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The Four Horsemen of the Apocalypse
The Four Horsemen of the Apocalypse

Chapter XIII · Chapter 13

Chapter 13 of The Four Horsemen of the Apocalypse is here in full — 372 sentences across 75 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/74 · 5 lines
English subtitles · tap any word to listen 1 / 5
IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.
An old gentleman was greeting him with an amiable smile.
I am the father of Julio.”
And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.
By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Four Horsemen of the Apocalypse

Chapter XIII · Chapter 13

Chapter 13 of The Four Horsemen of the Apocalypse is here in full — 372 sentences across 75 reading sections, with audio for every sentence and word.

Reading 1/74 · 5 reading units · Lines 1–5

Line 1
IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.
Line 2
An old gentleman was greeting him with an amiable smile.
/æn oʊld ˈdʒentəlmən wɑːz ˈɡriːtɪŋ hɪm wɪð æn ˈeɪmiəbəl smaɪl/
Line 3
I am the father of Julio.”
Line 4
And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.
/ənd hiː wɔːkt ˈɪntuː ðə əˈpɑːrtmənt wɪð ðə ˈkɑːnfədəns ʌv ə mæn ɪnˈtaɪərli fəˈmɪljər wɪð hɪz sərˈaʊndɪŋz/
Line 5
By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.
/baɪ ɡʊd lʌk ðə ˈɑːrtəst wɑːz əˈloʊn ənd wɑːz nɑːt əˈblaɪdʒd tuː ter ˈfræntəkəli frʌm wʌn end ʌv ðə ruːm tuː ðə ˈʌðər ˈhaɪdɪŋ ðə ˈtreɪsəz ʌv kənˈvɪviəl ˈkʌmpəniː bʌt hiː wɑːz ə ˈlɪtəl sloʊ ɪn rɪˈɡeɪnɪŋ hɪz ˌselfkənˈtroʊl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

convivial adjective US /kənˈvɪviəl/

occupied with or fond of the pleasures of good company

From this reading “By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.”

frantically adverb US /ˈfræntəkəli/

in an uncontrolled manner

From this reading “By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.”

regaining noun US /rɪˈɡeɪnɪŋ/

getting something back again

From this reading “By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.”

rooted adjective US /ˈruːtəd/

absolutely still

From this reading “IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.”

self-control noun US /ˌselfkənˈtroʊl/

the act of denying yourself; controlling your impulses

From this reading “By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.”

studio noun US /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading “IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.”

surroundings noun US /sərˈaʊndɪŋz/

the environmental condition

From this reading “And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.”

traces noun US /ˈtreɪsəz/

plural of “trace” — a just detectable amount

From this reading “By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.”

All words in this reading · 65

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

afternoonnounUS /ˌæftərˈnuːn/

the part of the day between noon and evening

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading “I am the father of Julio.”

amiableadjectiveUS /ˈeɪmiəbəl/

disposed to please

From this reading An old gentleman was greeting him with an amiable smile.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading An old gentleman was greeting him with an amiable smile.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

apartmentnounUS /əˈpɑːrtmənt/

a suite of rooms usually on one floor of an apartment house

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

Argensola

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

confidencenounUS /ˈkɑːnfədəns/

freedom from doubt; belief in yourself and your abilities

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

convivialadjectiveUS /kənˈvɪviəl/

occupied with or fond of the pleasures of good company

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

endnounUS /end/

either extremity of something that has length

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading “I am the father of Julio.”

franticallyadverbUS /ˈfræntəkəli/

in an uncontrolled manner

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

gentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading An old gentleman was greeting him with an amiable smile.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

greetingnounUS /ˈɡriːtɪŋ/

(usually plural) an acknowledgment or expression of good will (especially on meeting)

From this reading An old gentleman was greeting him with an amiable smile.

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

hidingnounUS /ˈhaɪdɪŋ/

the activity of keeping something secret

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading An old gentleman was greeting him with an amiable smile.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “I am the father of Julio.”

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

Julio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “I am the father of Julio.”

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

lucknounUS /lʌk/

your overall circumstances or condition in life (including everything that happens to you)

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

motionlessadjectiveUS /ˈmoʊʃənləs/

not in physical motion

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

obligedadjectiveUS /əˈblaɪdʒd/

under a moral obligation to do something

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “I am the father of Julio.”

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading An old gentleman was greeting him with an amiable smile.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

openingnounUS /ˈoʊpənɪŋ/

an open or empty space in or between things

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

regainingnounUS /rɪˈɡeɪnɪŋ/

getting something back again

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

rootedadjectiveUS /ˈruːtəd/

absolutely still

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

self-controlnounUS /ˌselfkənˈtroʊl/

the act of denying yourself; controlling your impulses

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

slowadjectiveUS /sloʊ/

not moving quickly; taking a comparatively long time

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading An old gentleman was greeting him with an amiable smile.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

STUDIOnounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

surroundingsnounUS /sərˈaʊndɪŋz/

the environmental condition

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

tearverbUS /ter/

separate or cause to separate abruptly

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

tracesnounUS /ˈtreɪsəz/

plural of “trace” — a just detectable amount

From this reading By good luck, the artist was alone, and was not obliged to tear frantically from one end of the room to the other, hiding the traces of convivial company; but he was a little slow in regaining his self-control.

UponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

walkedverbUS /wɔːkt/

past form of “walk” — use one's feet to advance; advance by steps

From this reading And he walked into the apartment with the confidence of a man entirely familiar with his surroundings.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading An old gentleman was greeting him with an amiable smile.

withprepositionUS /wɪð/

in the company of; together with

From this reading IN THE STUDIO Upon opening the studio door one afternoon, Argensola stood motionless with surprise, as though rooted to the ground.

Chapter 13 of The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez holds 372 sentences, grouped into 75 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Four Horsemen of the Apocalypse contain?

Chapter 13 holds 372 sentences of The Four Horsemen of the Apocalypse, unabridged, divided into 75 reading sections.

This page carries chapter 13 of The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez exactly as it stands in the public-domain source edition, without abridgement. It runs to 372 sentences, grouped into 75 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Four Horsemen of the Apocalypse?

Work through the 75 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 75 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Four Horsemen of the Apocalypse

Common questions about reading The Four Horsemen of the Apocalypse by Vicente Blasco Ibáñez on this page, its source edition and its audio.

Is this the complete text of The Four Horsemen of the Apocalypse?

Yes. All 11278 sentences of Project Gutenberg eBook #1484 are kept, with a record of which sentences cover which part.

Which edition of The Four Horsemen of the Apocalypse is used?

Project Gutenberg eBook #1484, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Four Horsemen of the Apocalypse take to read?

About 600 minutes of reading across 2256 sections of 5 sentences each, at an unhurried pace.

How to read The Four Horsemen of the Apocalypse section by section

How to work through The Four Horsemen of the Apocalypse section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Four Horsemen of the Apocalypse

Words and structures a reader meets early in The Four Horsemen of the Apocalypse, each tappable for pronunciation and meaning.

Tryst
A word that appears in the opening chapter of The Four Horsemen of the Apocalypse; the reader can tap it to hear it and see its dictionary entry.
Garden
A word that appears in the opening chapter of The Four Horsemen of the Apocalypse; the reader can tap it to hear it and see its dictionary entry.
Chapelle
A word that appears in the opening chapter of The Four Horsemen of the Apocalypse; the reader can tap it to hear it and see its dictionary entry.
Expiatoire
A word that appears in the opening chapter of The Four Horsemen of the Apocalypse; the reader can tap it to hear it and see its dictionary entry.