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The English Novel
The English Novel

Chapter II · Chapter 2

Chapter 2 of The English Novel is here in full — 433 sentences across 87 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/86 · 5 lines
English subtitles · tap any word to listen 1 / 5
FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.
But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.
The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.
It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.
By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The English Novel

Chapter II · Chapter 2

Chapter 2 of The English Novel is here in full — 433 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.
Line 2
But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.
/bʌt æz ðə kənˈdɪʃənz ʌv ˈmɑːdərn ˈlɪtərətʃər ˈfæʃənd ðemˈselvz ə ˈveri ɡreɪt ˈɪnfluːəns ɪn ðɪs æz ɪn ˈʌðər dɪˈpɑːrtmənts wɑːz noʊ daʊt ˈeksərsaɪzd wɪð ʌs baɪ ˌɪˈtæljən æz wel æz sʌm baɪ ˈspænɪʃ ɪn ə weɪ wɪtʃ meɪ biː poʊstˈpoʊnd fɔːr ə ˈlɪtəl/
Line 3
The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.
Line 4
It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.
Line 5
By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Chaucer's noun US /ˈtʃɔːsərz/

possessive form of “chaucer” — English poet remembered as author of the Canterbury Tales (1340-1400)

From this reading “The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.”

departments noun US /dɪˈpɑːrtmənts/

plural of “department” — a specialized division of a large organization

From this reading “But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.”

dominated adjective US /ˈdɑːməneɪtəd/

controlled or ruled by superior authority or power

From this reading “By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.”

hackneyed adjective US /ˈhæknid/

repeated too often; overfamiliar through overuse

From this reading “It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.”

paradox noun US /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading “It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.”

sixteenth adjective US /sɪkˈstiːnθ/

coming next after the fifteenth in position

From this reading “FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.”

transference noun US /trænˈsfɜːrəns/

(psychoanalysis) the process whereby emotions are passed on or displaced from one person to another; during psychoanalysis the displacement of feelings toward others (usually the parents) is onto the analyst

From this reading “FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.”

truism noun US /ˈtruːɪzəm/

an obvious truth

From this reading “It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.”

All words in this reading · 116

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

atprepositionUS /æt/

in or near a particular place or position

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

begunverbUS /bɪˈɡʌn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

business-like

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

byprepositionUS /baɪ/

showing who or what does the action

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

Chaucer'snounUS /ˈtʃɔːsərz/

possessive form of “chaucer” — English poet remembered as author of the Canterbury Tales (1340-1400)

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

circumstancesnounUS /ˈsɜːrkəmstænsəz/

your overall circumstances or condition in life (including everything that happens to you)

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

classesnounUS /ˈklæsəz/

plural of “class” — a collection of things sharing a common attribute

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

comfortableadjectiveUS /ˈkʌmfərtəbəl/

providing or experiencing physical well-being or relief (“comfy” is informal)

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

complicatedadjectiveUS /ˈkɑːmpləkeɪtəd/

difficult to analyze or understand

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

conditionsnounUS /kənˈdɪʃənz/

the prevailing context that influences the performance or the outcome of a process

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

corruptverbUS /kərˈʌpt/

corrupt morally or by intemperance or sensuality

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

cultivatedadjectiveUS /ˈkʌltəveɪtɪd/

(of land or fields) prepared for raising crops by plowing or fertilizing

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

departmentsnounUS /dɪˈpɑːrtmənts/

plural of “department” — a specialized division of a large organization

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

dominatedadjectiveUS /ˈdɑːməneɪtəd/

controlled or ruled by superior authority or power

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

DuringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

dying-off

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

EuropenounUS /ˈjʊrəp/

the 2nd smallest continent (actually a vast peninsula of Eurasia); the British use “Europe” to refer to all of the continent except the British Isles

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

everadverbUS /ˈevər/

at any time

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

exercisenounUS /ˈeksərsaɪz/

the activity of exerting your muscles in various ways to keep fit

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

exercisedverbUS /ˈeksərsaɪzd/

past form of “exercise” — put to use

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

fairlyadverbUS /ˈferli/

to certain extent or degree

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

fashionedadjectiveUS /ˈfæʃənd/

planned and made or fashioned artistically

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

fifteenthadjectiveUS /fɪfˈtiːnθ/

coming next after the fourteenth and just before the sixteenth in position

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

growthnounUS /ɡroʊθ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

hackneyedadjectiveUS /ˈhæknid/

repeated too often; overfamiliar through overuse

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

idealsnounUS /aɪˈdiːlz/

plural of “ideal” — the idea of something that is perfect; something that one hopes to attain

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

LYLYnoun

English writer noted for his elaborate style (1554-1606)

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

meantverbUS /ment/

inflected form of “mean” — mean or intend to express or convey

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

nodeterminerUS /noʊ/

not any; not one

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

notenounUS /noʊt/

a brief written record

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

paradoxnounUS /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

postponedverbUS /poʊstˈpoʊnd/

past form of “postpone” — hold back to a later time

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

recentlyadverbUS /ˈriːsəntli/

in the recent past

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

sayverbUS /seɪ/

express in words

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

separatedadjectiveUS /ˈsepəreɪtɪd/

being or feeling set or kept apart from others

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

sharplyadverbUS /ˈʃɑːrpli/

in an aggressive manner

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

sixteenthadjectiveUS /sɪkˈstiːnθ/

coming next after the fifteenth in position

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

SpanishnounUS /ˈspænɪʃ/

the Romance language spoken in most of Spain and the countries colonized by Spain

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

sufficientlyadverbUS /səˈfɪʃəntli/

to a sufficient degree

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

SWIFTadjectiveUS /swɪft/

moving very fast

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

thereadverbUS /ðer/

in or at that place or location

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

tillprepositionUS /tɪl/

up to a particular time

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

tolerablyadverb

in an acceptable (but not outstanding) manner

From this reading By "modern" is here meant the kind of society which is fairly cultivated, fairly comfortable, fairly complicated with classes not very sharply separated from each other, not dominated by any very high ideals, tolerably corrupt, and sufficiently business-like.

transferencenounUS /trænˈsfɜːrəns/

(psychoanalysis) the process whereby emotions are passed on or displaced from one person to another; during psychoanalysis the displacement of feelings toward others (usually the parents) is onto the analyst

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

truismnounUS /ˈtruːɪzəm/

an obvious truth

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

unfavourableadjective

not encouraging or approving or pleasing

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

versenounUS /vɜːrs/

literature in metrical form

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading FROM LYLY TO SWIFT During the dying-off of romance proper, or its transference from verse to prose in the late fifteenth and earlier sixteenth century, there is not very much to note about prose fiction in England.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

waynounUS /weɪ/

how something is done or how it happens

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

withprepositionUS /wɪð/

in the company of; together with

From this reading But, as the conditions of modern literature fashioned themselves, a very great influence in this as in other departments was no doubt exercised with us by Italian, as well as some by Spanish in a way which may be postponed for a little.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading It is a hackneyed truism that Italian society was very much more modern than any other in Europe at this time--in fact it would not be a mere paradox to say that it was, and continued to be till the later sixteenth, much more modern than it has ever been since--or till very recently.

yetconjunctionUS /jet/

but in spite of that

From this reading The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.

Chapter 2 of The English Novel by George Saintsbury holds 433 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The English Novel contain?

Chapter 2 holds 433 sentences of The English Novel, unabridged, divided into 87 reading sections.

This page carries chapter 2 of The English Novel by George Saintsbury exactly as it stands in the source edition, without abridgement. It runs to 433 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The English Novel?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 87 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Chapter 1
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Chapter 2
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Chapter 3
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