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The Girl on the Boat
The Girl on the Boat

Chapter IX · Chapter 9

Chapter 9 of The Girl on the Boat is here in full — 261 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/52 · 5 lines
English subtitles · tap any word to listen 1 / 5
ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.
If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.
He chafes at the idea that Fate had got it all mapped out for him.
Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.
He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Girl on the Boat

Chapter IX · Chapter 9

Chapter 9 of The Girl on the Boat is here in full — 261 sentences across 53 reading sections, with audio for every sentence and word.

Reading 1/52 · 5 reading units · Lines 1–5

Line 1
ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.
Line 2
If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.
/ɪf ðer ɪz wʌn θɪŋ ðə wɪtʃ jɔːr ˌhaɪˈspɪrɪdɪd jʌŋ mæn rɪˈzents ɪt ɪz ˈbiːɪŋ ðə tɔɪ ʌv feɪt/
Line 3
He chafes at the idea that Fate had got it all mapped out for him.
/hiː tʃeɪfs æt ðə aɪˈdiːə ðæt feɪt hæd ɡɑːt ɪt ɔːl mæpt aʊt fɔːr hɪm/
Line 4
Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.
Line 5
He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

chafes noun US /tʃeɪfs/

plural of “chafe” — soreness and warmth caused by friction

From this reading “He chafes at the idea that Fate had got it all mapped out for him.”

mapped verb US /mæpt/

inflected form of “map” — make a map of; show or establish the features of details of

From this reading “He chafes at the idea that Fate had got it all mapped out for him.”

Marlowe noun US /ˈmɑːrloʊ/

English poet and playwright who introduced blank verse as a form of dramatic expression; was stabbed to death in a tavern brawl (1564-1593)

From this reading “ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.”

mushy adjective US /ˈmʌʃi/

having the consistency of mush

From this reading “Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.”

puppets noun US /ˈpʌpəts/

plural of “puppet” — a small figure of a person operated from above with strings by a puppeteer

From this reading “Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.”

resents verb US /rɪˈzents/

third-person singular of “resent” — feel bitter or indignant about

From this reading “If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.”

scenario noun US /sɪˈnerioʊ/

an outline or synopsis of a play (or, by extension, of a literary work)

From this reading “Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.”

soppy adjective US /ˈsɑːpi/

wet through and through; thoroughly wet

From this reading “He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

AfterprepositionUS /ˈæftər/

later than; following

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading He chafes at the idea that Fate had got it all mapped out for him.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

assumedadjectiveUS /əˈsuːmd/

adopted in order to deceive

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

astonishmentnounUS /əˈstɑːnɪʃmənt/

the feeling that accompanies something extremely surprising

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

ATprepositionUS /æt/

in or near a particular place or position

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

castverbUS /kæst/

put or send forth

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

chafesnounUS /tʃeɪfs/

plural of “chafe” — soreness and warmth caused by friction

From this reading He chafes at the idea that Fate had got it all mapped out for him.

cheapadjectiveUS /tʃiːp/

relatively low in price or charging low prices

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

cheeknounUS /tʃiːk/

either side of the face below the eyes

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

constructedverbUS /kənˈstrʌktəd/

past form of “construct” — make by combining materials and parts

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

consultingverbUS /kənˈsʌltɪŋ/

-ing form of “consult” — get or ask advice from

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

cooladjectiveUS /kuːl/

neither warm nor very cold; giving relief from heat

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

DINNERnounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

endnounUS /end/

either extremity of something that has length

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

FatenounUS /feɪt/

an event (or a course of events) that will inevitably happen in the future

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

father'snounUS /ˈfɑːðərz/

possessive form of “father” — a male parent (also used as a term of address to your father)

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

femaleadjectiveUS /ˈfiːmeɪl/

being the sex (of plant or animal) that produces fertilizable gametes (ova) from which offspring develop

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

filmnounUS /fɪlm/

a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

five-reel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He chafes at the idea that Fate had got it all mapped out for him.

furynounUS /ˈfjʊri/

a feeling of intense anger

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading He chafes at the idea that Fate had got it all mapped out for him.

growingnounUS /ˈɡroʊɪŋ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

haranguenounUS /hərˈæŋ/

a loud bombastic declamation expressed with strong emotion

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He chafes at the idea that Fate had got it all mapped out for him.

