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The Eye of Dread
The Eye of Dread

Chapter VII

Chapter 7 of The Eye of Dread is here in full — 366 sentences across 74 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/73 · 5 lines
English subtitles · tap any word to listen 1 / 5
A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.
When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.
They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.
Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.
First he had gone to Scotland to visit his mother's aunts.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Eye of Dread

Chapter VII

Chapter 7 of The Eye of Dread is here in full — 366 sentences across 74 reading sections, with audio for every sentence and word.

Reading 1/73 · 5 reading units · Lines 1–5

Line 1
A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.
Line 2
When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.
Line 3
They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.
Line 4
Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.
Line 5
First he had gone to Scotland to visit his mother's aunts.
/fɜːrst hiː hæd ɡɔːn tuː ˈskɑːtlənd tuː ˈvɪzɪt hɪz ˈmʌðərz ænts/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aunts noun US /ænts/

plural of “aunt” — the sister of your father or mother; the wife of your uncle

From this reading “First he had gone to Scotland to visit his mother's aunts.”

cobwebs noun US /ˈkɑːbwebz/

plural of “cobweb” — a fabric so delicate and transparent as to resemble a web of a spider

From this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

crutches noun US /ˈkrʌtʃɪz/

plural of “crutch” — a wooden or metal staff that fits under the armpit and reaches to the ground; used by disabled person while walking

From this reading “When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.”

draped adjective US /dreɪpt/

covered with or as if with clothes or a wrap or cloak

From this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

era noun US /ˈerə/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

plastered adjective US /ˈplæstərd/

(of hair) made smooth by applying a sticky or glossy substance

From this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

projections noun US /prəˈdʒekʃənz/

plural of “projection” — a prediction made by extrapolating from past observations

From this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

trowel noun US /ˈtraʊwel/

a small hand tool with a handle and flat metal blade; used for scooping or spreading plaster or similar materials

From this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

NEW ERA adjective + noun

In this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

idle hours adjective + noun

In this reading “When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.”

at the top preposition + article + noun counted as “at … top”

In this reading “A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.”

All words in this reading · 104

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

anglesnounUS /ˈæŋɡəlz/

plural of “angle” — the space between two lines or planes that intersect; the inclination of one line to another; measured in degrees or radians

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

atprepositionUS /æt/

in or near a particular place or position

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

auntsnounUS /ænts/

plural of “aunt” — the sister of your father or mother; the wife of your uncle

From this reading First he had gone to Scotland to visit his mother's aunts.

Ballard's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

BEGINSnounUS /bɪˈɡɪnz/

plural of “begin” — Israeli statesman (born in Russia) who (as prime minister of Israel) negotiated a peace treaty with Anwar Sadat (then the president of Egypt) (1913-1992)

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

Bertrand

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

boynounUS /bɔɪ/

a youthful male person

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

cobwebsnounUS /ˈkɑːbwebz/

plural of “cobweb” — a fabric so delicate and transparent as to resemble a web of a spider

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

companionshipnounUS /kəmˈpænjənʃɪp/

the state of being with someone

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

cousinnounUS /ˈkʌzən/

the child of your aunt or uncle

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

crutchesnounUS /ˈkrʌtʃɪz/

plural of “crutch” — a wooden or metal staff that fits under the armpit and reaches to the ground; used by disabled person while walking

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

dependentadjectiveUS /dɪˈpendənt/

relying on or requiring a person or thing for support, supply, or what is needed

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

drapedadjectiveUS /dreɪpt/

covered with or as if with clothes or a wrap or cloak

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

driftingnounUS /ˈdrɪftɪŋ/

aimless wandering from place to place

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

earsnounUS /ɪrz/

plural of “ear” — the sense organ for hearing and equilibrium

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

ERAnounUS /ˈerə/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

FirstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading First he had gone to Scotland to visit his mother's aunts.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

foundverbUS /faʊnd/

set up or found

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading First he had gone to Scotland to visit his mother's aunts.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

homenounUS /hoʊm/

where you live at a particular time

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

idleadjectiveUS /ˈaɪdəl/

not in action or at work

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

JuniornounUS /ˈdʒuːnjər/

term of address for a disrespectful and annoying male

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

laughedverbUS /læft/

past form of “laugh” — produce laughter

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

laughternounUS /ˈlæftər/

the sound of laughing

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

leaveverbUS /liːv/

go away from a place

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

lovedadjectiveUS /lʌvd/

held dear

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

missedadjectiveUS /mɪst/

not caught with the senses or the mind

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

mother'snounUS /ˈmʌðərz/

possessive form of “mother” — a woman who has given birth to a child (also used as a term of address to your mother)

From this reading First he had gone to Scotland to visit his mother's aunts.

NEWadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

nodeterminerUS /noʊ/

not any; not one

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

northnounUS /nɔːrθ/

the region of the United States lying to the north of the Mason-Dixon line

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

PeternounUS /ˈpiːtər/

disciple of Jesus and leader of the Apostles; regarded by Catholics as the vicar of Christ on earth and first Pope

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

plasterverbUS /ˈplæstər/

apply a heavy coat to

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

plasteredadjectiveUS /ˈplæstərd/

(of hair) made smooth by applying a sticky or glossy substance

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

pleasantadjectiveUS /ˈplezənt/

affording pleasure; being in harmony with your taste or likings

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

projectionsnounUS /prəˈdʒekʃənz/

plural of “projection” — a prediction made by extrapolating from past observations

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

readverbUS /red/

interpret something that is written or printed

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

restverbUS /rest/

not move; be in a resting position

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

roughlyadverbUS /ˈrʌfli/

(of quantities) imprecise but fairly close to correct

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

sandnounUS /sænd/

a loose material consisting of grains of rock or coral

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

sangnounUS /sæŋ/

North American woodland herb similar to and used as substitute for the Chinese ginseng

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

ScotlandnounUS /ˈskɑːtlənd/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; located on the northern part of the island of Great Britain; famous for bagpipes and plaids and kilts

From this reading First he had gone to Scotland to visit his mother's aunts.

sorelyadverbUS /ˈsɔːrli/

to a great degree

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

soughtadjectiveUS /sɔːt/

that is looked for

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

spendverbUS /spend/

use up a period of time in a specific way

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

surfacenounUS /ˈsɜːrfəs/

the outer boundary of an artifact or a material layer constituting or resembling such a boundary

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

thereadverbUS /ðer/

in or at that place or location

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

thereofadverbUS /ˌðeˈrʌv/

of or concerning this or that

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading They read together, and sang together, and laughed together, and no sound was more pleasant to Mary Ballard's ears than this same happy laughter.

topnounUS /tɑːp/

the upper part of anything

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

trowelnounUS /ˈtraʊwel/

a small hand tool with a handle and flat metal blade; used for scooping or spreading plaster or similar materials

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

uncoloredadjective

without color

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

unwillingadjectiveUS /ənˈwɪlɪŋ/

not disposed or inclined toward

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading First he had gone to Scotland to visit his mother's aunts.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

warnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

WhenconjunctionUS /wen/

at the time that

From this reading When Peter Junior was able to leave his home and get about a little on his crutches, he loved to come there and rest and spend his idle hours, and Bertrand found pleasure in his companionship.

windownounUS /ˈwɪndoʊ/

a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

withprepositionUS /wɪð/

in the company of; together with

From this reading A NEW ERA BEGINS Bertrand Ballard's studio was at the top of his house, with a high north window and roughly plastered walls of uncolored sand, left as Bertrand himself had put the plaster on, with his trowel marks over the surface as they happened to come, and the angles and projections thereof draped with cobwebs.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading Peter had sorely missed the companionship of his cousin, for, at the close of the war, no longer a boy and unwilling to be dependent and drifting, Richard had sought out a place for himself in the work of the world.

Chapter 7 of The Eye of Dread by Payne Erskine holds 366 sentences, grouped into 74 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of The Eye of Dread contain?

Chapter 7 holds 366 sentences of The Eye of Dread, unabridged, divided into 74 reading sections.

This page carries chapter 7 of The Eye of Dread by Payne Erskine exactly as it stands in the source edition, without abridgement. It runs to 366 sentences, grouped into 74 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of The Eye of Dread?

Work through the 74 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 74 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Eye of Dread

Common questions about reading The Eye of Dread by Payne Erskine on this page, its source edition and its audio.

Is this the complete text of The Eye of Dread?

Yes. All 9366 sentences of Project Gutenberg eBook #30031 are kept, with a record of which sentences cover which part.

Which edition of The Eye of Dread is used?

Project Gutenberg eBook #30031, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Eye of Dread take to read?

About 600 minutes of reading across 1874 sections of 5 sentences each, at an unhurried pace.

How to read The Eye of Dread section by section

How to work through The Eye of Dread section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Eye of Dread to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Eye of Dread

Words and structures a reader meets early in The Eye of Dread, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Eye of Dread; the reader can tap it to hear it and see its dictionary entry.
Mountain
A word that appears in the opening chapter of The Eye of Dread; the reader can tap it to hear it and see its dictionary entry.
Joyful
A word that appears in the opening chapter of The Eye of Dread; the reader can tap it to hear it and see its dictionary entry.
Heatherby
A word that appears in the opening chapter of The Eye of Dread; the reader can tap it to hear it and see its dictionary entry.