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The Eleven Comedies, Volume 1
The Eleven Comedies, Volume 1

Chapter I · Chapter 1

Chapter 1 of The Eleven Comedies, Volume 1 is here in full — 407 sentences across 82 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/81 · 5 lines
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Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword
Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.
Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.
Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.
Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Eleven Comedies, Volume 1

Chapter I · Chapter 1

Chapter 1 of The Eleven Comedies, Volume 1 is here in full — 407 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword
Line 2
Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.
Line 3
Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.
Line 4
Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.
Line 5
Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.
/ɪts ˈveri eɡˈzɪstəns ˌpriːsəˈpoʊzɪz ə ˈfʊlər ənd ˈboʊldər ˌɪntəˈlektʃuːəl laɪf ə mɔːr ədˈvænst ənd ˈkɑːmpleks ˈsɪti ˌsɪvəlɪˈzeɪʃən ə ˈkiːnər teɪst ənd ˈlaɪvliər ˈfækəlti ʌv ˌkɑːmpriˈhenʃən ɪn ðə ˈpiːpəl huː əˈpriːʃieɪt ɪt ðæn kʊd ˈeniwer biː faʊnd æt æn ˈɜːrliər ˈepək/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Aristophanes noun US /ˌærəˈstɔːfəniz/

an ancient Greek dramatist remembered for his comedies (448-380 BC)

From this reading “Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.”

Foreword noun US /ˈfɔːrwɜːrd/

a short introductory essay preceding the text of a book

From this reading “Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword”

livelier adjective US /ˈlaɪvliər/

comparative of “lively” — full of life and energy

From this reading “Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.”

Lyric adjective US /ˈlɪrɪk/

expressing deep emotion

From this reading “Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.”

paradoxical adjective US /ˌperəˈdɑːksɪkəl/

seemingly contradictory but nonetheless possibly true

From this reading “Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.”

presupposes verb US /ˌpriːsəˈpoʊzɪz/

third-person singular of “presuppose” — take for granted or as a given; suppose beforehand

From this reading “Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.”

satiric adjective US /səˈtɪrɪk/

exposing human folly to ridicule

From this reading “Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.”

Sophocles noun US /ˈsɑːfəkliz/

one of the great tragedians of ancient Greece (496-406 BC)

From this reading “Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.”

All words in this reading · 118

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

ACHARNIANS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

advancedadjectiveUS /ədˈvænst/

farther along in physical or mental development

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

anywhereadverbUS /ˈeniwer/

at or in or to any place

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

appreciateverbUS /əˈpriːʃieɪt/

recognize with gratitude; be grateful for

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

AristophanesnounUS /ˌærəˈstɔːfəniz/

an ancient Greek dramatist remembered for his comedies (448-380 BC)

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

atprepositionUS /æt/

in or near a particular place or position

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

AtheniannounUS /əˈθiːniən/

a resident of Athens

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

bolderadjectiveUS /ˈboʊldər/

comparative of “bold” — fearless and daring

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

civilizationnounUS /ˌsɪvəlɪˈzeɪʃən/

a society in an advanced state of social development (e.g., with complex legal and political and religious organizations)

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

CLOUDSnounUS /klaʊdz/

plural of “cloud” — any collection of particles (e.g., smoke or dust) or gases that is visible

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

ComedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

CompletelyadverbUS /kəmˈpliːtli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

complexnounUS /ˈkɑːmpleks/

a conceptual whole made up of complicated and related parts

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

comprehensionnounUS /ˌkɑːmpriˈhenʃən/

an ability to understand the meaning or importance of something (or the knowledge acquired as a result)

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

conditionsnounUS /kənˈdɪʃənz/

the prevailing context that influences the performance or the outcome of a process

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

conventionsnounUS /kənˈvenʃənz/

plural of “convention” — a large formal assembly

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

EachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

Elucidatory

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

enjoysverbUS /ˌenˈdʒɔɪz/

third-person singular of “enjoy” — derive or receive pleasure from; get enjoyment from; take pleasure in

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

EpicadjectiveUS /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

epochnounUS /ˈepək/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

essencenounUS /ˈesəns/

the choicest or most essential or most vital part of some idea or experience

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

existencenounUS /eɡˈzɪstəns/

the state or fact of existing

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

facultynounUS /ˈfækəlti/

one of the inherent cognitive or perceptual powers of the mind

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

FirstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

followsverbUS /ˈfɑːloʊz/

third-person singular of “follow” — to travel behind, go after, come after

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

ForewordnounUS /ˈfɔːrwɜːrd/

a short introductory essay preceding the text of a book

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

foundverbUS /faʊnd/

set up or found

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

fullernounUS /ˈfʊlər/

United States jurist and chief justice of the United States Supreme Court (1833-1910)

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

HistorynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

HomernounUS /ˈhoʊmər/

a base hit on which the batter scores a run

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

influencesnounUS /ˈɪnfluːənsɪz/

plural of “influence” — a power to affect persons or events especially power based on prestige etc

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

intellectualadjectiveUS /ˌɪntəˈlektʃuːəl/

of or associated with or requiring the use of the mind

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

IntoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

IntroductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

keeneradjectiveUS /ˈkiːnər/

comparative of “keen” — having or demonstrating ability to recognize or draw fine distinctions

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

KNIGHTSnounUS /naɪts/

plural of “knight” — originally a person of noble birth trained to arms and chivalry; today in Great Britain a person honored by the sovereign for personal merit

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

libertynounUS /ˈlɪb.ər.ti/

The state of being free within society from oppressive restrictions on one's way of life.

