔːd/

having great (or a certain) extent from one side to the other

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

centuriesnounUS /ˈsentʃəriz/

plural of “century” — a period of 100 years

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

ConounUS /koʊ/

an odorless very poisonous gas that is a product of incomplete combustion of carbon

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

currentnounUS /ˈkɜːrənt/

a flow of electricity through a conductor

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

decisiveadjectiveUS /dɪˈsaɪsɪv/

determining or having the power to determine an outcome

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

distinctnessnoun

the quality of being sharp and clear

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

Dutton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

EnounUS /iː/

a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

ElizabethannounUS /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

embellishingverbUS /emˈbelɪʃɪŋ/

-ing form of “embellish” — add details to

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

ERNEST

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

essentialadjectiveUS /eˈsenʃəl/

absolutely necessary; vitally necessary

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

expandingverbUS /ɪkˈspændɪŋ/

-ing form of “expand” — extend in one or more directions

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

GEORGEnounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

INTRODUCTIONnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

inventionnounUS /ˌɪnˈvenʃən/

the creation of something in the mind

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

legendaryadjectiveUS /ˈledʒənderi/

so celebrated as to having taken on the nature of a legend

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

LIFEnounUS /laɪf/

a characteristic state or mode of living

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

LONDONnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

Ltd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

markverbUS /mɑːrk/

attach a tag or label to

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

massnounUS /mæs/

the property of a body that causes it to have weight in a gravitational field

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

mechanicaladjectiveUS /məˈkænɪkəl/

using (or as if using) mechanisms or tools or devices

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

metricaladjectiveUS /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

PnounUS /piː/

a multivalent nonmetallic element of the nitrogen family that occurs commonly in inorganic phosphate rocks and as organic phosphates in all living cells; is highly reactive and occurs in several allotropic forms

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

periodsnounUS /ˈpɪriədz/

plural of “period” — an amount of time

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

preciselyadverbUS /prɪˈsaɪsli/

indicating exactness or preciseness

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

proseman

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

retainedadjectiveUS /rɪˈteɪnd/

continued in your keeping or use or memory

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

ROUTLEDGE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

SONSnounUS /sʌnz/

plural of “son” — a male human offspring

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

stepnounUS /step/

any maneuver made as part of progress toward a goal

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

stilladjectiveUS /stɪl/

not in physical motion

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

surveynounUS /sərˈveɪ/

a detailed critical inspection

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A LIFE OF THE AUTHOR, AND AN INTRODUCTION BY ERNEST A. BAKER, M.A.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

traditionnounUS /trəˈdɪʃən/

an inherited pattern of thought or action

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

viinoun

the cardinal number that is the sum of six and one

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

waynounUS /weɪ/

how something is done or how it happens

From this reading When in the Elizabethan age the literature of tradition gave way to the literature of invention, a decisive step in advance was made; but the novel still retained all the essential features of its poetic ancestry.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

whenconjunctionUS /wen/

at the time that

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

withprepositionUS /wɪð/

in the company of; together with

From this reading {vii} In a broad survey of the early history of English prose fiction three periods mark themselves out with great distinctness.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The later centuries of the middle ages were the age of romance, when both poet and proseman worked upon the same mass of legendary material, expanding and embellishing the current stories in precisely the same spirit, the difference between prose romance and metrical romance being simply one of mechanical form.

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading LONDON GEORGE ROUTLEDGE AND SONS, Ltd. New York: E. P. Dutton & Co.

Chapter 1 of The Countess of Pembroke's Arcadia by Philip Sidney holds 348 sentences, grouped into 70 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

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Chapter 1 holds 348 sentences of The Countess of Pembroke's Arcadia, unabridged, divided into 70 reading sections.

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