Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Egoist: A Comedy in Narrative
The Egoist: A Comedy in Narrative

Chapter XXIX · Chapter 29

Chapter 29 of The Egoist: A Comedy in Narrative is here in full — 260 sentences across 52 reading sections, with audio for every sentence and word.

Cover illustration for The Egoist: A Comedy in Narrative
Context Illustration Reading 1/52 · 5 lines
English subtitles · tap any word to listen 1 / 5
ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.
She called to him: "Are the champions reconciled?"
He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."
"That seems innocent enough.
The Professor has not been anxious about his chest?"
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Egoist: A Comedy in Narrative

Chapter XXIX · Chapter 29

Chapter 29 of The Egoist: A Comedy in Narrative is here in full — 260 sentences across 52 reading sections, with audio for every sentence and word.

Reading 1/52 · 5 reading units · Lines 1–5

Line 1
ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.
Line 2
She called to him: "Are the champions reconciled?"
/ʃiː kɔːld tuː hɪm ɑːr ðə ˈtʃæmpiənz ˈrekənsaɪld/
Line 3
He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."
/hiː rɪˈplaɪd ˈhɑːrdli ðæt bʌt ðeɪ hæv kənˈsentɪd tuː miːt æt æn ˈɔːltər tuː ˈɔːfər ʌp ə ˈvɪktəm tuː ðə ɡɑːdz ɪn ðə ʃeɪp ʌv ˈmɑːdərn poʊˈetɪk ˌɪmɪˈteɪʃənz ʌv ðə ˈklæsɪkəl/
Line 4
"That seems innocent enough.
/ðæt siːmz ˈɪnəsənt ɪˈnʌf/
Line 5
The Professor has not been anxious about his chest?"
/ðə prəˈfesər hæz nɑːt bɪn ˈæŋkʃəs əˈbaʊt hɪz tʃest/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

altar noun US /ˈɔːltər/

the table in Christian churches where communion is given

From this reading “He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."”

animated adjective US /ˈænəmeɪtɪd/

having life or vigor or spirit

From this reading “ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.”

champions noun US /ˈtʃæmpiənz/

plural of “champion” — someone who has won first place in a competition

From this reading “She called to him: "Are the champions reconciled?"”

classical adjective US /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading “He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."”

consented verb US /kənˈsentɪd/

past form of “consent” — give an affirmative reply to; respond favorably to

From this reading “He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."”

imitations noun US /ˌɪmɪˈteɪʃənz/

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading “He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."”

poetic adjective US /poʊˈetɪk/

of or relating to poetry

From this reading “He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."”

reconciled adjective US /ˈrekənsaɪld/

made compatible or consistent

From this reading “She called to him: "Are the champions reconciled?"”

All words in this reading · 55

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading The Professor has not been anxious about his chest?"

altarnounUS /ˈɔːltər/

the table in Christian churches where communion is given

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

ANIMATEDadjectiveUS /ˈænəmeɪtɪd/

having life or vigor or spirit

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

anxiousadjectiveUS /ˈæŋkʃəs/

eagerly desirous

From this reading The Professor has not been anxious about his chest?"

Areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading She called to him: "Are the champions reconciled?"

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

ATprepositionUS /æt/

in or near a particular place or position

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The Professor has not been anxious about his chest?"

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading She called to him: "Are the champions reconciled?"

championsnounUS /ˈtʃæmpiənz/

plural of “champion” — someone who has won first place in a competition

From this reading She called to him: "Are the champions reconciled?"

chestnounUS /tʃest/

the part of the human torso between the neck and the diaphragm or the corresponding part in other vertebrates

From this reading The Professor has not been anxious about his chest?"

classicaladjectiveUS /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

consentedverbUS /kənˈsentɪd/

past form of “consent” — give an affirmative reply to; respond favorably to

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

CONVERSATIONnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

crossingnounUS /ˈkrɔːsɪŋ/

traveling across

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

dining-roomnoun

a room used for dining

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading "That seems innocent enough.

godsnounUS /ɡɑːdz/

plural of “god” — the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

hallnounUS /hɔːl/

an interior passage or corridor onto which rooms open

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

HardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The Professor has not been anxious about his chest?"

