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The Grey Woman and other Tales
The Grey Woman and other Tales

Chapter II · Chapter 2

Chapter 2 of The Grey Woman and other Tales is here in full — 391 sentences across 79 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
Now, now was my time, if ever; and yet I could not move.
It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.
I almost fanciedI almost fancy stillI heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.
At that fancyif fancy it wereI screamed aloud in mad terror, and the sound of my own strange voice broke the spell.
I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

The Grey Woman and other Tales

Chapter II · Chapter 2

Chapter 2 of The Grey Woman and other Tales is here in full — 391 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
Now, now was my time, if ever; and yet I could not move.
/naʊ naʊ wɑːz maɪ taɪm ɪf ˈevər ənd jet aɪ kʊd nɑːt muːv/
Line 2
It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.
/ɪt wɑːz nɑːt maɪ kræmpt ənd ˈstɪfənd dʒɔɪnts ðæt ˈkrɪpəld miː ɪt wɑːz ðə senˈseɪʃən ʌv ðæt ded mænz kloʊs ˈprezəns/
Line 3
I almost fanciedI almost fancy stillI heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.
Line 4
At that fancyif fancy it wereI screamed aloud in mad terror, and the sound of my own strange voice broke the spell.
Line 5
I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.
/aɪ druː ˌmaɪˈself tuː ðə saɪd ʌv ðə ˈteɪbəl ˈfɑːrðəst frʌm ðə kɔːrps wɪð æz mʌtʃ sloʊ ˈkɑːʃən æz ɪf aɪ ˈrɪli kʊd hæv fɪrd ðə klʌtʃ ʌv ðæt puːr ded ɑːrm ˈpaʊərləs fɔːr ˈevərmɔːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

clutch noun US /klʌtʃ/

the act of grasping

From this reading “I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.”

cramped adjective US /kræmpt/

constricted in size

From this reading “It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.”

crippled adjective US /ˈkrɪpəld/

disabled in the feet or legs

From this reading “It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.”

evermore adverb US /ˈevərmɔːr/

at any future time; in the future

From this reading “I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.”

farthest adverb US /ˈfɑːrðəst/

to the greatest distance in space or time (“farthest” is used more often than “furthest” in this physical sense)

From this reading “I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.”

imploring adjective US /ˌɪmˈplɔːrɪŋ/

begging

From this reading “I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.”

joints noun US /dʒɔɪnts/

plural of “joint” — (anatomy) the point of connection between two bones or elements of a skeleton (especially if it allows motion)

From this reading “It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.”

stiffened verb US /ˈstɪfənd/

past form of “stiffen” — become stiff or stiffer

From this reading “It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

aloudadverbUS /əˈlaʊd/

using the voice; not silently

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Now, now was my time, if ever; and yet I could not move.

armnounUS /ɑːrm/

a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

AtprepositionUS /æt/

in or near a particular place or position

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

brokeadjectiveUS /broʊk/

lacking funds

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

cautionnounUS /ˈkɑːʃən/

the trait of being cautious; being attentive to possible danger

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

clutchnounUS /klʌtʃ/

the act of grasping

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

corpsenounUS /kɔːrps/

the dead body of a human being

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Now, now was my time, if ever; and yet I could not move.

crampedadjectiveUS /kræmpt/

constricted in size

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

crippledadjectiveUS /ˈkrɪpəld/

disabled in the feet or legs

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

despairnounUS /dɪˈsper/

a state in which all hope is lost or absent

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

everadverbUS /ˈevər/

at any time

From this reading Now, now was my time, if ever; and yet I could not move.

evermoreadverbUS /ˈevərmɔːr/

at any future time; in the future

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

fallverbUS /fɔːl/

descend in free fall under the influence of gravity

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

fanciedadjectiveUS /ˈfænsid/

formed or conceived by the imagination

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

farthestadverbUS /ˈfɑːrðəst/

to the greatest distance in space or time (“farthest” is used more often than “furthest” in this physical sense)

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

fearedverbUS /fɪrd/

past form of “fear” — be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Now, now was my time, if ever; and yet I could not move.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Now, now was my time, if ever; and yet I could not move.

