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The Early Short Fiction of Edith Wharton — Part 1
The Early Short Fiction of Edith Wharton — Part 1

Chapter XI · Chapter 11

Chapter 11 of The Early Short Fiction of Edith Wharton — Part 1 is here in full — 203 sentences across 41 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/40 · 5 lines
English subtitles · tap any word to listen 1 / 5
He turned back to the door, forcing an answer to her smile.
But in the mean while I shall have read it,” he said.
The door closed on him, and she hid her eyes from the dreadful emptiness of the room.
The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I Above all,” the letter ended, don’t leave Siena without seeing Doctor Lombard’s Leonardo.
Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

The Early Short Fiction of Edith Wharton — Part 1

Chapter XI · Chapter 11

Chapter 11 of The Early Short Fiction of Edith Wharton — Part 1 is here in full — 203 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/40 · 5 reading units · Lines 1–5

Line 1
He turned back to the door, forcing an answer to her smile.
/hiː tɜːrnd bæk tuː ðə dɔːr ˈfɔːrsɪŋ æn ˈænsər tuː hɜːr smaɪl/
Line 2
But in the mean while I shall have read it,” he said.
/bʌt ɪn ðə miːn waɪl aɪ ʃæl hæv red ɪt hiː sed/
Line 3
The door closed on him, and she hid her eyes from the dreadful emptiness of the room.
/ðə dɔːr kloʊzd ɑːn hɪm ənd ʃiː hɪd hɜːr aɪz frʌm ðə ˈdredfəl ˈemptinəs ʌv ðə ruːm/
Line 4
The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 IAbove all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.
Line 5
Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.
/ˈlɑːmbɑːrd ɪz ə kwɪr oʊld ˈɪŋɡlɪʃmən ə ˈmɪstɪk ɔːr ə ˈmædmæn ɪf ðə tuː ɑːr nɑːt səˈnɑːnəməs ənd ə dɪˈvaʊt ˈstuːdənt ʌv ðə ˌɪˈtæljən ˌrenəˈsɑːns/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

devout adjective US /dɪˈvaʊt/

deeply religious

From this reading “Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.”

emptiness noun US /ˈemptinəs/

the state of containing nothing

From this reading “The door closed on him, and she hid her eyes from the dreadful emptiness of the room.”

Leonardo noun US /ˌliːəˈnɑːrdoʊ/

Italian painter and sculptor and engineer and scientist and architect; the most versatile genius of the Italian Renaissance (1452-1519)

From this reading “The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.”

Lombard noun US /ˈlɑːmbɑːrd/

a member of a Germanic people who invaded northern Italy in the 6th century

From this reading “The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.”

Monthly noun US /ˈmʌnθli/

a periodical that is published every month (or 12 issues per year)

From this reading “The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.”

mystic adjective US /ˈmɪstɪk/

having an import not apparent to the senses nor obvious to the intelligence; beyond ordinary understanding

From this reading “Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.”

Renaissance noun US /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading “Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.”

synonymous adjective US /səˈnɑːnəməs/

(of words) meaning the same or nearly the same

From this reading “Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1904

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

AboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading He turned back to the door, forcing an answer to her smile.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

answerverbUS /ˈænsər/

react verbally

From this reading He turned back to the door, forcing an answer to her smile.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

AtlanticnounUS /ətˈlæntɪk/

the 2nd largest ocean; separates North and South America on the west from Europe and Africa on the east

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

AugustnounUS /ˈɑːɡəst/

the month following July and preceding September

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

backadverbUS /bæk/

in or to or toward a former location

From this reading He turned back to the door, forcing an answer to her smile.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading “But in the mean while I shall have read it,” he said.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

DEADadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

devoutadjectiveUS /dɪˈvaʊt/

deeply religious

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

DoctornounUS /ˈdɑːktər/

a licensed medical practitioner

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading He turned back to the door, forcing an answer to her smile.

dreadfuladjectiveUS /ˈdredfəl/

causing fear or dread or terror

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

emptinessnounUS /ˈemptinəs/

the state of containing nothing

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

EndnounUS /end/

either extremity of something that has length

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

endedadjectiveUS /ˈendəd/

having come or been brought to a conclusion

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

EnglishmannounUS /ˈɪŋɡlɪʃmən/

a man who is a native or inhabitant of England

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

eyesnounUS /aɪz/

opinion or judgment

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

forcingverbUS /ˈfɔːrsɪŋ/

-ing form of “force” — to cause to do through pressure or necessity, by physical, moral or intellectual means

From this reading He turned back to the door, forcing an answer to her smile.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

HANDnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading “But in the mean while I shall have read it,” he said.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He turned back to the door, forcing an answer to her smile.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading He turned back to the door, forcing an answer to her smile.

hidverbUS /hɪd/

inflected form of “hide” — prevent from being seen or discovered

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

HOUSEnounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “But in the mean while I shall have read it,” he said.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “But in the mean while I shall have read it,” he said.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “But in the mean while I shall have read it,” he said.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

leaveverbUS /liːv/

go away from a place

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

LeonardonounUS /ˌliːəˈnɑːrdoʊ/

Italian painter and sculptor and engineer and scientist and architect; the most versatile genius of the Italian Renaissance (1452-1519)

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

LombardnounUS /ˈlɑːmbɑːrd/

a member of a Germanic people who invaded northern Italy in the 6th century

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

Lombard's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

madmannounUS /ˈmædmæn/

an insane person

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

meanverbUS /miːn/

mean or intend to express or convey

From this reading “But in the mean while I shall have read it,” he said.

MonthlynounUS /ˈmʌnθli/

a periodical that is published every month (or 12 issues per year)

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

mysticadjectiveUS /ˈmɪstɪk/

having an import not apparent to the senses nor obvious to the intelligence; beyond ordinary understanding

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

queeradjectiveUS /kwɪr/

beyond or deviating from the usual or expected

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

readverbUS /red/

interpret something that is written or printed

From this reading “But in the mean while I shall have read it,” he said.

RenaissancenounUS /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “But in the mean while I shall have read it,” he said.

seeingnounUS /ˈsiːɪŋ/

perception by means of the eyes

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading “But in the mean while I shall have read it,” he said.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The door closed on him, and she hid her eyes from the dreadful emptiness of the room.

Siena

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading He turned back to the door, forcing an answer to her smile.

studentnounUS /ˈstuːdənt/

a learner who is enrolled in an educational institution

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

synonymousadjectiveUS /səˈnɑːnəməs/

(of words) meaning the same or nearly the same

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading He turned back to the door, forcing an answer to her smile.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He turned back to the door, forcing an answer to her smile.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading He turned back to the door, forcing an answer to her smile.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance.

whileconjunctionUS /waɪl/

during the time that

From this reading “But in the mean while I shall have read it,” he said.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The End THE HOUSE OF THE DEAD HAND As first published in Atlantic Monthly, August 1904 I “Above all,” the letter ended, “don’t leave Siena without seeing Doctor Lombard’s Leonardo.

Chapter 11 of The Early Short Fiction of Edith Wharton — Part 1 by Edith Wharton holds 203 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of The Early Short Fiction of Edith Wharton — Part 1 contain?

Chapter 11 holds 203 sentences of The Early Short Fiction of Edith Wharton — Part 1, unabridged, divided into 41 reading sections.

This page carries chapter 11 of The Early Short Fiction of Edith Wharton — Part 1 by Edith Wharton exactly as it stands in the public-domain source edition, without abridgement. It runs to 203 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of The Early Short Fiction of Edith Wharton — Part 1?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Early Short Fiction of Edith Wharton — Part 1

Common questions about reading The Early Short Fiction of Edith Wharton — Part 1 by Edith Wharton on this page, its source edition and its audio.

Is this the complete text of The Early Short Fiction of Edith Wharton — Part 1?

Yes. All 2566 sentences of Project Gutenberg eBook #295 are kept, with a record of which sentences cover which part.

Which edition of The Early Short Fiction of Edith Wharton — Part 1 is used?

Project Gutenberg eBook #295, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Early Short Fiction of Edith Wharton — Part 1 take to read?

About 213 minutes of reading across 514 sections of 5 sentences each, at an unhurried pace.

How to read The Early Short Fiction of Edith Wharton — Part 1 section by section

How to work through The Early Short Fiction of Edith Wharton — Part 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Early Short Fiction of Edith Wharton — Part 1

Words and structures a reader meets early in The Early Short Fiction of Edith Wharton — Part 1, each tappable for pronunciation and meaning.

Following
A word that appears in the opening chapter of The Early Short Fiction of Edith Wharton — Part 1; the reader can tap it to hear it and see its dictionary entry.
Works
A word that appears in the opening chapter of The Early Short Fiction of Edith Wharton — Part 1; the reader can tap it to hear it and see its dictionary entry.
Included
A word that appears in the opening chapter of The Early Short Fiction of Edith Wharton — Part 1; the reader can tap it to hear it and see its dictionary entry.
Present
A word that appears in the opening chapter of The Early Short Fiction of Edith Wharton — Part 1; the reader can tap it to hear it and see its dictionary entry.