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The Guest of Quesnay
The Guest of Quesnay

Chapter IV · Chapter 4

Chapter 4 of The Guest of Quesnay is here in full — 136 sentences across 28 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/27 · 5 lines
English subtitles · tap any word to listen 1 / 5
I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.
For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.
A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.
The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.
I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Guest of Quesnay

Chapter IV · Chapter 4

Chapter 4 of The Guest of Quesnay is here in full — 136 sentences across 28 reading sections, with audio for every sentence and word.

Reading 1/27 · 5 reading units · Lines 1–5

Line 1
I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.
/aɪ hæd bɪn ˈpeɪntɪŋ ɪn ˈveriəs pɑːrts ʌv ðə ˈfɔːrəst ˈstʌdiɪŋ ðə ˈɜːrli ˈmɔːrnɪŋ əˈlɔːŋ ðə ˈiːstərn frɪndʒ ənd ˈmuːvɪŋ ˈdiːpər ɪn æz ðə deɪ ədˈvænst/
Line 2
For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.
Line 3
A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.
Line 4
The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.
Line 5
I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arm's noun US /ɑːrmz/

possessive form of “arm” — a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading “The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.”

concierge noun US /ˌkɑːnsiˈerʒ/

a French caretaker of apartments or a hotel; lives on the premises and oversees people entering and leaving and handles mail and acts as janitor or porter

From this reading “I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.”

easel noun US /ˈiːzəl/

an upright tripod for displaying something (usually an artist's canvas)

From this reading “A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.”

glade noun US /ɡleɪd/

a tract of land with few or no trees in the middle of a wooded area

From this reading “For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.”

palette noun US /ˈpælət/

the range of colour characteristic of a particular artist or painting or school of art

From this reading “The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.”

practitioners noun US /prækˈtɪʃənərz/

plural of “practitioner” — someone who practices a learned profession

From this reading “I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.”

thinner noun US /ˈθɪnər/

a diluting agent

From this reading “For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.”

underbrush noun US /ˈʌndərbrʌʃ/

the brush (small trees and bushes and ferns etc.) growing beneath taller trees in a wood or forest

From this reading “A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.”

All words in this reading · 159

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

abruptlyadverbUS /əˈbrʌptli/

quickly and without warning

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

advancedadjectiveUS /ədˈvænst/

farther along in physical or mental development

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

afternoonnounUS /ˌæftərˈnuːn/

the part of the day between noon and evening

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

againadverbUS /əˈɡen/

anew

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

ambitionnounUS /æmˈbɪʃən/

a cherished desire

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

appearingnounUS /əˈpɪrɪŋ/

formal attendance (in court or at a hearing) of a party in an action

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

arenanounUS /ərˈiːnə/

a particular environment or walk of life

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

arm'snounUS /ɑːrmz/

possessive form of “arm” — a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

atprepositionUS /æt/

in or near a particular place or position

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

audaciousadjectiveUS /ɑːˈdeɪʃəs/

invulnerable to fear or intimidation

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

backadverbUS /bæk/

in or to or toward a former location

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

borderedadjectiveUS /ˈbɔːrdərd/

having a border especially of a specified kind; sometimes used as a combining term

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

branchesnounUS /ˈbræntʃəz/

plural of “branch” — a division of some larger or more complex organization

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

brokenadjectiveUS /ˈbroʊkən/

physically and forcibly separated into pieces or cracked or split

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

brush-work

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

bushesnounUS /ˈbʊʃəz/

plural of “bush” — a low woody perennial plant usually having several major stems

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

byprepositionUS /baɪ/

showing who or what does the action

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

canvasnounUS /ˈkænvəs/

a heavy, closely woven fabric (used for clothing or chairs or sails or tents)

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

chancenounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

conciergenounUS /ˌkɑːnsiˈerʒ/

a French caretaker of apartments or a hotel; lives on the premises and oversees people entering and leaving and handles mail and acts as janitor or porter

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

crossedadjectiveUS /krɔːst/

placed crosswise

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

debouched

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

deeperadverbUS /ˈdiːpər/

comparative of “deeply” — to a great depth psychologically or emotionally

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

dingles

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

easelnounUS /ˈiːzəl/

an upright tripod for displaying something (usually an artist's canvas)

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

easternadjectiveUS /ˈiːstərn/

lying toward or situated in the east

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

elbowsnounUS /ˈelboʊz/

plural of “elbow” — hinge joint between the forearm and upper arm and the corresponding joint in the forelimb of a quadruped

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

eldernounUS /ˈeldər/

a person who is older than you are

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

endeavours

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

experimentnounUS /ɪkˈsperəmənt/

the act of conducting a controlled test or investigation

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

fairlyadverbUS /ˈferli/

to certain extent or degree

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

foliagenounUS /ˈfoʊlɪdʒ/

the main organ of photosynthesis and transpiration in higher plants

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

foolishadjectiveUS /ˈfuːlɪʃ/

devoid of good sense or judgment

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

forestnounUS /ˈfɔːrəst/

the trees and other plants in a large densely wooded area

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

fringenounUS /frɪndʒ/

the outside boundary or surface of something

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

gladenounUS /ɡleɪd/

a tract of land with few or no trees in the middle of a wooded area

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

growverbUS /ɡroʊ/

pass into a condition gradually, take on a specific property or attribute; become

