Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Deep Lake Mystery
The Deep Lake Mystery

Chapter I

Chapter 1 of The Deep Lake Mystery is here in full — 306 sentences across 62 reading sections, with audio for every sentence and word.

Cover illustration for The Deep Lake Mystery
Context Illustration Reading 1/61 · 5 lines
English subtitles · tap any word to listen 1 / 5
By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.
As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.
Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.
Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.
Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Deep Lake Mystery

Chapter I

Chapter 1 of The Deep Lake Mystery is here in full — 306 sentences across 62 reading sections, with audio for every sentence and word.

Reading 1/61 · 5 reading units · Lines 1–5

Line 1
By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.
Line 2
As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.
Line 3
Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.
/ˌɪˈmædʒən tuː jərˈself ə mæn ded ɪn hɪz oʊn bed wɪð noʊ saɪn ʌv ˈvaɪələns ɔːr mælˈtriːtmənt/
Line 4
Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.
/aɪz ˈpɑːrtli kloʊzd æz hiː maɪt biː ˈpiːsfəli ˈθɪŋkɪŋ ənd noʊ ɪkˈspreʃən ʌv fɪr ɔːr ˈhɔːrər ɑːn hɪz kɑːm feɪs/
Line 5
Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.
/naʊ æd tuː jɔːr ˈmentəl ˈpɪktʃər ðə fækt ðæt hiː hæd raʊnd hɪz braʊ ə fjuː ˈflaʊərz ərˈeɪndʒd æz ə riːθ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Crypt noun US /krɪpt/

An underground room or vault beneath an ancient building, often used for storage or burials.

From this reading “By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.”

eventful adjective US /ɪˈventfəl/

full of events or incidents

From this reading “As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.”

Fourteenth adjective US /ˈfɔːrˈtiːnθ/

coming next after the thirteenth in position

From this reading “By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.”

Furthest adverb US /ˈfɜːrθəst/

to the greatest degree or extent or most advanced stage (“furthest” is used more often than “farthest” in this abstract sense)

From this reading “By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.”

maltreatment noun US /mælˈtriːtmənt/

cruel or inhumane treatment

From this reading “Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.”

peacefully adverb US /ˈpiːsfəli/

in a peaceful manner

From this reading “Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.”

stretches noun US /ˈstretʃəz/

plural of “stretch” — a large and unbroken expanse or distance

From this reading “As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.”

Tracy noun US /ˈtreɪsi/

United States film actor who appeared in many films with Katharine Hepburn (1900-1967)

From this reading “As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

mental picture adjective + noun

a clear and telling mental image

In this reading “Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.”

dead body adjective + noun

a natural object consisting of a dead animal or person

In this reading “As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.”

ever experienced adverb + adjective

In this reading “As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.”

look back verb + particle

look towards one's back

In this reading “As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.”

At Sea preposition + noun

perplexed by many conflicting situations or statements; filled with bewilderment

In this reading “By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.”

All words in this reading · 105

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

addverbUS /æd/

make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

AnythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

AroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

arrangedadjectiveUS /ərˈeɪndʒd/

disposed or placed in a particular kind of order

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

AtprepositionUS /æt/

in or near a particular place or position

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

backadverbUS /bæk/

in or to or toward a former location

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

BronzenounUS /brɑːnz/

an alloy of copper and tin and sometimes other elements; also any copper-base alloy containing other elements in place of tin

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

brownounUS /braʊ/

the part of the face above the eyes

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

calmverbUS /kɑːm/

make calm or still

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

CardsnounUS /kɑːrdz/

a game played with playing cards

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

CAROLYN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

CasenounUS /keɪs/

an occurrence of something

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

CrimenounUS /kraɪm/

(criminal law) an act punishable by law; usually considered an evil act

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

CryptnounUS /krɪpt/

An underground room or vault beneath an ancient building, often used for storage or burials.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

DaughternounUS /ˈdɔːtər/

a female human offspring

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

Emily

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

etc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

eventfuladjectiveUS /ɪˈventfəl/

full of events or incidents

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

everadverbUS /ˈevər/

at any time

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

experiencedadjectiveUS /ɪkˈspɪriənst/

having experience; having knowledge or skill from observation or participation

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

EyesnounUS /aɪz/

opinion or judgment

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

FacenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

FeathersnounUS /ˈfeðərz/

plural of “feather” — the light horny waterproof structure forming the external covering of birds

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

FourteenthadjectiveUS /ˈfɔːrˈtiːnθ/

coming next after the thirteenth in position

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

FurthestadverbUS /ˈfɜːrθəst/

to the greatest degree or extent or most advanced stage (“furthest” is used more often than “farthest” in this abstract sense)