high-spiritedadjectiveUS /ˌhaɪˈspɪrɪdɪd/

joyously unrestrained

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading He chafes at the idea that Fate had got it all mapped out for him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading He chafes at the idea that Fate had got it all mapped out for him.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

indignationnounUS /ˌɪndɪɡˈneɪʃən/

a feeling of righteous anger

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

listenedverbUS /ˈlɪsənd/

past form of “listen” — hear with intention

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

mappedverbUS /mæpt/

inflected form of “map” — make a map of; show or establish the features of details of

From this reading He chafes at the idea that Fate had got it all mapped out for him.

MarlowenounUS /ˈmɑːrloʊ/

English poet and playwright who introduced blank verse as a form of dramatic expression; was stabbed to death in a tavern brawl (1564-1593)

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

mushyadjectiveUS /ˈmʌʃi/

having the consistency of mush

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading He chafes at the idea that Fate had got it all mapped out for him.

pince-neznoun

spectacles clipped to the nose by a spring

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

proportionsnounUS /prəˈpɔːrʃənz/

plural of “proportion” — the quotient obtained when the magnitude of a part is divided by the magnitude of the whole

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

puppetsnounUS /ˈpʌpəts/

plural of “puppet” — a small figure of a person operated from above with strings by a puppeteer

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

resentsverbUS /rɪˈzents/

third-person singular of “resent” — feel bitter or indignant about

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

ROUGHadjectiveUS /rʌf/

having or caused by an irregular surface

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

SamnounUS /sæm/

a guided missile fired from land or shipboard against an airborne target

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

scenarionounUS /sɪˈnerioʊ/

an outline or synopsis of a play (or, by extension, of a literary work)

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

sentimentaladjectiveUS /ˌsentəˈmentəl/

given to or marked by sentiment or sentimentality

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

shocknounUS /ʃɑːk/

the feeling of distress and disbelief that you have when something bad happens accidentally

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

sniffingverbUS /ˈsnɪfɪŋ/

-ing form of “sniff” — perceive by inhaling through the nose

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

soppyadjectiveUS /ˈsɑːpi/

wet through and through; thoroughly wet

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

speechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

TABLEnounUS /ˈteɪbəl/

a set of data arranged in rows and columns

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He chafes at the idea that Fate had got it all mapped out for him.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

thereadverbUS /ðer/

in or at that place or location

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

thinadjectiveUS /θɪn/

Having little thickness or extent.

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

thingnounUS /θɪŋ/

a special situation

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

toynounUS /tɔɪ/

an artifact designed to be played with

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

withprepositionUS /wɪð/

in the company of; together with

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Fate, thought Sam, had constructed a cheap, mushy, sentimental, five-reel film scenario, and without consulting him had had the cool cheek to cast him for one of the puppets.

WORKverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading ROUGH WORK AT A DINNER TABLE § 1 After the first shock of astonishment, Sam Marlowe had listened to his father’s harangue with a growing indignation which, towards the end of the speech, had assumed proportions of a cold fury.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading He seemed to see Fate as a thin female with a soppy expression and pince-nez, sniffing a little as she worked the thing out.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading If there is one thing the which your high-spirited young man resents, it is being the toy of Fate.

Chapter 9 of The Girl on the Boat by P. G. (Pelham Grenville) Wodehouse holds 261 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of The Girl on the Boat contain?

Chapter 9 holds 261 sentences of The Girl on the Boat, unabridged, divided into 53 reading sections.

This page carries chapter 9 of The Girl on the Boat by P. G. (Pelham Grenville) Wodehouse exactly as it stands in the source edition, without abridgement. It runs to 261 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of The Girl on the Boat?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Girl on the Boat

Common questions about reading The Girl on the Boat by P. G. (Pelham Grenville) Wodehouse on this page, its source edition and its audio.

Is this the complete text of The Girl on the Boat?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Girl on the Boat is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Girl on the Boat take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The Girl on the Boat section by section

How to work through The Girl on the Boat section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The Girl on the Boat to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Girl on the Boat

Words and structures a reader meets early in The Girl on the Boat, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Girl on the Boat, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The Girl on the Boat, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The Girl on the Boat, divided into 5-sentence reading sections.