Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Group: A Farce
The Group: A Farce

Chapter I · Chapter 1

Chapter 1 of The Group: A Farce is here in full — 192 sentences across 39 reading sections, with audio for every sentence and word.

Cover illustration for The Group: A Farce
Context Illustration Reading 1/38 · 5 lines
English subtitles · tap any word to listen 1 / 5
This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.
Comments and background to all the plays and the other plays are available at Project Gutenberg.
Spelling as in the original has been preserved.
Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.
Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Group: A Farce

Chapter I · Chapter 1

Chapter 1 of The Group: A Farce is here in full — 192 sentences across 39 reading sections, with audio for every sentence and word.

Reading 1/38 · 5 reading units · Lines 1–5

Line 1
This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.
Line 2
Comments and background to all the plays and the other plays are available at Project Gutenberg.
/ˈkɑːments ənd ˈbækɡraʊnd tuː ɔːl ðə pleɪz ənd ðə ˈʌðər pleɪz ɑːr əˈveɪləbəl æt ˈprɑːdʒekt ˈɡuːtənbərɡ/
Line 3
Spelling as in the original has been preserved.
/ˈspelɪŋ æz ɪn ðə ərˈɪdʒənəl hæz bɪn prəˈzɜːrvd/
Line 4
Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.
Line 5
Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.
/moʊst ʌv ðə ˌrevəˈluːʃəneri ˈbælədz sʌŋ æt ðə taɪm wɜːr ˈbɪtər wɪð ˈheɪtrəd əˈɡenst ðə ˈlɔɪəlɪst/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

ballads noun US /ˈbælədz/

plural of “ballad” — a narrative song with a recurrent refrain

From this reading “Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.”

extracted verb US /ekˈstræktɪd/

past form of “extract” — remove, usually with some force or effort; also used in an abstract sense

From this reading “This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.”

Gutenberg noun US /ˈɡuːtənbərɡ/

German printer who was the first in Europe to print using movable type and the first to use a press (1400-1468)

From this reading “Comments and background to all the plays and the other plays are available at Project Gutenberg.”

Loyalist noun US /ˈlɔɪəlɪst/

a person who is loyal to their allegiance (especially in times of revolt)

From this reading “Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.”

orations noun US /ɔːˈreɪʃənz/

plural of “oration” — an instance of oratory

From this reading “Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.”

Revolutionary adjective US /ˌrevəˈluːʃəneri/

markedly new or introducing radical change

From this reading “Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.”

satirical adjective US /səˈtɪrəkəl/

exposing human folly to ridicule

From this reading “Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.”

Spelling noun US /ˈspelɪŋ/

forming words with letters according to the principles underlying accepted usage

From this reading “Spelling as in the original has been preserved.”

All words in this reading · 61

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

1765

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

1819

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

AmericanounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Spelling as in the original has been preserved.

atprepositionUS /æt/

in or near a particular place or position

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

availableadjectiveUS /əˈveɪləbəl/

obtainable or accessible and ready for use or service

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

balladsnounUS /ˈbælədz/

plural of “ballad” — a narrative song with a recurrent refrain

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Spelling as in the original has been preserved.

bitteradjectiveUS /ˈbɪtər/

marked by strong resentment or cynicism

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

broadsides

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

byprepositionUS /baɪ/

showing who or what does the action

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

CommentsnounUS /ˈkɑːments/

plural of “comment” — a statement that expresses a personal opinion or belief or adds information

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

createdverbUS /kriˈeɪtəd/

past form of “create” — make or cause to be or to become

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

Dramatists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

e-book

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

extractedverbUS /ekˈstræktɪd/

past form of “extract” — remove, usually with some force or effort; also used in an abstract sense

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

GroupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

GutenbergnounUS /ˈɡuːtənbərɡ/

German printer who was the first in Europe to print using movable type and the first to use a press (1400-1468)

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Spelling as in the original has been preserved.

hatrednounUS /ˈheɪtrəd/

the emotion of intense dislike; a feeling of dislike so strong that it demands action

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

heatnounUS /hiːt/

a form of energy that is transferred by a difference in temperature

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Spelling as in the original has been preserved.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

LoyalistnounUS /ˈlɔɪəlɪst/

a person who is loyal to their allegiance (especially in times of revolt)

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

MostadverbUS /moʊst/

used to form the superlative

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

orationsnounUS /ɔːˈreɪʃənz/

plural of “oration” — an instance of oratory

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading Spelling as in the original has been preserved.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

PlaysnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

preservedadjectiveUS /prəˈzɜːrvd/

prevented from decaying or spoiling and prepared for future use

From this reading Spelling as in the original has been preserved.

ProjectverbUS /ˈprɑːdʒekt/

communicate vividly

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

RepresentativenounUS /ˌreprəˈzentətɪv/

a person who represents others

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

RevolutionnounUS /ˌrevəˈluːʃən/

a drastic and far-reaching change in ways of thinking and behaving

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

RevolutionaryadjectiveUS /ˌrevəˈluːʃəneri/

markedly new or introducing radical change

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

satiricaladjectiveUS /səˈtɪrəkəl/

exposing human folly to ridicule

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

SpellingnounUS /ˈspelɪŋ/

forming words with letters according to the principles underlying accepted usage

From this reading Spelling as in the original has been preserved.

strictlyadverbUS /ˈstrɪktli/

restricted to something

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

sungnounUS /sʌŋ/

the imperial dynasty of China from 960 to 1279; noted for art and literature and philosophy

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

textnounUS /tekst/

the words of something written

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Comments and background to all the plays and the other plays are available at Project Gutenberg.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

Vol

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This e-book contains the text of _The Group_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Most of the literature--orations as well as broadsides--created in America under the heat of the Revolution, was of a strictly satirical character.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

withprepositionUS /wɪð/

in the company of; together with

From this reading Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist.

Chapter 1 of The Group: A Farce by Mercy Otis Warren holds 192 sentences, grouped into 39 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Group: A Farce contain?

Chapter 1 holds 192 sentences of The Group: A Farce, unabridged, divided into 39 reading sections.

This page carries chapter 1 of The Group: A Farce by Mercy Otis Warren exactly as it stands in the source edition, without abridgement. It runs to 192 sentences, grouped into 39 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Group: A Farce?

Work through the 39 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 39 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Group: A Farce

Common questions about reading The Group: A Farce by Mercy Otis Warren on this page, its source edition and its audio.

Is this the complete text of The Group: A Farce?

Yes. All 192 sentences of Project Gutenberg eBook #29224 are kept, with a record of which sentences cover which part.

Which edition of The Group: A Farce is used?

Project Gutenberg eBook #29224, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Group: A Farce take to read?

About 16 minutes of reading across 39 sections of 5 sentences each, at an unhurried pace.

How to read The Group: A Farce section by section

How to work through The Group: A Farce section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of The Group: A Farce to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Group: A Farce

Words and structures a reader meets early in The Group: A Farce, each tappable for pronunciation and meaning.

E-book
A word that appears in the opening chapter of The Group: A Farce; the reader can tap it to hear it and see its dictionary entry.
Contains
A word that appears in the opening chapter of The Group: A Farce; the reader can tap it to hear it and see its dictionary entry.
Group
A word that appears in the opening chapter of The Group: A Farce; the reader can tap it to hear it and see its dictionary entry.
Extracted
A word that appears in the opening chapter of The Group: A Farce; the reader can tap it to hear it and see its dictionary entry.