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

FurynounUS /ˈfjʊri/

a feeling of intense anger

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

GirlnounUS /ɡɜːrl/

a young female

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

HandnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

horrornounUS /ˈhɔːrər/

intense and profound fear

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

ImagineverbUS /ˌɪˈmædʒən/

form a mental image of something that is not present or that is not the case

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

KeynounUS /kiː/

metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

LeftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

maltreatmentnounUS /mælˈtriːtmənt/

cruel or inhumane treatment

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

mentaladjectiveUS /ˈmentəl/

involving the mind or an intellectual process

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

monotonousadjectiveUS /məˈnɑːtənəs/

tediously repetitious or lacking in variety

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

nodeterminerUS /noʊ/

not any; not one

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

ownverbUS /oʊn/

have ownership or possession of

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

partlyadverbUS /ˈpɑːrtli/

to some extent; in some degree; not wholly

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

peacefullyadverbUS /ˈpiːsfəli/

in a peaceful manner

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

placidadjectiveUS /ˈplæsəd/

(of a body of water) free from disturbance by heavy waves

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

Prillilgirl

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

Red-Haired

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

roundnounUS /raʊnd/

a charge of ammunition for a single shot

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

Sampson

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

sawverbUS /sɔː/

cut with a saw

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

SeanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

signnounUS /saɪn/

a perceptible indication of something not immediately apparent (as a visible clue that something has happened)

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

spotsnounUS /spɑːts/

spots before the eyes caused by opaque cell fragments in the vitreous humor and lens

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

stretchesnounUS /ˈstretʃəz/

plural of “stretch” — a large and unbroken expanse or distance

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading Eyes partly closed, as he might be peacefully thinking, and no expression of fear or horror on his calm face.

thrillnounUS /θrɪl/

the swift release of a store of affective force

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

TracynounUS /ˈtreɪsi/

United States film actor who appeared in many films with Katharine Hepburn (1900-1967)

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

TruthnounUS /truːθ/

a fact that has been verified

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

VanitynounUS /ˈvænəti/

feelings of excessive pride

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

violencenounUS /ˈvaɪələns/

an act of aggression (as one against a person who resists)

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

WELLSnounUS /welz/

prolific English writer best known for his science-fiction novels; he also wrote on contemporary social problems and wrote popular accounts of history and science (1866-1946)

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

whenconjunctionUS /wen/

at the time that

From this reading As I look back on my life, eventful enough in spots, but placid, even monotonous in the long stretches between spots, I think the greatest thrill I ever experienced was when I saw the dead body of Sampson Tracy.

Where's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By CAROLYN WELLS Author _of_ “The Crime in the Crypt,” “All At Sea,” “Anything But the Truth,” “The Bronze Hand,” “The Daughter of the House,” “Face Cards,” “Feathers Left Around,” “The Fourteenth Key,” “The Furthest Fury,” “Prillilgirl,” “The Red-Haired Girl,” “The Vanity Case,” “Where’s Emily,” etc.

withprepositionUS /wɪð/

in the company of; together with

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

wreathnounUS /riːθ/

flower arrangement consisting of a circular band of foliage or flowers for ornamental purposes

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading Now add to your mental picture the fact that he had round his brow a few flowers arranged as a wreath.

yourselfpronounUS /jərˈself/

used when the person spoken to is also the object of the action

From this reading Imagine to yourself a man, dead in his own bed, with no sign of violence or maltreatment.

Chapter 1 of The Deep Lake Mystery by Carolyn Wells holds 306 sentences, grouped into 62 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Deep Lake Mystery contain?

Chapter 1 holds 306 sentences of The Deep Lake Mystery, unabridged, divided into 62 reading sections.

This page carries chapter 1 of The Deep Lake Mystery by Carolyn Wells exactly as it stands in the source edition, without abridgement. It runs to 306 sentences, grouped into 62 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Deep Lake Mystery?

Work through the 62 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 62 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Deep Lake Mystery

Common questions about reading The Deep Lake Mystery by Carolyn Wells on this page, its source edition and its audio.

Is this the complete text of The Deep Lake Mystery?

Yes. All 5217 sentences of Project Gutenberg eBook #46064 are kept, with a record of which sentences cover which part.

Which edition of The Deep Lake Mystery is used?

Project Gutenberg eBook #46064, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Deep Lake Mystery take to read?

About 434 minutes of reading across 1044 sections of 5 sentences each, at an unhurried pace.

How to read The Deep Lake Mystery section by section

How to work through The Deep Lake Mystery section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of The Deep Lake Mystery to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Deep Lake Mystery

Words and structures a reader meets early in The Deep Lake Mystery, each tappable for pronunciation and meaning.

Carolyn
A word that appears in the opening chapter of The Deep Lake Mystery; the reader can tap it to hear it and see its dictionary entry.
Wells
A word that appears in the opening chapter of The Deep Lake Mystery; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The Deep Lake Mystery; the reader can tap it to hear it and see its dictionary entry.
Crime
A word that appears in the opening chapter of The Deep Lake Mystery; the reader can tap it to hear it and see its dictionary entry.