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The English Novel and the Principle of Its Development
The English Novel and the Principle of Its Development

Chapter I

Chapter 1 of The English Novel and the Principle of Its Development is here in full — 398 sentences across 80 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/79 · 5 lines
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GRANT, FAIRES & RODGERS, PHILADELPHIA.
PREFATORY NOTE.
The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.
Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.
Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The English Novel and the Principle of Its Development

Chapter I

Chapter 1 of The English Novel and the Principle of Its Development is here in full — 398 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
GRANT, FAIRES & RODGERS, PHILADELPHIA.
/ɡrænt ferz ˈrɑːdʒərz ˌfɪləˈdelfiə/
Line 2
PREFATORY NOTE.
Line 3
The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.
Line 4
Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.
Line 5
Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

comprehensive adjective US /ˌkɑːmpriˈhensɪv/

including all or everything

From this reading “Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.”

curtailment noun US /kərˈteɪlmənt/

the temporal property of being cut short

From this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

extracts noun US /ˈekstrækts/

plural of “extract” — a solution obtained by steeping or soaking a substance (usually in water)

From this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

faires verb US /ferz/

third-person singular of “fair” — join so that the external surfaces blend smoothly

From this reading “GRANT, FAIRES & RODGERS, PHILADELPHIA.”

Johns noun US /dʒɑːnz/

United States artist and proponent of pop art (born in 1930)

From this reading “The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.”

omission noun US /oʊˈmɪʃən/

a mistake resulting from neglect

From this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

recast verb US /riˈkæst/

cast again, in a different role

From this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

rodgers noun US /ˈrɑːdʒərz/

United States composer of musical comedies (especially in collaboration with Oscar Hammerstein II and with Lorenz Hart) (1902-1979)

From this reading “GRANT, FAIRES & RODGERS, PHILADELPHIA.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

original manuscript adjective + noun

In this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

extracts from verb + particle counted as “extract from”

In this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

some extent adjective + noun

In this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

following chapters adjective + noun counted as “following chapter”

In this reading “The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.”

present editor verb + noun

In this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

make any verb + adjective

In this reading “Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.”

in literature preposition + noun

In this reading “Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1881

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

allusionsnounUS /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

AlthoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

atprepositionUS /æt/

in or near a particular place or position

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

beyondprepositionUS /bɪˈɑːnd/

on the far side of; further than

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

changesnounUS /ˈtʃeɪndʒəz/

plural of “change” — an event that occurs when something passes from one state or phase to another

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

chaptersnounUS /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

completeverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

comprehensiveadjectiveUS /ˌkɑːmpriˈhensɪv/

including all or everything

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

curtailmentnounUS /kərˈteɪlmənt/

the temporal property of being cut short

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

deliveredverbUS /dɪˈlɪvərd/

past form of “deliver” — deliver (a speech, oration, or idea)

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

developverbUS /dɪˈveləp/

make something new, such as a product or a mental or artistic creation

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

editornounUS /ˈedətər/

a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

extentnounUS /ɪkˈstent/

the point or degree to which something extends

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

extractsnounUS /ˈekstrækts/

plural of “extract” — a solution obtained by steeping or soaking a substance (usually in water)

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

FAIRESverbUS /ferz/

third-person singular of “fair” — join so that the external surfaces blend smoothly

From this reading GRANT, FAIRES & RODGERS, PHILADELPHIA.

feltverbUS /felt/

mat together and make felt-like

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

foregoer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

formaladjectiveUS /ˈfɔːrməl/

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

GRANTverbUS /ɡrænt/

let have

From this reading GRANT, FAIRES & RODGERS, PHILADELPHIA.

Hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

HopkinsnounUS /ˈhɑːpkɪnz/

United States educator and theologian (1802-1887)

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

intendedadjectiveUS /ˌɪnˈtendɪd/

resulting from one's intentions

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

JohnsnounUS /dʒɑːnz/

United States artist and proponent of pop art (born in 1930)

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

Lanier

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

lecturesnounUS /ˈlektʃərz/

plural of “lecture” — a speech that is open to the public

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

localadjectiveUS /ˈloʊkəl/

relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

makeverbUS /meɪk/

engage in

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

NOTEnounUS /noʊt/

a brief written record

From this reading PREFATORY NOTE.

