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The fanatics
The fanatics

Chapter I

Chapter 1 of The fanatics is here in full — 415 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for The fanatics
Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
“_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.
The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.
2.
THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.
PERSONS OF THE PLAY MR.
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Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The fanatics

Chapter I

Chapter 1 of The fanatics is here in full — 415 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
“_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.
Line 2
The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.
Line 3
2.
Line 4
THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.
Line 5
PERSONS OF THE PLAY MR.
/ˈpɜːrsənz ʌv ðə pleɪ ˈmɪstər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Ambassadors noun US /æmˈbæsədərz/

plural of “ambassador” — a diplomat of the highest rank; accredited as representative from one country to another

From this reading “The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.”

collaboration noun US /kəˌlæbərˈeɪʃən/

act of working jointly

From this reading “THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.”

Curtis noun US /ˈkɜːrtəs/

English botanical writer and publisher (1746-1799)

From this reading “The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.”

fanatic noun US /fəˈnætɪk/

a person motivated by irrational enthusiasm (as for a cause)

From this reading ““_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.”

fanaticism noun US /fəˈnætəsɪzəm/

excessive intolerance of opposing views

From this reading “The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.”

Fanatics noun US /fəˈnætɪks/

plural of “fanatic” — a person motivated by irrational enthusiasm (as for a cause)

From this reading “THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.”

indebtedness noun US /ˌɪnˈdetɪdnɪs/

an obligation to pay money to another party

From this reading “THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.”

projected adjective US /prəˈdʒektəd/

extending out above or beyond a surface or boundary

From this reading “THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

Second Edition noun + noun

In this reading “The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.”

first performance adjective + noun

In this reading “The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.”

All words in this reading · 87

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1924

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

1927

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

2

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 2.

6

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

abandonedadjectiveUS /əˈbændənd/

forsaken by owner or inhabitants

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

acknowledgeverbUS /ækˈnɑːlɪdʒ/

declare to be true or admit the existence or reality or truth of

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

actingnounUS /ˈæktɪŋ/

the performance of a part or role in a drama

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

AmbassadorsnounUS /æmˈbæsədərz/

plural of “ambassador” — a diplomat of the highest rank; accredited as representative from one country to another

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

applicationnounUS /ˌæpləˈkeɪʃən/

the act of bringing something to bear; using it for a particular purpose

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

AprilnounUS /ˈeɪprəl/

the month following March and preceding May

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

ATprepositionUS /æt/

in or near a particular place or position

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

BrownnounUS /braʊn/

an orange of low brightness and saturation

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

cnounUS /siː/

a degree on the centigrade scale of temperature

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

characteristicsnounUS /ˌkerəktərˈɪstɪks/

plural of “characteristic” — a prominent attribute or aspect of something

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

collaborationnounUS /kəˌlæbərˈeɪʃən/

act of working jointly

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

Covent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

CurtisnounUS /ˈkɜːrtəs/

English botanical writer and publisher (1746-1799)

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

cutsnounUS /kʌts/

plural of “cut” — a share of the profits

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

derivedadjectiveUS /dərˈaɪvd/

formed or developed from something else; not original

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

desiresnounUS /dɪˈzaɪərz/

plural of “desire” — the feeling that accompanies an unsatisfied state

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

EditionnounUS /əˈdɪʃən/

the form in which a text (especially a printed book) is published

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

extensiveadjectiveUS /ɪkˈstensɪv/

large in spatial extent or range or scope or quantity

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

fanaticnounUS /fəˈnætɪk/

a person motivated by irrational enthusiasm (as for a cause)

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

fanaticismnounUS /fəˈnætəsɪzəm/

excessive intolerance of opposing views

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

FanaticsnounUS /fəˈnætɪks/

plural of “fanatic” — a person motivated by irrational enthusiasm (as for a cause)

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

FebruarynounUS /ˈfebjəweri/

the month following January and preceding March

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

FirstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

GardennounUS /ˈɡɑːrdən/

a plot of ground where plants are cultivated

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

Harold

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

Henrietta

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

humanitynounUS /hjuːˈmænɪti/

the quality of being humane

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

ImpressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

indebtednessnounUS /ˌɪnˈdetɪdnɪs/

an obligation to pay money to another party

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

JulynounUS /ˌdʒuːˈlaɪ/

the month following June and preceding August

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

Ltd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

Messrs

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

onounUS /oʊ/

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

one's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

particularsnounUS /pərˈtɪkjələrz/

plural of “particular” — a fact about some part (as opposed to general)

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

performancenounUS /pərˈfɔːrməns/

a dramatic or musical entertainment

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

PERSONSnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading PERSONS OF THE PLAY MR.

PLAYverbUS /pleɪ/

participate in games or sport

From this reading PERSONS OF THE PLAY MR.

previouslyadverbUS /ˈpriːviəsli/

at an earlier time or formerly

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

projectedadjectiveUS /prəˈdʒektəd/

extending out above or beyond a surface or boundary

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

purposesnounUS /ˈpɜːrpəsəz/

plural of “purpose” — an anticipated outcome that is intended or that guides your planned actions

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

ScottnounUS /skɑːt/

award-winning United States film actor (1928-1999)

From this reading THE author desires to acknowledge his indebtedness to Mr. Harold Scott for certain incidents and characteristics in “The Fanatics” derived from a previously projected and abandoned collaboration.

SecondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

StreetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

thingnounUS /θɪŋ/

a special situation

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

ThirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

WnounUS /ˈdʌbəljuː/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The thing is to keep one’s fanaticism and to keep one’s humanity._” _First published February 1924_ _Second Edition April 1927_ _Second Impression_ (_Second Edition_) _April 1927_ _Third Impression_ (_Second Edition_) _July 1927_ AT the first performance of the production at the Ambassadors Theatre several extensive cuts were made, and for particulars of these cuts for acting purposes application should be made to the author, c/o Messrs. Curtis Brown, Ltd., 6, Henrietta Street, Covent Garden, W.C.

whileconjunctionUS /waɪl/

during the time that

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

worthnounUS /wɜːrθ/

an indefinite quantity of something having a specified value

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

youpronounUS /juː/

the person or people being spoken to

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

you've

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “_I believe you’ve got to have something of a fanatic in you to do anything worth while these days.

Chapter 1 of The fanatics by Miles Malleson holds 415 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The fanatics contain?

Chapter 1 holds 415 sentences of The fanatics, unabridged, divided into 83 reading sections.

This page carries chapter 1 of The fanatics by Miles Malleson exactly as it stands in the source edition, without abridgement. It runs to 415 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The fanatics?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The fanatics

Common questions about reading The fanatics by Miles Malleson on this page, its source edition and its audio.

Is this the complete text of The fanatics?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The fanatics is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The fanatics take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The fanatics section by section

How to work through The fanatics section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The fanatics

Words and structures a reader meets early in The fanatics, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The fanatics, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
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