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The Greatest English Classic A Study of the
The Greatest English Classic A Study of the

Chapter XVI · Chapter 16

Chapter 16 of The Greatest English Classic A Study of the is here in full — 121 sentences across 25 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/24 · 5 lines
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And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.
Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.
John Ruskin's continued to be the smoothest, easiest style in our English literature.
He also was a Hebraic spirit, but of the gentler type.
Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.
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The Greatest English Classic A Study of the

Chapter XVI · Chapter 16

Chapter 16 of The Greatest English Classic A Study of the is here in full — 121 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.
/ənd ɪf məˈkɔːli ɪz ˈbæfəlɪŋ ɪn ðə əˈbʌndəns ʌv məˈtɪriəl ˈʃʊrli dʒɑːn ˈrʌskɪn ɪz wɜːrs/
Line 2
Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.
Line 3
John Ruskin's continued to be the smoothest, easiest style in our English literature.
Line 4
He also was a Hebraic spirit, but of the gentler type.
Line 5
Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

baffling adjective US /ˈbæfəlɪŋ/

making great mental demands; hard to comprehend or solve or believe

From this reading “And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.”

Carlyle's noun US /kɑːrˈlaɪlz/

possessive form of “carlyle” — Scottish historian who wrote about the French Revolution (1795-1881)

From this reading “Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.”

Chapman noun US /ˈtʃæpmən/

United States pioneer who planted apple trees as he traveled (1774-1845)

From this reading “Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.”

Elijah noun US /eˈlaɪdʒə/

a Hebrew prophet in the Old Testament who opposed the worship of idols; he was persecuted for rebuking Ahab and Jezebel (king and queen of Israel); he was taken up to heaven in a chariot of fire (circa 9th century BC)

From this reading “Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.”

Macaulay noun US /məˈkɔːli/

English historian noted for his history of England (1800-1859)

From this reading “And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.”

roughness noun US /ˈrʌfnəs/

a texture of a surface or edge that is not smooth but is irregular and uneven

From this reading “Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.”

Ruskin noun US /ˈrʌskɪn/

British art critic (1819-1900)

From this reading “And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.”

smoothest adjective US /ˈsmuːðəst/

superlative of “smooth” — having a surface free from roughness or bumps or ridges or irregularities

From this reading “John Ruskin's continued to be the smoothest, easiest style in our English literature.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He also was a Hebraic spirit, but of the gentler type.

abundancenounUS /əˈbʌndəns/

the property of a more than adequate quantity or supply

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading He also was a Hebraic spirit, but of the gentler type.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

bafflingadjectiveUS /ˈbæfəlɪŋ/

making great mental demands; hard to comprehend or solve or believe

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

balanceverbUS /ˈbæləns/

bring into balance or equilibrium

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He also was a Hebraic spirit, but of the gentler type.

callsnounUS /kɔːlz/

plural of “call” — a telephone connection

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

capitalnounUS /ˈkæpətəl/

assets available for use in the production of further assets

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

Carlyle'snounUS /kɑːrˈlaɪlz/

possessive form of “carlyle” — Scottish historian who wrote about the French Revolution (1795-1881)

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

ChapmannounUS /ˈtʃæpmən/

United States pioneer who planted apple trees as he traveled (1774-1845)

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

comparisonnounUS /kəmˈperəsən/

the act of examining resemblances

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

continuedadjectiveUS /kənˈtɪnjuːd/

without stop or interruption

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

delicacynounUS /ˈdeləkəsi/

the quality of being beautiful and delicate in appearance

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

easiestadjectiveUS /ˈiːziəst/

superlative of “easy” — posing no difficulty; requiring little effort

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

ElijahnounUS /eˈlaɪdʒə/

a Hebrew prophet in the Old Testament who opposed the worship of idols; he was persecuted for rebuking Ahab and Jezebel (king and queen of Israel); he was taken up to heaven in a chariot of fire (circa 9th century BC)

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

Elisha

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

excessnounUS /ˈekses/

a quantity much larger than is needed

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

formedadjectiveUS /fɔːrmd/

having or given a form or shape

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

gentleradjectiveUS /ˈdʒentlər/

comparative of “gentle” — soft and mild; not harsh or stern or severe

From this reading He also was a Hebraic spirit, but of the gentler type.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He also was a Hebraic spirit, but of the gentler type.

Hebraicadjective

of or relating to the language of the Hebrews

From this reading He also was a Hebraic spirit, but of the gentler type.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

JohnnounUS /dʒɑːn/

a room or building equipped with one or more toilets

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

MacaulaynounUS /məˈkɔːli/

English historian noted for his history of England (1800-1859)

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

Macaulay's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

ranverbUS /ræn/

inflected form of “run” — move fast by using one's feet, with one foot off the ground at any given time

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

roughnessnounUS /ˈrʌfnəs/

a texture of a surface or edge that is not smooth but is irregular and uneven

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

RuskinnounUS /ˈrʌskɪn/

British art critic (1819-1900)

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

Ruskin's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

smoothestadjectiveUS /ˈsmuːðəst/

superlative of “smooth” — having a surface free from roughness or bumps or ridges or irregularities

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading He also was a Hebraic spirit, but of the gentler type.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Carlyle's English style ran into excess of roughness; Macaulay's ran into excess of balance and delicacy.

surelyadverbUS /ˈʃʊrli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading John Ruskin's continued to be the smoothest, easiest style in our English literature.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading He also was a Hebraic spirit, but of the gentler type.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He also was a Hebraic spirit, but of the gentler type.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

whopronounUS /huː/

which person or people

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading And if Macaulay is baffling in the abundance of material, surely John Ruskin is worse.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Mr. Chapman calls him the Elisha to Carlyle's, Elijah, a capital comparison.[1] Ruskin is one of the few writers who have told us what formed their style.

Chapter 16 of The Greatest English Classic A Study of the by Cleland Boyd McAfee holds 121 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of The Greatest English Classic A Study of the contain?

Chapter 16 holds 121 sentences of The Greatest English Classic A Study of the, unabridged, divided into 25 reading sections.

This page carries chapter 16 of The Greatest English Classic A Study of the by Cleland Boyd McAfee exactly as it stands in the public-domain source edition, without abridgement. It runs to 121 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #1592, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

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Vocabulary met early in The Greatest English Classic A Study of the

Words and structures a reader meets early in The Greatest English Classic A Study of the, each tappable for pronunciation and meaning.

Cleland
A word that appears in the opening chapter of The Greatest English Classic A Study of the; the reader can tap it to hear it and see its dictionary entry.
Mcafee
A word that appears in the opening chapter of The Greatest English Classic A Study of the; the reader can tap it to hear it and see its dictionary entry.
Lectures
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Included
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