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The fog princes
The fog princes

Chapter XV

Chapter 15 of The fog princes is here in full — 113 sentences across 23 reading sections, with audio for every sentence and word.

Cover illustration for The fog princes
Context Illustration Reading 1/22 · 5 lines
English subtitles · tap any word to listen 1 / 5
For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.
London seemed to her the pestilential centre of all evil, physical and moral.
The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.
That journey had shown her men and things from a new and hideous point of view.
For a time all the sweetness and freshness of life seemed poisoned for her.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The fog princes

Chapter XV

Chapter 15 of The fog princes is here in full — 113 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/22 · 5 reading units · Lines 1–5

Line 1
For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.
Line 2
London seemed to her the pestilential centre of all evil, physical and moral.
Line 3
The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.
Line 4
That journey had shown her men and things from a new and hideous point of view.
/ðæt ˈdʒɜːrni hæd ʃoʊn hɜːr men ənd θɪŋz frʌm ə nuː ənd ˈhɪdiəs pɔɪnt ʌv vjuː/
Line 5
For a time all the sweetness and freshness of life seemed poisoned for her.
/fɔːr ə taɪm ɔːl ðə ˈswiːtnəs ənd ˈfreʃnəs ʌv laɪf siːmd ˈpɔɪzənd fɔːr hɜːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Amos noun US /ˈeɪməs/

a Hebrew shepherd and minor prophet

From this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

contributed verb US /kənˈtrɪbjuːtɪd/

past form of “contribute” — bestow a quality on

From this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

cynical adjective US /ˈsɪnɪkəl/

believing the worst of human nature and motives; having a sneering disbelief in e.g. selflessness of others

From this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

dingy adjective US /ˈdɪndʒi/

thickly covered with ingrained dirt or soot

From this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

feverish adjective US /ˈfiːvərɪʃ/

marked by intense agitation or emotion

From this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

freshness noun US /ˈfreʃnəs/

the property of being pure and fresh (as if newly made); not stale or deteriorated

From this reading “For a time all the sweetness and freshness of life seemed poisoned for her.”

inky adjective US /ˈɪŋki/

of the color of black ink

From this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

poisoned verb US /ˈpɔɪzənd/

past form of “poison” — spoil as if by poison

From this reading “For a time all the sweetness and freshness of life seemed poisoned for her.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

central figures adjective + noun counted as “central figure”

In this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

dingy room adjective + noun

In this reading “The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.”

suffered from verb + particle counted as “suffer from”

In this reading “For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

AmosnounUS /ˈeɪməs/

a Hebrew shepherd and minor prophet

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

Audaer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

blackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

boldadjectiveUS /boʊld/

fearless and daring

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

centraladjectiveUS /ˈsentrəl/

serving as an essential component

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

centrenounUS /ˈsentər/

a low-lying region in central France

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

contributedverbUS /kənˈtrɪbjuːtɪd/

past form of “contribute” — bestow a quality on

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

cynicaladjectiveUS /ˈsɪnɪkəl/

believing the worst of human nature and motives; having a sneering disbelief in e.g. selflessness of others

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

Deborah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

desertedadjectiveUS /dɪˈzɜːrtɪd/

forsaken by owner or inhabitants

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

dingyadjectiveUS /ˈdɪndʒi/

thickly covered with ingrained dirt or soot

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

dirtyadjectiveUS /ˈdɜːrti/

soiled or likely to soil with dirt or grime

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

evilnounUS /ˈiːvəl/

morally objectionable behavior

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

eyesnounUS /aɪz/

opinion or judgment

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

feverishadjectiveUS /ˈfiːvərɪʃ/

marked by intense agitation or emotion

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

figuresnounUS /ˈfɪɡjərz/

plural of “figure” — a diagram or picture illustrating textual material

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

formedadjectiveUS /fɔːrmd/

having or given a form or shape

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

freshnessnounUS /ˈfreʃnəs/

the property of being pure and fresh (as if newly made); not stale or deteriorated

