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The Crisis — Volume 01
The Crisis — Volume 01

Chapter V · Chapter 5

Chapter 5 of The Crisis — Volume 01 is here in full — 209 sentences across 42 reading sections, with audio for every sentence and word.

Cover illustration for The Crisis — Volume 01
Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
SILAS WHIPPLE The trouble with many narratives is that they tell too much.
Stephen's interview with his mother was a quiet affair, and not historic.
Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.
Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.
That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Crisis — Volume 01

Chapter V · Chapter 5

Chapter 5 of The Crisis — Volume 01 is here in full — 209 sentences across 42 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
SILAS WHIPPLE The trouble with many narratives is that they tell too much.
Line 2
Stephen's interview with his mother was a quiet affair, and not historic.
/ˈstiːvənz ˈɪntərvjuː wɪð hɪz ˈmʌðər wɑːz ə ˈkwaɪət əˈfer ənd nɑːt hɪˈstɔːrɪk/
Line 3
Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.
Line 4
Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.
Line 5
That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

affecting adjective US /əˈfektɪŋ/

arousing affect

From this reading “Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.”

Crane's noun US /kreɪnz/

possessive form of “crane” — United States writer (1871-1900)

From this reading “Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.”

historic adjective US /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading “Stephen's interview with his mother was a quiet affair, and not historic.”

narratives noun US /ˈnærətɪvz/

plural of “narrative” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading “SILAS WHIPPLE The trouble with many narratives is that they tell too much.”

skip verb US /skɪp/

bypass

From this reading “Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.”

Stephen's noun US /ˈstiːvənz/

possessive form of “stephen” — English writer (1832-1904)

From this reading “Stephen's interview with his mother was a quiet affair, and not historic.”

teapot noun US /ˈtiːpɑːt/

pot for brewing tea; usually has a spout and handle

From this reading “Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.”

tempest noun US /ˈtempəst/

a violent commotion or disturbance

From this reading “Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

affairnounUS /əˈfer/

a vaguely specified concern

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

affectingadjectiveUS /əˈfektɪŋ/

arousing affect

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

afternoonnounUS /ˌæftərˈnuːn/

the part of the day between noon and evening

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

againadverbUS /əˈɡen/

anew

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

atprepositionUS /æt/

in or near a particular place or position

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

boarding-house

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

Brice

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

Canter's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

considerationnounUS /kənˌsɪdərˈeɪʃən/

the process of giving careful thought to something

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

Crane'snounUS /kreɪnz/

possessive form of “crane” — United States writer (1871-1900)

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

describedadjectiveUS /dɪˈskraɪbd/

represented in words especially with sharpness and detail

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

dirtyadjectiveUS /ˈdɜːrti/

soiled or likely to soil with dirt or grime

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

flightnounUS /flaɪt/

a formation of aircraft in flight

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

furniturenounUS /ˈfɜːrnɪtʃər/

furnishings that make a room or other area ready for occupancy

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

historicadjectiveUS /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

imaginedverbUS /ˌɪˈmædʒənd/

past form of “imagine” — form a mental image of something that is not present or that is not the case

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

interviewverbUS /ˈɪntərvjuː/

conduct an interview in television, newspaper, and radio reporting

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

JudgeverbUS /dʒʌdʒ/

determine the result of (a competition)

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

lednounUS /led/

diode such that light emitted at a p-n junction is proportional to the bias current; color depends on the material used

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

likewiseadverbUS /ˈlaɪkwaɪz/

in like or similar manner

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

mostadverbUS /moʊst/

used to form the superlative

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

narrativesnounUS /ˈnærətɪvz/

plural of “narrative” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

officenounUS /ˈɔːfɪs/

place of business where professional or clerical duties are performed

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

OutadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

scenenounUS /siːn/

the place where some action occurs

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

second-hand

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

SILAS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

skipverbUS /skɪp/

bypass

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

StephennounUS /ˈstiːvən/

English writer (1832-1904)

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

Stephen'snounUS /ˈstiːvənz/

possessive form of “stephen” — English writer (1832-1904)

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

stepsnounUS /steps/

a flight of stairs or a flight of steps

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

storenounUS /stɔːr/

a mercantile establishment for the retail sale of goods or services

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

teapotnounUS /ˈtiːpɑːt/

pot for brewing tea; usually has a spout and handle

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

tellverbUS /tel/

express in words

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

tempestnounUS /ˈtempəst/

a violent commotion or disturbance

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Miss Crane's boarding-house is not an interesting place, and the tempest in that teapot is better imagined than described.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

troublenounUS /ˈtrʌbəl/

a source of difficulty

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Stephen's interview with his mother was a quiet affair, and not historic.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Out of consideration for Mr. Stephen Brice, we shall skip likewise a most affecting scene at Mr. Canter's second-hand furniture store.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

WHIPPLE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

Whipple's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That afternoon Stephen came again to the dirty flight of steps which led to Judge Whipple's office.

withprepositionUS /wɪð/

in the company of; together with

From this reading SILAS WHIPPLE The trouble with many narratives is that they tell too much.

Chapter 5 of The Crisis — Volume 01 by Winston Churchill holds 209 sentences, grouped into 42 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The Crisis — Volume 01 contain?

Chapter 5 holds 209 sentences of The Crisis — Volume 01, unabridged, divided into 42 reading sections.

This page carries chapter 5 of The Crisis — Volume 01 by Winston Churchill exactly as it stands in the source edition, without abridgement. It runs to 209 sentences, grouped into 42 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The Crisis — Volume 01?

Work through the 42 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 42 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Crisis — Volume 01

Common questions about reading The Crisis — Volume 01 by Winston Churchill on this page, its source edition and its audio.

Is this the complete text of The Crisis — Volume 01?

Yes. All 1509 sentences of Project Gutenberg eBook #5388 are kept, with a record of which sentences cover which part.

Which edition of The Crisis — Volume 01 is used?

Project Gutenberg eBook #5388, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Crisis — Volume 01 take to read?

About 125 minutes of reading across 302 sections of 5 sentences each, at an unhurried pace.

How to read The Crisis — Volume 01 section by section

How to work through The Crisis — Volume 01 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of The Crisis — Volume 01 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Crisis — Volume 01

Words and structures a reader meets early in The Crisis — Volume 01, each tappable for pronunciation and meaning.

Deals
A word that appears in the opening chapter of The Crisis — Volume 01; the reader can tap it to hear it and see its dictionary entry.
Origins
A word that appears in the opening chapter of The Crisis — Volume 01; the reader can tap it to hear it and see its dictionary entry.
Faithfully
A word that appears in the opening chapter of The Crisis — Volume 01; the reader can tap it to hear it and see its dictionary entry.
Relate
A word that appears in the opening chapter of The Crisis — Volume 01; the reader can tap it to hear it and see its dictionary entry.