imploringadjectiveUS /ˌɪmˈplɔːrɪŋ/

begging

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

jointsnounUS /dʒɔɪnts/

plural of “joint” — (anatomy) the point of connection between two bones or elements of a skeleton (especially if it allows motion)

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

liftverbUS /lɪft/

raise from a lower to a higher position

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

madadjectiveUS /mæd/

roused to anger

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

man'snounUS /mænz/

possessive form of “man” — an adult person who is male (as opposed to a woman)

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

moveverbUS /muːv/

change location; move, travel, or proceed, also metaphorically

From this reading Now, now was my time, if ever; and yet I could not move.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Now, now was my time, if ever; and yet I could not move.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

nearestadverbUS /ˈnɪrəst/

(superlative of “near” or “close”) within the shortest distance

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Now, now was my time, if ever; and yet I could not move.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now, now was my time, if ever; and yet I could not move.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

onceadverbUS /wʌns/

on one occasion

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

ownverbUS /oʊn/

have ownership or possession of

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

powerlessadjectiveUS /ˈpaʊərləs/

lacking power

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

presencenounUS /ˈprezəns/

the state of being present; current existence

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

screamedverbUS /skriːmd/

past form of “scream” — utter a sudden loud cry

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

sensationnounUS /senˈseɪʃən/

an unelaborated elementary awareness of stimulation

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

slowadjectiveUS /sloʊ/

not moving quickly; taking a comparatively long time

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

spellverbUS /spel/

orally recite the letters of or give the spelling of

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

stiffenedverbUS /ˈstɪfənd/

past form of “stiffen” — become stiff or stiffer

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

stilladjectiveUS /stɪl/

not in physical motion

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

tablenounUS /ˈteɪbəl/

a set of data arranged in rows and columns

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

terrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It was not my cramped and stiffened joints that crippled me, it was the sensation of that dead man’s close presence.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Now, now was my time, if ever; and yet I could not move.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading I almost fancied—I almost fancy still—I heard the arm nearest to me move; lift itself up, as if once more imploring, and fall in dead despair.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Now, now was my time, if ever; and yet I could not move.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading At that fancy—if fancy it were—I screamed aloud in mad terror, and the sound of my own strange voice broke the spell.

withprepositionUS /wɪð/

in the company of; together with

From this reading I drew myself to the side of the table farthest from the corpse, with as much slow caution as if I really could have feared the clutch of that poor dead arm, powerless for evermore.

yetconjunctionUS /jet/

but in spite of that

From this reading Now, now was my time, if ever; and yet I could not move.

Chapter 2 of The Grey Woman and other Tales by Elizabeth Cleghorn Gaskell holds 391 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Grey Woman and other Tales contain?

Chapter 2 holds 391 sentences of The Grey Woman and other Tales, unabridged, divided into 79 reading sections.

This page carries chapter 2 of The Grey Woman and other Tales by Elizabeth Cleghorn Gaskell exactly as it stands in the source edition, without abridgement. It runs to 391 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Grey Woman and other Tales?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Grey Woman and other Tales

Common questions about reading The Grey Woman and other Tales by Elizabeth Cleghorn Gaskell on this page, its source edition and its audio.

Is this the complete text of The Grey Woman and other Tales?

Yes. All 3229 sentences of Project Gutenberg eBook #28636 are kept, with a record of which sentences cover which part.

Which edition of The Grey Woman and other Tales is used?

Project Gutenberg eBook #28636, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Grey Woman and other Tales take to read?

About 269 minutes of reading across 646 sections of 5 sentences each, at an unhurried pace.

How to read The Grey Woman and other Tales section by section

How to work through The Grey Woman and other Tales section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 8 chapters of The Grey Woman and other Tales to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Grey Woman and other Tales

Words and structures a reader meets early in The Grey Woman and other Tales, each tappable for pronunciation and meaning.

Woman
A word that appears in the opening chapter of The Grey Woman and other Tales; the reader can tap it to hear it and see its dictionary entry.
Other
A word that appears in the opening chapter of The Grey Woman and other Tales; the reader can tap it to hear it and see its dictionary entry.
Tales
A word that appears in the opening chapter of The Grey Woman and other Tales; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The Grey Woman and other Tales; the reader can tap it to hear it and see its dictionary entry.