1
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
used before a singular noun to mean one of a group, when it is not a particular one
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
acknowledgmentnounUS /ækˈnɑːlɪdʒmənt/
the state or quality of being recognized or acknowledged
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
something done (usually as opposed to something said)
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
the form of “a” used before a word that begins with a vowel sound
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
Belonging to the very distant past and no longer in existence or deeply revered.
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
used to join words or parts of a sentence that go together
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
at the same time that; because; in the way that
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
a particular environment or surrounding influence
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
authorsnounUS /ˈɔːθərz/
plural of “author” — writes (books or stories or articles or the like) professionally (for pay)
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
balladnounUS /ˈbæləd/
a narrative song with a recurrent refrain
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
showing who or what does the action
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
camp-fire
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
the particular occupation for which you are trained
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
an occurrence of something
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
Coleridge's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
commencedverbUS /kəˈmenst/
past form of “commence” — take the first step or steps in carrying out an action
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
past form of “compare” — examine and note the similarities or differences of
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
consecutiveadjectiveUS /kənˈsɛk.jə.tɪv/
Following continuously in unbroken sequence.
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
the process of giving careful thought to something
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
gotten under control
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
copyrightedadjectiveUS /ˈkɑːpiraɪtɪd/
(of literary or musical or dramatic or artistic work) protected by copyright
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
courteouslyadverb
in a polite manner
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
createdverbUS /kriˈeɪtəd/
past form of “create” — make or cause to be or to become
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
detailedadjectiveUS /dɪˈteɪld/
developed or executed with care and in minute detail
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
dramaticadjectiveUS /drəˈmætɪk/
suitable to or characteristic of drama
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
editorsnounUS /ˈedɪtərz/
plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
firstadjectiveUS /fɜːrst/
preceding all others in time or space or degree
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
FootnotenounUS /ˈfʊtnoʊt/
a printed note placed below the text on a printed page
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
showing where something starts, or who sent it
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
givenadjectiveUS /ˈɡɪvən/
acknowledged as a supposition
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
GossipnounUS /ˈɡɑːsəp/
light informal conversation for social occasions
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
feeling or showing gratitude
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
herebyadverbUS /hɪrˈbaɪ/
(formal) by means of this
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
the quality of being important and worthy of note
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
a vague idea in which some confidence is placed
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
inside something, or within a place, period, or state
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
incapableadjectiveUS /ˌɪnˈkeɪpəbəl/
(followed by “of”) lacking capacity or ability
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
a single distinct event
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
the form of “be” used with he, she, it, or a singular noun
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
a thing, animal, or idea already mentioned
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
belonging to the thing or animal already mentioned
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
a systematic means of communicating by the use of sounds or conventional symbols
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
plural of “line” — a formation of people or things one beside another
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
creative writing of recognized artistic value
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
localitiesnounUS /loʊˈkælɪtiz/
plural of “locality” — a surrounding or nearby region
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
United States prizefighter who was world heavyweight champion for 12 years (1914-1981)
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
produced by a manufacturing process
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
an adult person who is male (as opposed to a woman)
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
MarinernounUS /ˈmerənər/
a man who serves as a sailor
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
concerned with worldly rather than spiritual interests
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
used to say something is possible, or to give permission
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
MemoriesnounUS /ˈmɛm.ə.riz/
Recollections of past events.
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
the force of workers available
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
involving the mind or an intellectual process
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
plural of “moment” — a particular point in time
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
used to say something is necessary, or almost certainly true
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
nakedadjectiveUS /ˈneɪkəd/
completely unclothed
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
narratedverbUS /ˈnereɪtɪd/
past form of “narrate” — provide commentary for a film, for example
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
narrationnounUS /neˈreɪʃən/
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
belonging to, or connected with, somebody or something
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
touching and supported by a surface
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
used to join alternatives or possibilities
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
inflected form of “permit” — consent to, give permission
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
a visual representation (of an object or scene or person or abstraction) produced on a surface
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
literature in metrical form
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
PortraitsnounUS /ˈpɔːrtrəts/
plural of “portrait” — a word picture of a person's appearance and character
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
prosenounUS /proʊz/
ordinary writing as distinguished from verse
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
publishersnounUS /ˈpʌblɪʃərz/
plural of “publisher” — a firm in the publishing business
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
putsnounUS /pʊts/
plural of “put” — the option to sell a given stock (or stock index or commodity future) at a given price before a given date
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
to a degree (not used with a negative)
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
RnounUS /ɑːr/
a unit of radiation exposure; the dose of ionizing radiation that will produce 1 electrostatic unit of electricity in 1 cc of dry air
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
being connected either logically or causally or by shared characteristics
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
repeatingnounUS /rɪˈpiːtɪŋ/
the act of doing or performing again
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
retainverbUS /rɪˈteɪn/
hold back within
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
a relationship between two lovers
From this reading [Footnote 1: A Gossip on Romance, from _Memories and Portraits_, by R.L. Stevenson.]
Rossetti's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
a charge of ammunition for a single shot
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
(of persons or their actions) able or disposed to inflict pain or suffering
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
secondaryadjectiveUS /ˈsekənderi/
being of second rank or importance or value; not direct or immediate
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
inflected form of “see” — perceive by sight or have the power to perceive by sight
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
transport commercially
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
short-story
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
StevensonnounUS /ˈstiːvənsən/
Scottish author (1850-1894)
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
belonging to the people or things already mentioned
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
the plural of “this”: the people or things near, or just mentioned
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
used before the base form of a verb to make the infinitive
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
inflected form of “tell” — express in words
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
totalverbUS /ˈtoʊtəl/
add up in number or quantity
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
the act of using
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
utterancenounUS /ˈʌtərəns/
the use of uttered sounds for auditory communication
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
verbaladjectiveUS /ˈvɜːrbəl/
communicated in the form of words
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
literature in metrical form
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
vividadjectiveUS /ˈvɪvəd/
evoking lifelike images within the mind
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
volumesnounUS /ˈvɑːljuːmz/
plural of “volume” — the amount of 3-dimensional space occupied by an object
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
at the time that
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
in or at the place that
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
used to introduce two or more possibilities
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
used to introduce a clause giving more about a thing just mentioned
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
a Caucasian
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.
which person or people
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
in the company of; together with
From this reading The short-story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp-fire."
a unit of language that native speakers can identify
From this reading To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.
an indefinite quantity of something having a specified value
From this reading In literature of narration, whether prose or verse, the dramatic worth of the action related must be the first consideration.
but in spite of that
From this reading The secondary importance of the detailed language in which an incident is narrated, when compared with the total impression made by the naked action contained in the incident, is seen in the case of ballad poetry, where a man may retain a vivid mental picture of the localities, atmosphere, and dramatic moments created by Coleridge's _Ancient Mariner_, or Rossetti's _White Ship_, and yet be quite incapable of repeating two consecutive lines of the verse.