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The Girl on the Boat
The Girl on the Boat

Chapter XVII · Chapter 17

Chapter 17 of The Girl on the Boat is here in full — 1034 sentences across 207 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/206 · 5 lines
English subtitles · tap any word to listen 1 / 5
A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.
This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.
I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.
I seem at this point to see the readera great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsenserising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.
Did she go big in Buffalo?
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Girl on the Boat

Chapter XVII · Chapter 17

Chapter 17 of The Girl on the Boat is here in full — 1034 sentences across 207 reading sections, with audio for every sentence and word.

Reading 1/206 · 5 reading units · Lines 1–5

Line 1
A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.
Line 2
This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.
Line 3
I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.
/aɪ hæv θrʌst ðæt ɡreɪt ˈθɪŋkər ˈɪntuː ðə ˈbækɡraʊnd ənd ˈkɑːnsəntreɪtɪd maɪ əˈtenʃən ɑːn ðə əˈferz ʌv wʌn huː ɪz boʊθ hɜːr ˈmentəl ənd hɜːr ˈmɔːrəl ˌɪnˈfɪriər ˈsæmjuːl ˈmɑːrloʊ/
Line 4
I seem at this point to see the readera great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsenserising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.
Line 5
Did she go big in Buffalo?
/dɪd ʃiː ɡoʊ bɪɡ ɪn ˈbʌfəloʊ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

battleship noun US /ˈbætəlʃɪp/

large and heavily armoured warship

From this reading “I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.”

chronicles noun US /ˈkrɑːnɪkəlz/

plural of “chronicle” — a record or narrative description of past events

From this reading “A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.”

devoting verb US /dɪˈvoʊtɪŋ/

-ing form of “devote” — give entirely to a specific person, activity, or cause

From this reading “A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.”

Marlowe noun US /ˈmɑːrloʊ/

English poet and playwright who introduced blank verse as a form of dramatic expression; was stabbed to death in a tavern brawl (1564-1593)

From this reading “I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.”

realises verb US /ˈriːəlaɪzɪz/

third-person singular of “realise” — earn on some commercial or business transaction; earn as salary or wages

From this reading “This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.”

straying adjective US /ˈstreɪɪŋ/

unable to find your way

From this reading “A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.”

thinker noun US /ˈθɪŋkər/

an important intellectual

From this reading “I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.”

weighs verb US /weɪz/

third-person singular of “weigh” — have a certain weight

From this reading “A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.”

All words in this reading · 128

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

affairsnounUS /əˈferz/

matters of personal concern

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

afterprepositionUS /ˈæftər/

later than; following

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

AmericanounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

atprepositionUS /æt/

in or near a particular place or position

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

battleshipnounUS /ˈbætəlʃɪp/

large and heavily armoured warship

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

beetlingadjective

jutting or overhanging

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading Did she go big in Buffalo?

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

brutenounUS /bruːt/

a cruelly rapacious person

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

BuffalonounUS /ˈbʌfəloʊ/

large shaggy-haired brown bison of North American plains

From this reading Did she go big in Buffalo?

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

channelnounUS /ˈtʃænəl/

a path over which electrical signals can pass

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

chroniclesnounUS /ˈkrɑːnɪkəlz/

plural of “chronicle” — a record or narrative description of past events

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

concentratedadjectiveUS /ˈkɑːnsəntreɪtɪd/

gathered together or made less diffuse

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

CROWDEDadjectiveUS /ˈkraʊdəd/

overfilled or compacted or concentrated

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

describeverbUS /dɪˈskraɪb/

give a description of

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

determinationnounUS /dɪˌtɜːrməˈneɪʃən/

the act of determining the properties of something, usually by research or calculation

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

developmentsnounUS /dɪˈveləpmənts/

plural of “development” — act of improving by expanding or enlarging or refining

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

devotingverbUS /dɪˈvoʊtɪŋ/

-ing form of “devote” — give entirely to a specific person, activity, or cause

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

Didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Did she go big in Buffalo?

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

doesn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

eyebrowsnounUS /ˈaɪbraʊz/

plural of “eyebrow” — the arch of hair above each eye

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

fellownounUS /ˈfeloʊ/

a boy or man

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading Did she go big in Buffalo?

