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The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole

Chapter XVIII · A Meeting Between Men of Business

Chapter XVIII of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole, “A Meeting Between Men of Business,” is here in full — 178 sentences across 36 reading sections, with audio for every sentence and word.

Cover illustration for The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
Context Illustration Reading 1/35 · 5 lines
English subtitles · tap any word to listen 1 / 5
“_What a dickens is the man always whimpering about murder for?
If business cannot be carried on without it, what would you have a gentleman to do?”
Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.
The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.
Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole

Chapter XVIII · A Meeting Between Men of Business

Chapter XVIII of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole, “A Meeting Between Men of Business,” is here in full — 178 sentences across 36 reading sections, with audio for every sentence and word.

Reading 1/35 · 5 reading units · Lines 1–5

Line 1
“_What a dickens is the man always whimpering about murder for?
/wʌt ə ˈdɪkənz ɪz ðə mæn ˈɔːlweɪz ˈwɪmpərɪŋ əˈbaʊt ˈmɜːrdər fɔːr/
Line 2
If business cannot be carried on without it, what would you have a gentleman to do?”
Line 3
Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.
/ˈbeɡərz ˈɑːprə ðə siːn hæz tʃeɪndʒd ənd wiː mʌst rɪˈkwest ðə ˈdʒentəl ˈriːdər tuː əˈkʌmpəni ʌs ˈɪntuː ə kloʊs dɑːrk ˈæli wɪð noʊ ˈθɜːroʊfer kəˈnektɪŋ ɪt tuː ðə ˈoʊpənər striːts ərˈaʊnd seɪv tuː ˈneroʊ ənd ˈkrʊkəd ˈpæsədʒəz ˈskersli θriː fiːt waɪd/
Line 4
The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.
/ðə ˈhaʊsəz ɑːr haɪ ənd ˌoʊldˈfæʃənd ənd frʌnt iːtʃ ˈʌðər soʊ ˈkloʊsli ðæt frʌm ruːf tuː ruːf æn ˈæktɪv mæn maɪt sprɪŋ/
Line 5
Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Beggars noun US /ˈbeɡərz/

plural of “beggar” — a pauper who lives by begging

From this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

connecting verb US /kəˈnektɪŋ/

-ing form of “connect” — connect, fasten, or put together two or more pieces

From this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

espionage noun US /ˈespiənɑːdʒ/

the systematic use of spies to get military or political secrets

jealously adverb US /ˈdʒeləsli/

with jealousy

From this reading “Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.”

opener noun US /ˈoʊpənər/

the first event in a series

From this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

recklessly adverb US /ˈrekləsli/

in a reckless manner

From this reading “Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.”

thoroughfare noun US /ˈθɜːroʊfer/

a public road from one place to another

From this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

whimpering verb US /ˈwɪmpərɪŋ/

-ing form of “whimper” — cry weakly or softly

From this reading ““_What a dickens is the man always whimpering about murder for?”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

gentle reader adjective + noun

In this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

dark alley noun + noun

In this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

general appearance adjective + noun

In this reading “Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.”

three feet noun + noun counted as “three foot”

In this reading “Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.”

carried on verb + particle counted as “carry on”

direct the course of; manage or control

In this reading “If business cannot be carried on without it, what would you have a gentleman to do?””

All words in this reading · 104

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “_What a dickens is the man always whimpering about murder for?

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading “_What a dickens is the man always whimpering about murder for?

accompanyverbUS /əˈkʌmpəni/

be present or associated with an event or entity

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

activeadjectiveUS /ˈæktɪv/

tending to become more severe or wider in scope

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

alleynounUS /ˈæli/

a narrow street with walls on both sides

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading “_What a dickens is the man always whimpering about murder for?

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

BeggarsnounUS /ˈbeɡərz/

plural of “beggar” — a pauper who lives by begging

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

betokens

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

blindedadjectiveUS /ˈblaɪndɪd/

deprived of sight

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

carriedverbUS /ˈkærid/

inflected form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

chancenounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

connectingverbUS /kəˈnektɪŋ/

-ing form of “connect” — connect, fasten, or put together two or more pieces

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

crookedadjectiveUS /ˈkrʊkəd/

having or marked by bends or angles; not straight or aligned

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

darknounUS /dɑːrk/

absence of light or illumination

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

dickensnounUS /ˈdɪkənz/

a word used in exclamations of confusion

From this reading “_What a dickens is the man always whimpering about murder for?

dirtnounUS /dɜːrt/

the part of the earth's surface consisting of humus and disintegrated rock

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

displaynounUS /dɪˈspleɪ/

something intended to communicate a particular impression

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

espionagenounUS /ˈespiənɑːdʒ/

the systematic use of spies to get military or political secrets

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

exposedadjectiveUS /ɪkˈspoʊzd/

with no protection or shield

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

extentnounUS /ɪkˈstent/

the point or degree to which something extends

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

eyenounUS /aɪ/

the organ of sight

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

feetnounUS /fiːt/

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading “_What a dickens is the man always whimpering about murder for?

