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The Greatest English Classic A Study of the
The Greatest English Classic A Study of the

Chapter XVII · Chapter 17

Chapter 17 of The Greatest English Classic A Study of the is here in full — 116 sentences across 24 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/23 · 5 lines
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We need not go into detail about these writers, though they are most attractive.
Bryant did for us what Wordsworth did for England.
He made nature seem vocal.
"Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.
His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Greatest English Classic A Study of the

Chapter XVII · Chapter 17

Chapter 17 of The Greatest English Classic A Study of the is here in full — 116 sentences across 24 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
We need not go into detail about these writers, though they are most attractive.
/wiː niːd nɑːt ɡoʊ ˈɪntuː dɪˈteɪl əˈbaʊt ðiːz ˈraɪtərz ðoʊ ðeɪ ɑːr moʊst əˈtræktɪv/
Line 2
Bryant did for us what Wordsworth did for England.
Line 3
He made nature seem vocal.
/hiː meɪd ˈneɪtʃər siːm ˈvoʊkəl/
Line 4
"Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.
Line 5
His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.
/hɪz oʊn ˈdʒiːnjəl ˈbjuːtəfəl ˈkerɪktər wɑːz ˌɪtˈself ə ˈtrɪbjuːt tuː ˈkrɪstʃən ˌsɪvəlɪˈzeɪʃən ənd hɪz laɪf æz ˈkrɪtɪk ənd ˈeseɪɪst hæz left æn ˌɪmˈpreʃən wɪtʃ wiː ʃæl nɑːt suːn luːz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

civilization noun US /ˌsɪvəlɪˈzeɪʃən/

a society in an advanced state of social development (e.g., with complex legal and political and religious organizations)

From this reading “His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.”

critic noun US /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading “His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.”

essayist noun US /ˈeseɪɪst/

a writer of literary works

From this reading “His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.”

genial adjective US /ˈdʒiːnjəl/

diffusing warmth and friendliness

From this reading “His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.”

tribute noun US /ˈtrɪbjuːt/

something given or done as an expression of esteem

From this reading “His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.”

vocal adjective US /ˈvoʊkəl/

relating to or designed for or using the singing voice

From this reading “He made nature seem vocal.”

Wordsworth noun US /ˈwɜːrdzwərθ/

a romantic English poet whose work was inspired by the Lake District where he spent most of his life (1770-1850)

From this reading “Bryant did for us what Wordsworth did for England.”

writers noun US /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “We need not go into detail about these writers, though they are most attractive.”

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading We need not go into detail about these writers, though they are most attractive.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading We need not go into detail about these writers, though they are most attractive.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

attractiveadjectiveUS /əˈtræktɪv/

pleasing to the eye or mind especially through beauty or charm

From this reading We need not go into detail about these writers, though they are most attractive.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

Bryant

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Bryant did for us what Wordsworth did for England.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

ChristianadjectiveUS /ˈkrɪstʃən/

relating to or characteristic of Christianity

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

civilizationnounUS /ˌsɪvəlɪˈzeɪʃən/

a society in an advanced state of social development (e.g., with complex legal and political and religious organizations)

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading We need not go into detail about these writers, though they are most attractive.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Bryant did for us what Wordsworth did for England.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading Bryant did for us what Wordsworth did for England.

essayistnounUS /ˈeseɪɪst/

a writer of literary works

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Bryant did for us what Wordsworth did for England.

genialadjectiveUS /ˈdʒiːnjəl/

diffusing warmth and friendliness

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading We need not go into detail about these writers, though they are most attractive.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He made nature seem vocal.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading We need not go into detail about these writers, though they are most attractive.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading He made nature seem vocal.

mostadverbUS /moʊst/

used to form the superlative

From this reading We need not go into detail about these writers, though they are most attractive.

narrowverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading He made nature seem vocal.

neednounUS /niːd/

a condition requiring relief

From this reading We need not go into detail about these writers, though they are most attractive.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading We need not go into detail about these writers, though they are most attractive.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

ownverbUS /oʊn/

have ownership or possession of

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading He made nature seem vocal.

sensenounUS /sens/

a general conscious awareness

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

soonadverbUS /suːn/

in the near future

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

Thanatopsisnoun

an essay expressing a view on the subject of death

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading We need not go into detail about these writers, though they are most attractive.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading We need not go into detail about these writers, though they are most attractive.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading We need not go into detail about these writers, though they are most attractive.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

tributenounUS /ˈtrɪbjuːt/

something given or done as an expression of esteem

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Bryant did for us what Wordsworth did for England.

vocaladjectiveUS /ˈvoʊkəl/

relating to or designed for or using the singing voice

From this reading He made nature seem vocal.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We need not go into detail about these writers, though they are most attractive.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Bryant did for us what Wordsworth did for England.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading His own genial, beautiful character was itself a tribute to Christian civilization, and his life, as critic and essayist, has left an impression which we shall not soon lose.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

WordsworthnounUS /ˈwɜːrdzwərθ/

a romantic English poet whose work was inspired by the Lake District where he spent most of his life (1770-1850)

From this reading Bryant did for us what Wordsworth did for England.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading We need not go into detail about these writers, though they are most attractive.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

yetconjunctionUS /jet/

but in spite of that

From this reading "Thanatopsis" is not a Christian poem in the narrow sense of the word, and yet it could hardly have been written except under Christian influence.

Chapter 17 of The Greatest English Classic A Study of the by Cleland Boyd McAfee holds 116 sentences, grouped into 24 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of The Greatest English Classic A Study of the contain?

Chapter 17 holds 116 sentences of The Greatest English Classic A Study of the, unabridged, divided into 24 reading sections.

This page carries chapter 17 of The Greatest English Classic A Study of the by Cleland Boyd McAfee exactly as it stands in the public-domain source edition, without abridgement. It runs to 116 sentences, grouped into 24 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of The Greatest English Classic A Study of the?

Work through the 24 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 24 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #1592, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

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About 249 minutes of reading across 599 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Greatest English Classic A Study of the

Words and structures a reader meets early in The Greatest English Classic A Study of the, each tappable for pronunciation and meaning.

Cleland
A word that appears in the opening chapter of The Greatest English Classic A Study of the; the reader can tap it to hear it and see its dictionary entry.
Mcafee
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Lectures
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Included
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