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

growingnounUS /ˈɡroʊɪŋ/

(biology) the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

Hignett

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

HoracenounUS /ˈhɔːrəs/

Roman lyric poet said to have influenced English poetry (65-8 BC)

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

impatientadjectiveUS /ˌɪmˈpeɪʃənt/

restless or short-tempered under delay or opposition

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Did she go big in Buffalo?

inferioradjectiveUS /ˌɪnˈfɪriər/

of or characteristic of low rank or importance

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

jawverbUS /dʒɔː/

talk socially without exchanging too much information

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

keenlyadverbUS /ˈkiːnli/

in a keen or penetrating way

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

lecturing-tour

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

likeverbUS /laɪk/

prefer or wish to do something

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

mainadjectiveUS /meɪn/

most important element

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

MarlowenounUS /ˈmɑːrloʊ/

English poet and playwright who introduced blank verse as a form of dramatic expression; was stabbed to death in a tavern brawl (1564-1593)

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

mentaladjectiveUS /ˈmentəl/

involving the mind or an intellectual process

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

minoradjectiveUS /ˈmaɪnər/

of lesser importance or stature or rank

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

moraladjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

NIGHTnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

nodeterminerUS /noʊ/

not any; not one

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

nonsensenounUS /ˈnɑːnsens/

a message that seems to convey no meaning

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

ramverbUS /ræm/

strike or drive against with a heavy impact

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

realisesverbUS /ˈriːəlaɪzɪz/

third-person singular of “realise” — earn on some commercial or business transaction; earn as salary or wages

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

risingadjectiveUS /ˈraɪzɪŋ/

advancing or becoming higher or greater in degree or value or status

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

SamuelnounUS /ˈsæmjuːl/

(Old Testament) Hebrew prophet and judge who anointed Saul as king

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

setverbUS /set/

put into a certain place or abstract location

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Did she go big in Buffalo?

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

standverbUS /stænd/

be standing; be upright

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

story-teller

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

strayingadjectiveUS /ˈstreɪɪŋ/

unable to find your way

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

Theosophynoun

a system of belief based on mystical insight into the nature of God and the soul

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

thereadverbUS /ðer/

in or at that place or location

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

thingnounUS /θɪŋ/

a special situation

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

thinkernounUS /ˈθɪŋkər/

an important intellectual

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

thrustverbUS /θrʌst/

push forcefully

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

wantsnounUS /wɑːnts/

plural of “want” — a state of extreme poverty

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

weighsverbUS /weɪz/

third-person singular of “weigh” — have a certain weight

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

whatpronounUS /wʌt/

used to ask for information about something

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

whopronounUS /huː/

which person or people

From this reading I have thrust that great thinker into the background and concentrated my attention on the affairs of one who is both her mental and her moral inferior, Samuel Marlowe.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading I seem at this point to see the reader—a great brute of a fellow with beetling eyebrows and a jaw like the ram of a battleship, the sort of fellow who is full of determination and will stand no nonsense—rising to remark that he doesn’t care what happened to Samuel Marlowe and that what he wants to know is, how Mrs. Hignett made out on her lecturing-tour.

withprepositionUS /wɪð/

in the company of; together with

From this reading A CROWDED NIGHT § 1 If there is one thing more than another which weighs upon the mind of a story-teller as he chronicles the events which he has set out to describe, it is the thought that the reader may be growing impatient with him for straying from the main channel of his tale and devoting himself to what are, after all, minor developments.

world-famous

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading This story, for instance, opened with Mrs. Horace Hignett, the world-famous writer on Theosophy, going over to America to begin a lecturing-tour; and no one realises more keenly than I do that I have left Mrs. Hignett flat.

Chapter 17 of The Girl on the Boat by P. G. (Pelham Grenville) Wodehouse holds 1034 sentences, grouped into 207 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of The Girl on the Boat contain?

Chapter 17 holds 1034 sentences of The Girl on the Boat, unabridged, divided into 207 reading sections.

This page carries chapter 17 of The Girl on the Boat by P. G. (Pelham Grenville) Wodehouse exactly as it stands in the source edition, without abridgement. It runs to 1034 sentences, grouped into 207 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of The Girl on the Boat?

Work through the 207 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 207 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Girl on the Boat

Common questions about reading The Girl on the Boat by P. G. (Pelham Grenville) Wodehouse on this page, its source edition and its audio.

Is this the complete text of The Girl on the Boat?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Girl on the Boat is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Girl on the Boat take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The Girl on the Boat section by section

How to work through The Girl on the Boat section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Girl on the Boat

Words and structures a reader meets early in The Girl on the Boat, each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
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