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading She called to him: "Are the champions reconciled?"

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The Professor has not been anxious about his chest?"

imitationsnounUS /ˌɪmɪˈteɪʃənz/

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

innocentadjectiveUS /ˈɪnəsənt/

free from evil or guilt

From this reading "That seems innocent enough.

LUNCHEON-TABLE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

meetverbUS /miːt/

come together

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

Mountstuart

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The Professor has not been anxious about his chest?"

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

offerverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

ProfessornounUS /prəˈfesər/

someone who is a member of the faculty at a college or university

From this reading The Professor has not been anxious about his chest?"

reconciledadjectiveUS /ˈrekənsaɪld/

made compatible or consistent

From this reading She called to him: "Are the champions reconciled?"

repliedverbUS /rɪˈplaɪd/

inflected form of “reply” — react verbally

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading "That seems innocent enough.

shapenounUS /ʃeɪp/

any spatial attributes (especially as defined by outline)

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She called to him: "Are the champions reconciled?"

steppedverbUS /stept/

inflected form of “step” — shift or move by taking a step

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

Vernon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

victimnounUS /ˈvɪktəm/

an unfortunate person who suffers from some adverse circumstance

From this reading He replied: "Hardly that, but they have consented to meet at an altar to offer up a victim to the gods in the shape of modern poetic imitations of the classical."

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading ANIMATED CONVERSATION AT A LUNCHEON-TABLE Vernon was crossing the hall to the dining-room as Mrs Mountstuart stepped in.

Chapter 29 of The Egoist: A Comedy in Narrative by George Meredith holds 260 sentences, grouped into 52 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 29 of The Egoist: A Comedy in Narrative contain?

Chapter 29 holds 260 sentences of The Egoist: A Comedy in Narrative, unabridged, divided into 52 reading sections.

This page carries chapter 29 of The Egoist: A Comedy in Narrative by George Meredith exactly as it stands in the source edition, without abridgement. It runs to 260 sentences, grouped into 52 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 29 of The Egoist: A Comedy in Narrative?

Work through the 52 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 52 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 29 be read aloud to me?

Yes — every sentence and every individual word in chapter 29 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Egoist: A Comedy in Narrative

Common questions about reading The Egoist: A Comedy in Narrative by George Meredith on this page, its source edition and its audio.

Is this the complete text of The Egoist: A Comedy in Narrative?

Yes. All 13312 sentences of Project Gutenberg eBook #1684 are kept, with a record of which sentences cover which part.

Which edition of The Egoist: A Comedy in Narrative is used?

Project Gutenberg eBook #1684, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Egoist: A Comedy in Narrative take to read?

About 600 minutes of reading across 2663 sections of 5 sentences each, at an unhurried pace.

How to read The Egoist: A Comedy in Narrative section by section

How to work through The Egoist: A Comedy in Narrative section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of The Egoist: A Comedy in Narrative to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Egoist: A Comedy in Narrative

Words and structures a reader meets early in The Egoist: A Comedy in Narrative, each tappable for pronunciation and meaning.

Ominously
A word that appears in the opening chapter of The Egoist: A Comedy in Narrative; the reader can tap it to hear it and see its dictionary entry.
Anxious
A word that appears in the opening chapter of The Egoist: A Comedy in Narrative; the reader can tap it to hear it and see its dictionary entry.
Watch
A word that appears in the opening chapter of The Egoist: A Comedy in Narrative; the reader can tap it to hear it and see its dictionary entry.
Visible
A word that appears in the opening chapter of The Egoist: A Comedy in Narrative; the reader can tap it to hear it and see its dictionary entry.