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The Druidess: A Story for Boys and Others
The Druidess: A Story for Boys and Others

Chapter XIII

Chapter 13 of The Druidess: A Story for Boys and Others is here in full — 196 sentences across 40 reading sections, with audio for every sentence and word.

Cover illustration for The Druidess: A Story for Boys and Others
Context Illustration Reading 1/39 · 5 lines
English subtitles · tap any word to listen 1 / 5
MAN AND WOMAN.
Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.
Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.
You are changed, Elgiva!” said Cormac.
Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Druidess: A Story for Boys and Others

Chapter XIII

Chapter 13 of The Druidess: A Story for Boys and Others is here in full — 196 sentences across 40 reading sections, with audio for every sentence and word.

Reading 1/39 · 5 reading units · Lines 1–5

Line 1
MAN AND WOMAN.
/mæn ənd ˈwʊmən/
Line 2
Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.
Line 3
Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.
Line 4
You are changed, Elgiva!” said Cormac.
Line 5
Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.
/θruːˈaʊt ðə ɪkˈsaɪtmənt ʌv ðə əˈtæk ənd ðə ˈtuːməlt ʌv ðer ɪˈskeɪp hiː hæd bɪn ˈkɑːnʃəs ʌv ðə ɡɜːrlz ˈbjuːti/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blushing adjective US /ˈblʌʃɪŋ/

having a red face from embarrassment or shame or agitation or emotional upset

From this reading “Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.”

girl's noun US /ɡɜːrlz/

possessive form of “girl” — a young female

masses noun US /ˈmæsəz/

the common people generally

From this reading “Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.”

secure verb US /sɪˈkjʊr/

get by special effort

From this reading “Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.”

tangled adjective US /ˈtæŋɡəld/

in a confused mass

From this reading “Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.”

Throughout preposition US /θruːˈaʊt/

in every part of a place, or for the whole of a period

From this reading “Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.”

tumult noun US /ˈtuːməlt/

a state of commotion and noise and confusion

From this reading “Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.”

veil noun US /veɪl/

a garment that covers the head and face

From this reading “Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

golden hair adjective + noun

In this reading “Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.”

long silence adjective + noun

In this reading “Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.”

secure from verb + particle

In this reading “Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MAN AND WOMAN.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “You are changed, Elgiva!” said Cormac.

attacknounUS /əˈtæk/

(military) an offensive against an enemy (using weapons)

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

blushingadjectiveUS /ˈblʌʃɪŋ/

having a red face from embarrassment or shame or agitation or emotional upset

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading “You are changed, Elgiva!” said Cormac.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

Cormac

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

dangernounUS /ˈdeɪndʒər/

the condition of being susceptible to harm or injury

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

dressverbUS /dres/

put on clothes

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

dustverbUS /dʌst/

remove the dust from

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

Elgiva

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

escapenounUS /ɪˈskeɪp/

the act of escaping physically

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

excitementnounUS /ɪkˈsaɪtmənt/

the feeling of lively and cheerful joy

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

eyesnounUS /aɪz/

opinion or judgment

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

feltverbUS /felt/

mat together and make felt-like

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

girl'snounUS /ɡɜːrlz/

possessive form of “girl” — a young female

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

goldenadjectiveUS /ˈɡoʊldən/

having the deep slightly brownish color of gold

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading MAN AND WOMAN.

massesnounUS /ˈmæsəz/

the common people generally

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

metverbUS /met/

inflected form of “meet” — come together

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

nodeterminerUS /noʊ/

not any; not one

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

pastnounUS /pæst/

the time that has elapsed

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “You are changed, Elgiva!” said Cormac.

sandnounUS /sænd/

a loose material consisting of grains of rock or coral

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

saveprepositionUS /seɪv/

except for; apart from

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

secureverbUS /sɪˈkjʊr/

get by special effort

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

shooknounUS /ʃʊk/

a disassembled barrel; the parts packed for storage or shipment

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

smoothadjectiveUS /smuːð/

having a surface free from roughness or bumps or ridges or irregularities

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

tangledadjectiveUS /ˈtæŋɡəld/

in a confused mass

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

TheirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

thereadverbUS /ðer/

in or at that place or location

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

ThroughoutprepositionUS /θruːˈaʊt/

in every part of a place, or for the whole of a period

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

triedadjectiveUS /traɪd/

tested and proved useful or correct

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

tumultnounUS /ˈtuːməlt/

a state of commotion and noise and confusion

From this reading Throughout the excitement of the attack and the tumult of their escape, he had been conscious of the girl’s beauty.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

veilnounUS /veɪl/

a garment that covers the head and face

From this reading Their eyes met, and there was a long silence; neither spoke; then Elgiva turned, blushing, and tried to smooth into order the long, tangled masses of her golden hair; she shook the sand and dust from her dress and veil.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Now that the danger was past and they felt themselves secure from attack, Cormac and Elgiva had no thought save for each other.

WOMANnounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading MAN AND WOMAN.

YoupronounUS /juː/

the person or people being spoken to

From this reading “You are changed, Elgiva!” said Cormac.

Chapter 13 of The Druidess: A Story for Boys and Others by Florence Gay holds 196 sentences, grouped into 40 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Druidess: A Story for Boys and Others contain?

Chapter 13 holds 196 sentences of The Druidess: A Story for Boys and Others, unabridged, divided into 40 reading sections.

This page carries chapter 13 of The Druidess: A Story for Boys and Others by Florence Gay exactly as it stands in the source edition, without abridgement. It runs to 196 sentences, grouped into 40 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Druidess: A Story for Boys and Others?

Work through the 40 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 40 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Druidess: A Story for Boys and Others

Common questions about reading The Druidess: A Story for Boys and Others by Florence Gay on this page, its source edition and its audio.

Is this the complete text of The Druidess: A Story for Boys and Others?

Yes. All 1947 sentences of Project Gutenberg eBook #67674 are kept, with a record of which sentences cover which part.

Which edition of The Druidess: A Story for Boys and Others is used?

Project Gutenberg eBook #67674, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Druidess: A Story for Boys and Others take to read?

About 162 minutes of reading across 390 sections of 5 sentences each, at an unhurried pace.

How to read The Druidess: A Story for Boys and Others section by section

How to work through The Druidess: A Story for Boys and Others section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Druidess: A Story for Boys and Others

Words and structures a reader meets early in The Druidess: A Story for Boys and Others, each tappable for pronunciation and meaning.

Druidess
A word that appears in the opening chapter of The Druidess: A Story for Boys and Others; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of The Druidess: A Story for Boys and Others; the reader can tap it to hear it and see its dictionary entry.
Others
A word that appears in the opening chapter of The Druidess: A Story for Boys and Others; the reader can tap it to hear it and see its dictionary entry.
Florence
A word that appears in the opening chapter of The Druidess: A Story for Boys and Others; the reader can tap it to hear it and see its dictionary entry.