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

frontnounUS /frʌnt/

the side that is forward or prominent

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

gentleadjectiveUS /ˈdʒentəl/

soft and mild; not harsh or stern or severe

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

gentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

housesnounUS /ˈhaʊsəz/

plural of “house” — a dwelling that serves as living quarters for one or more families

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

intendedadjectiveUS /ˌɪnˈtendɪd/

resulting from one's intentions

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading “_What a dickens is the man always whimpering about murder for?

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

jealouslyadverbUS /ˈdʒeləsli/

with jealousy

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading “_What a dickens is the man always whimpering about murder for?

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

murderverbUS /ˈmɜːrdər/

kill intentionally and with premeditation

From this reading “_What a dickens is the man always whimpering about murder for?

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

narrowverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

nodeterminerUS /noʊ/

not any; not one

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

old-fashionedadjectiveUS /ˌoʊldˈfæʃənd/

out of fashion

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

openernounUS /ˈoʊpənər/

the first event in a series

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

OperanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

passengernounUS /ˈpæsəndʒər/

a traveler riding in a vehicle (a boat or bus or car or plane or train etc) who is not operating it

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

povertynounUS /ˈpɑːvərti/

the state of having little or no money and few or no material possessions

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

preventverbUS /prɪˈvent/

keep from happening or arising; make impossible

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

recklesslyadverbUS /ˈrekləsli/

in a reckless manner

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

requestverbUS /rɪˈkwest/

express the need or desire for

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

roofnounUS /ruːf/

a protective covering that covers or forms the top of a building

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

saveprepositionUS /seɪv/

except for; apart from

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

scenenounUS /siːn/

the place where some action occurs

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

springnounUS /sprɪŋ/

the season of growth

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

streetsnounUS /striːts/

plural of “street” — a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The houses are high and old-fashioned, and front each other so closely, that from roof to roof an active man might spring.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “_What a dickens is the man always whimpering about murder for?

TheirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

thoroughfarenounUS /ˈθɜːroʊfer/

a public road from one place to another

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading “_What a dickens is the man always whimpering about murder for?

whileconjunctionUS /waɪl/

during the time that

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

whimperingverbUS /ˈwɪmpərɪŋ/

-ing form of “whimper” — cry weakly or softly

From this reading “_What a dickens is the man always whimpering about murder for?

wideadjectiveUS /waɪd/

having great (or a certain) extent from one side to the other

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

withprepositionUS /wɪð/

in the company of; together with

From this reading Beggars’ Opera._ |The scene has changed; and we must request the gentle reader to accompany us into a close dark alley, with no thoroughfare connecting it to the opener streets around, save two narrow and crooked passages scarcely three feet wide.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

wretchednessnoun

a state of ill-being due to affliction or misfortune

From this reading Their general appearance betokens fear or wretchedness; for, while some of the windows are so jealously blinded, as to prevent all chance of _espionage_ from without, others are recklessly exposed to the eye of the passenger, as if it were intended to display the extent of the dirt and poverty within.

youpronounUS /juː/

the person or people being spoken to

From this reading If business cannot be carried on without it, what would you have a gentleman to do?”

Chapter 18 of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole by W. H. (William Hamilton) Maxwell holds 178 sentences, grouped into 36 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole contain?

Chapter 18 holds 178 sentences of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole, unabridged, divided into 36 reading sections.

This page carries chapter 18 of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole by W. H. (William Hamilton) Maxwell exactly as it stands in the source edition, without abridgement. It runs to 178 sentences, grouped into 36 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole?

Work through the 36 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 36 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 18 be read aloud to me?

Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole

Common questions about reading The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole by W. H. (William Hamilton) Maxwell on this page, its source edition and its audio.

Is this the complete text of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole?

Yes. All 9969 sentences of Project Gutenberg eBook #46864 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #46864, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole take to read?

About 600 minutes of reading across 1994 sections of 5 sentences each, at an unhurried pace.

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How to work through The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole

Words and structures a reader meets early in The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole, each tappable for pronunciation and meaning.

Fortunes
A word that appears in the opening chapter of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole; the reader can tap it to hear it and see its dictionary entry.
Hector
A word that appears in the opening chapter of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole; the reader can tap it to hear it and see its dictionary entry.
Halloran
A word that appears in the opening chapter of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole; the reader can tap it to hear it and see its dictionary entry.
Antony
A word that appears in the opening chapter of The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole; the reader can tap it to hear it and see its dictionary entry.