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

licencenounUS /ˈlaɪsəns/

excessive freedom; lack of due restraint

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

LiterallyadverbUS /ˈlɪtərəli/

in a literal sense

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

livelieradjectiveUS /ˈlaɪvliər/

comparative of “lively” — full of life and energy

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

LyricadjectiveUS /ˈlɪrɪk/

expressing deep emotion

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

methodnounUS /ˈmeθəd/

a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

modernnessnoun

the quality of being current or of the present

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

NotesnounUS /noʊts/

plural of “note” — a brief written record

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

OfprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

OldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

paradoxicaladjectiveUS /ˌperəˈdɑːksɪkəl/

seemingly contradictory but nonetheless possibly true

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

PerhapsadverbUS /pərˈhæps/

by chance

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

present-dayadjective

belonging to the present time

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

presupposesverbUS /ˌpriːsəˈpoʊzɪz/

third-person singular of “presuppose” — take for granted or as a given; suppose beforehand

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

restrainingverbUS /riˈstreɪnɪŋ/

-ing form of “restrain” — to close within bounds, or otherwise limit or deprive of free movement

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

satiricadjectiveUS /səˈtɪrɪk/

exposing human folly to ridicule

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

sayverbUS /seɪ/

express in words

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

Simonides

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

SophoclesnounUS /ˈsɑːfəkliz/

one of the great tragedians of ancient Greece (496-406 BC)

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

strikeverbUS /straɪk/

deliver a sharp blow, as with the hand, fist, or weapon

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

TextnounUS /tekst/

the words of something written

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Of its essence, it is free from many of the conventions and restraining influences of earlier forms of literature, and enjoys much of the liberty of choice of subject and licence of method that marks present-day conditions of literary production both on and off the stage.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

thingnounUS /θɪŋ/

a special situation

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

Thucydidesnoun

ancient Greek historian remembered for his history of the Peloponnesian War (460-395 BC)

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

TimenounUS /taɪm/

an instance or single occasion for some event

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

TonguenounUS /tʌŋ/

a mobile mass of muscular tissue covered with mucous membrane and located in the oral cavity

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

TragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

TranslatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

Translator's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Perhaps the first thing to strike us--paradoxical as it may sound to say so--about the Athenian 'Old Comedy' is its _modernness_.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Of its very nature, satiric drama comes later than Epic and Lyric poetry, Tragedy or History; Aristophanes follows Homer and Simonides, Sophocles and Thucydides.

whopronounUS /huː/

which person or people

From this reading Its very existence presupposes a fuller and bolder intellectual life, a more advanced and complex city civilization, a keener taste and livelier faculty of comprehension in the people who appreciate it, than could anywhere be found at an earlier epoch.

WithprepositionUS /wɪð/

in the company of; together with

From this reading Now For The First Time Literally And Completely Translated From The Greek Tongue Into English With Translator's Foreword An Introduction To Each Comedy And Elucidatory Notes THE KNIGHTS Introduction Text And Notes THE ACHARNIANS Introduction Text And Notes THE CLOUDS Introduction Text And Notes Translator's Foreword

Chapter 1 of The Eleven Comedies, Volume 1 by 447? BCE-386? BCE Aristophanes holds 407 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Eleven Comedies, Volume 1 contain?

Chapter 1 holds 407 sentences of The Eleven Comedies, Volume 1, unabridged, divided into 82 reading sections.

This page carries chapter 1 of The Eleven Comedies, Volume 1 by 447? BCE-386? BCE Aristophanes exactly as it stands in the source edition, without abridgement. It runs to 407 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Eleven Comedies, Volume 1?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Eleven Comedies, Volume 1

Common questions about reading The Eleven Comedies, Volume 1 by 447? BCE-386? BCE Aristophanes on this page, its source edition and its audio.

Is this the complete text of The Eleven Comedies, Volume 1?

Yes. All 8449 sentences of Project Gutenberg eBook #8688 are kept, with a record of which sentences cover which part.

Which edition of The Eleven Comedies, Volume 1 is used?

Project Gutenberg eBook #8688, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Eleven Comedies, Volume 1 take to read?

About 600 minutes of reading across 1690 sections of 5 sentences each, at an unhurried pace.

How to read The Eleven Comedies, Volume 1 section by section

How to work through The Eleven Comedies, Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of The Eleven Comedies, Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Eleven Comedies, Volume 1

Words and structures a reader meets early in The Eleven Comedies, Volume 1, each tappable for pronunciation and meaning.

First
A word that appears in the opening chapter of The Eleven Comedies, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Literally
A word that appears in the opening chapter of The Eleven Comedies, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Completely
A word that appears in the opening chapter of The Eleven Comedies, Volume 1; the reader can tap it to hear it and see its dictionary entry.
Translated
A word that appears in the opening chapter of The Eleven Comedies, Volume 1; the reader can tap it to hear it and see its dictionary entry.