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The Four Feathers
The Four Feathers

Chapter XVIII · Chapter 18

Chapter 18 of The Four Feathers is here in full — 265 sentences across 53 reading sections, with audio for every sentence and word.

Cover illustration for The Four Feathers
Context Illustration Reading 1/53 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.
She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.
For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.
She almost forgot that Durrance was even in the room.
She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Four Feathers

Chapter XVIII · Chapter 18

Chapter 18 of The Four Feathers is here in full — 265 sentences across 53 reading sections, with audio for every sentence and word.

Reading 1/53 · 5 reading units · Lines 1–5

Line 1
THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.
Line 2
She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.
/ʃiː sæt wɪð hɜːr vaɪəˈlɪn əˈpɑːn hɜːr niːz ˈlʊkɪŋ əˈkrɔːs ðə ˈmuːnlɪt ˈɡɑːrdən tuː ðə bænd ʌv ˈsɪlvər ɪn ðə ɡæp ʌv ðə triːz ənd ʃiː kept hɜːr pəˈzɪʃən dɪˈlɪbərətli/
Line 3
For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.
Line 4
She almost forgot that Durrance was even in the room.
Line 5
She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

band noun US /bænd/

an unofficial association of people or groups

From this reading “She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.”

deliberately adverb US /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading “She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.”

gap noun US /ɡæp/

a conspicuous disparity or difference as between two figures

From this reading “She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.”

gather verb US /ˈɡæðər/

assemble or get together

From this reading “She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.”

jealously adverb US /ˈdʒeləsli/

with jealousy

From this reading “She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.”

moonlit adjective US /ˈmuːnlɪt/

lighted by moonlight

From this reading “She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.”

overture noun US /ˈoʊvərtʃər/

orchestral music played at the beginning of an opera or oratorio

From this reading “THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.”

violin noun US /vaɪəˈlɪn/

bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading “She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading She almost forgot that Durrance was even in the room.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

ANSWERverbUS /ˈænsər/

react verbally

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

anxiousadjectiveUS /ˈæŋkʃəs/

eagerly desirous

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

bandnounUS /bænd/

an unofficial association of people or groups

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

deliberatelyadverbUS /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

Durrance

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

Durrance's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

Ethne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading She almost forgot that Durrance was even in the room.

Feversham

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

forgetverbUS /fərˈɡet/

dismiss from the mind; stop remembering

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

forgotverbUS /fərˈɡɑːt/

inflected form of “forget” — dismiss from the mind; stop remembering

From this reading She almost forgot that Durrance was even in the room.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

gapnounUS /ɡæp/

a conspicuous disparity or difference as between two figures

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

gardennounUS /ˈɡɑːrdən/

a plot of ground where plants are cultivated

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

gatherverbUS /ˈɡæðər/

assemble or get together

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

HarryverbUS /ˈheri/

annoy continually or chronically

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

helpedverbUS /helpt/

past form of “help” — give help or assistance; be of service

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

intentnessnoun

the quality of being intent and concentrated

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

jealouslyadverbUS /ˈdʒeləsli/

with jealousy

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

keptadjectiveUS /kept/

(especially of promises or contracts) not violated or disregarded

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

kneesnounUS /niːz/

plural of “knee” — hinge joint in the human leg connecting the tibia and fibula with the femur and protected in front by the patella

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

listenedverbUS /ˈlɪsənd/

past form of “listen” — hear with intention

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

messagenounUS /ˈmesədʒ/

a communication (usually brief) that is written or spoken or signaled

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

moonlitadjectiveUS /ˈmuːnlɪt/

lighted by moonlight

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

moveverbUS /muːv/

change location; move, travel, or proceed, also metaphorically

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

OVERTUREnounUS /ˈoʊvərtʃər/

orchestral music played at the beginning of an opera or oratorio

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

ownverbUS /oʊn/

have ownership or possession of

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading She almost forgot that Durrance was even in the room.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

silvernounUS /ˈsɪlvər/

a soft white precious univalent metallic element having the highest electrical and thermal conductivity of any metal; occurs in argentite and in free form; used in coins and jewelry and tableware and photography

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

slowlyadverbUS /ˈsloʊli/

without speed (“slow” is sometimes used informally for “slowly”)

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

speakverbUS /spiːk/

express in speech

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

speakingnounUS /ˈspiːkɪŋ/

the utterance of intelligible speech

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

takeverbUS /teɪk/

carry out

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

treesnounUS /triːz/

plural of “tree” — a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading THE ANSWER TO THE OVERTURE Ethne did not turn towards Durrance or move at all from her attitude.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading She listened with Durrance's own intentness, and anxious that the voice should speak very slowly, so that the message might take a long time in the telling, and she gather it all jealously to her heart.

violinnounUS /vaɪəˈlɪn/

bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For it helped her to believe that Harry Feversham himself was speaking to her, she was able to forget that he was speaking through the voice of Durrance.

withprepositionUS /wɪð/

in the company of; together with

From this reading She sat with her violin upon her knees, looking across the moonlit garden to the band of silver in the gap of the trees; and she kept her position deliberately.

Chapter 18 of The Four Feathers by A. E. W. (Alfred Edward Woodley) Mason holds 265 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of The Four Feathers contain?

Chapter 18 holds 265 sentences of The Four Feathers, unabridged, divided into 53 reading sections.

This page carries chapter 18 of The Four Feathers by A. E. W. (Alfred Edward Woodley) Mason exactly as it stands in the source edition, without abridgement. It runs to 265 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of The Four Feathers?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 18 be read aloud to me?

Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Four Feathers

Common questions about reading The Four Feathers by A. E. W. (Alfred Edward Woodley) Mason on this page, its source edition and its audio.

Is this the complete text of The Four Feathers?

Yes. All 6951 sentences of Project Gutenberg eBook #18883 are kept, with a record of which sentences cover which part.

Which edition of The Four Feathers is used?

Project Gutenberg eBook #18883, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Four Feathers take to read?

About 579 minutes of reading across 1391 sections of 5 sentences each, at an unhurried pace.

How to read The Four Feathers section by section

How to work through The Four Feathers section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 34 chapters of The Four Feathers to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Four Feathers

Words and structures a reader meets early in The Four Feathers, each tappable for pronunciation and meaning.

Lieutenant
A word that appears in the opening chapter of The Four Feathers; the reader can tap it to hear it and see its dictionary entry.
Sutch
A word that appears in the opening chapter of The Four Feathers; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of The Four Feathers; the reader can tap it to hear it and see its dictionary entry.
General
A word that appears in the opening chapter of The Four Feathers; the reader can tap it to hear it and see its dictionary entry.