occasionaladjectiveUS /əˈkeɪʒənəl/

occurring from time to time

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

omissionnounUS /oʊˈmɪʃən/

a mistake resulting from neglect

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

originallyadverbUS /ərˈɪdʒənəli/

in an original manner

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

partsnounUS /pɑːrts/

the local environment

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

PHILADELPHIAnounUS /ˌfɪləˈdelfiə/

the largest city in Pennsylvania; located in the southeastern part of the state on the Delaware river; site of Independence Hall where the Declaration of Independence and the Constitution were signed; site of the University of Pennsylvania

From this reading GRANT, FAIRES & RODGERS, PHILADELPHIA.

philosophynounUS /fɪˈlɑː.sə.fi/

The study of the fundamental nature of knowledge, reality, and existence. (Triết học, đạo lý nhân sinh.)

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

PREFATORYadjective

serving as an introduction or preface

From this reading PREFATORY NOTE.

prepareverbUS /priˈper/

make ready or suitable or equip in advance for a particular purpose or for some use, event, etc

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

pressverbUS /pres/

exert pressure or force to or upon

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

recastverbUS /riˈkæst/

cast again, in a different role

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

RODGERSnounUS /ˈrɑːdʒərz/

United States composer of musical comedies (especially in collaboration with Oscar Hammerstein II and with Lorenz Hart) (1902-1979)

From this reading GRANT, FAIRES & RODGERS, PHILADELPHIA.

SciencenounUS /ˈsaɪəns/

a particular branch of scientific knowledge

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

springnounUS /sprɪŋ/

the season of growth

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

substantialadjectiveUS /səbˈstænʃəl/

of considerable importance, size, or worth

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

unhappilyadverbUS /ənˈhæpəli/

in an unpleasant way

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

UniversitynounUS /ˌjuːnəˈvɜːrsəti/

the body of faculty and students at a university

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

VersenounUS /vɜːrs/

literature in metrical form

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

well-knownadjectiveUS /ˈwelˈnoʊn/

widely or fully known

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

winternounUS /ˈwɪntər/

the coldest season of the year; in the northern hemisphere it extends from the winter solstice to the vernal equinox

From this reading The following chapters were originally delivered as public lectures at Johns Hopkins University, in the winter and spring of 1881.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Although each is complete in itself, this work and its foregoer, _The Science of English Verse_, were intended to be parts of a comprehensive philosophy of formal and substantial beauty in literature, which, unhappily, the author did not live to develop.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Had Mr. Lanier lived to prepare them for the press, he would probably have recast them to some extent; but the present editor has not felt free to make any changes from the original manuscript, beyond the omission of a few local and occasional allusions, and the curtailment of several long extracts from well-known writers.

Chapter 1 of The English Novel and the Principle of Its Development by Sidney Lanier holds 398 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The English Novel and the Principle of Its Development contain?

Chapter 1 holds 398 sentences of The English Novel and the Principle of Its Development, unabridged, divided into 80 reading sections.

This page carries chapter 1 of The English Novel and the Principle of Its Development by Sidney Lanier exactly as it stands in the source edition, without abridgement. It runs to 398 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The English Novel and the Principle of Its Development?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The English Novel and the Principle of Its Development

Common questions about reading The English Novel and the Principle of Its Development by Sidney Lanier on this page, its source edition and its audio.

Is this the complete text of The English Novel and the Principle of Its Development?

Yes. All 2705 sentences of Project Gutenberg eBook #39200 are kept, with a record of which sentences cover which part.

Which edition of The English Novel and the Principle of Its Development is used?

Project Gutenberg eBook #39200, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The English Novel and the Principle of Its Development take to read?

About 225 minutes of reading across 541 sections of 5 sentences each, at an unhurried pace.

How to read The English Novel and the Principle of Its Development section by section

How to work through The English Novel and the Principle of Its Development section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The English Novel and the Principle of Its Development

Words and structures a reader meets early in The English Novel and the Principle of Its Development, each tappable for pronunciation and meaning.

Grant
A word that appears in the opening chapter of The English Novel and the Principle of Its Development; the reader can tap it to hear it and see its dictionary entry.
Faires
A word that appears in the opening chapter of The English Novel and the Principle of Its Development; the reader can tap it to hear it and see its dictionary entry.
Rodgers
A word that appears in the opening chapter of The English Novel and the Principle of Its Development; the reader can tap it to hear it and see its dictionary entry.
Philadelphia
A word that appears in the opening chapter of The English Novel and the Principle of Its Development; the reader can tap it to hear it and see its dictionary entry.