From this reading For a time all the sweetness and freshness of life seemed poisoned for her.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

ghastlyadjectiveUS /ˈɡæstli/

shockingly repellent; inspiring horror

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

gloomyadjectiveUS /ˈɡluːmi/

depressingly dark

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

Goodhare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

hideousadjectiveUS /ˈhɪdiəs/

grossly offensive to decency or morality; causing horror

From this reading That journey had shown her men and things from a new and hideous point of view.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

horribleadjectiveUS /ˈhɔːrəbəl/

provoking horror

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

housesnounUS /ˈhaʊsəz/

plural of “house” — a dwelling that serves as living quarters for one or more families

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

inkyadjectiveUS /ˈɪŋki/

of the color of black ink

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

journeyverbUS /ˈdʒɜːrni/

undertake a journey or trip

From this reading That journey had shown her men and things from a new and hideous point of view.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading For a time all the sweetness and freshness of life seemed poisoned for her.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

mennounUS /men/

the force of workers available

From this reading That journey had shown her men and things from a new and hideous point of view.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

monthsnounUS /mʌnθs/

plural of “month” — one of the twelve divisions of the calendar year

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

moraladjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading That journey had shown her men and things from a new and hideous point of view.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

passagenounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

Pennant's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

pestilentialadjective

likely to spread and cause an epidemic disease

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

physicaladjectiveUS /ˈfɪzɪkəl/

involving the body as distinguished from the mind or spirit

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading That journey had shown her men and things from a new and hideous point of view.

poisonedverbUS /ˈpɔɪzənd/

past form of “poison” — spoil as if by poison

From this reading For a time all the sweetness and freshness of life seemed poisoned for her.

Rees

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading London seemed to her the pestilential centre of all evil, physical and moral.

shownverbUS /ʃoʊn/

inflected form of “show” — give an exhibition of to an interested audience

From this reading That journey had shown her men and things from a new and hideous point of view.

stareverbUS /ster/

look at with fixed eyes

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

streetsnounUS /striːts/

plural of “street” — a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

sufferedverbUS /ˈsʌfərd/

past form of “suffer” — undergo or be subjected to

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

sweetnessnounUS /ˈswiːtnəs/

the taste experience when sugar dissolves in the mouth

From this reading For a time all the sweetness and freshness of life seemed poisoned for her.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading That journey had shown her men and things from a new and hideous point of view.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading That journey had shown her men and things from a new and hideous point of view.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading For a time all the sweetness and freshness of life seemed poisoned for her.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading That journey had shown her men and things from a new and hideous point of view.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading For months Deborah Audaer suffered from the horrible effect which the incidents of the visit to Rees had left upon her mind.

withprepositionUS /wɪð/

in the company of; together with

From this reading The inky atmosphere, the black, gloomy streets, Rees Pennant’s dingy room, the passage full of deserted, dirty houses, all contributed to form a ghastly background to the picture of evil in which Amos Goodhare, with his cynical stare, and Rees, with his bold, feverish eyes, formed the central figures.

Chapter 15 of The fog princes by Florence Warden holds 113 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 15 of The fog princes contain?

Chapter 15 holds 113 sentences of The fog princes, unabridged, divided into 23 reading sections.

This page carries chapter 15 of The fog princes by Florence Warden exactly as it stands in the source edition, without abridgement. It runs to 113 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 15 of The fog princes?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 23 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 15 be read aloud to me?

Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The fog princes

Common questions about reading The fog princes by Florence Warden on this page, its source edition and its audio.

Is this the complete text of The fog princes?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The fog princes is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The fog princes take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The fog princes section by section

How to work through The fog princes section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The fog princes to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The fog princes

Words and structures a reader meets early in The fog princes, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The fog princes, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The fog princes, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The fog princes, divided into 5-sentence reading sections.