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

leanedverbUS /liːnd/

past form of “lean” — to incline or bend from a vertical position

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

lengthnounUS /leŋkθ/

the linear extent in space from one end to the other; the longest dimension of something that is fixed in place

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

lovelinessnoun

the quality of being good looking and attractive

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

luminousadjectiveUS /ˈluːmənəs/

softly bright or radiant

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

mostadverbUS /moʊst/

used to form the superlative

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

movedadjectiveUS /muːvd/

being excited or provoked to the expression of an emotion

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

narrowverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

neededadjectiveUS /ˈniːdəd/

necessary for relief or supply

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

noonnounUS /nuːn/

the middle of the day

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

notesnounUS /noʊts/

plural of “note” — a brief written record

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

paintverbUS /peɪnt/

make a painting

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

palettenounUS /ˈpælət/

the range of colour characteristic of a particular artist or painting or school of art

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

partsnounUS /pɑːrts/

the local environment

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

pathnounUS /pæθ/

a course of conduct

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

pitchedadjectiveUS /pɪtʃt/

(of sound) set to a certain pitch or key; usually used as a combining form

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

placedadjectiveUS /pleɪst/

situated in a particular spot or position

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

practitionersnounUS /prækˈtɪʃənərz/

plural of “practitioner” — someone who practices a learned profession

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

renderverbUS /ˈrendər/

cause to become

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

rentverbUS /rent/

let for money

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

ruddier

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

scenenounUS /siːn/

the place where some action occurs

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

shadyadjectiveUS /ˈʃeɪdi/

quiet, dark, or concealed

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

shaftsnounUS /ʃæfts/

plural of “shaft” — a line that forms the length of an arrow pointer

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

shakingnounUS /ˈʃeɪkɪŋ/

the act of causing something to move up and down (or back and forth) with quick movements

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

skynounUS /skaɪ/

the atmosphere and outer space as viewed from the earth

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

smirched

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

stilladjectiveUS /stɪl/

not in physical motion

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

stillnessnounUS /ˈstɪlnəs/

(poetic) tranquil silence

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

strokenounUS /stroʊk/

(sports) the act of swinging or striking at a ball with a club or racket or bat or cue or hand

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

studyingnounUS /ˈstʌdiɪŋ/

reading carefully with intent to remember

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

stungadjectiveUS /stʌŋ/

aroused to impatience or anger

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

sunsetnounUS /ˈsʌnset/

the time in the evening at which the sun begins to fall below the horizon

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

sunshinenounUS /ˈsʌnʃaɪn/

the rays of the sun

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

swearverbUS /swer/

utter obscenities or profanities

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

thereadverbUS /ðer/

in or at that place or location

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

thingnounUS /θɪŋ/

a special situation

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

thinnernounUS /ˈθɪnər/

a diluting agent

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

tryingadjectiveUS /ˈtraɪɪŋ/

hard to endure

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

underbrushnounUS /ˈʌndərbrʌʃ/

the brush (small trees and bushes and ferns etc.) growing beneath taller trees in a wood or forest

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

variousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading I had been painting in various parts of the forest, studying the early morning along the eastern fringe and moving deeper in as the day advanced.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

wanderedverbUS /ˈwɑːndərd/

past form of “wander” — move about aimlessly or without any destination, often in search of food or employment

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

warmthnounUS /wɔːrmθ/

the sensation caused by heat energy

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

waynounUS /weɪ/

how something is done or how it happens

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

westwardadverbUS /ˈwestwərd/

toward the west

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

whenconjunctionUS /wen/

at the time that

From this reading The path debouched abruptly on the glade and was so narrow that when I leaned back my elbows were in the bushes, and it needed care to keep my palette from being smirched by the leaves; though there was more room for my canvas and easel, as I had placed them at arm's length before me, fairly in the open.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

withprepositionUS /wɪð/

in the company of; together with

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

woodlandnounUS /ˈwʊdlænd/

land that is covered with trees and shrubs

From this reading For the stillness and warmth of noon I went to the very woodland heart, and in the late afternoon moved westward to a glade--a chance arena open to the sky, the scene of my most audacious endeavours, for here I was trying to paint foliage luminous under those long shafts of sunshine which grow thinner but ruddier toward sunset.

woodsnounUS /wʊdz/

the trees and other plants in a large densely wooded area

From this reading I had the ambition to paint a picture here--to do the whole thing in the woods from day to day, instead of taking notes for the studio--and was at work upon a very foolish experiment: I had thought to render the light--broken by the branches and foliage--with broken brush-work, a short stroke of the kind that stung an elder painter to swear that its practitioners painted in shaking fear of the concierge appearing for the studio rent.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

woundnounUS /waʊnd/

an injury to living tissue (especially an injury involving a cut or break in the skin)

From this reading A path closely bordered by underbrush wound its way to the glade, crossed it, then wandered away into shady dingles again; and with my easel pitched in the mouth of this path, I sat at work, one late afternoon, wonderful for its still loveliness.

Chapter 4 of The Guest of Quesnay by Booth Tarkington holds 136 sentences, grouped into 28 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Guest of Quesnay contain?

Chapter 4 holds 136 sentences of The Guest of Quesnay, unabridged, divided into 28 reading sections.

This page carries chapter 4 of The Guest of Quesnay by Booth Tarkington exactly as it stands in the source edition, without abridgement. It runs to 136 sentences, grouped into 28 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Guest of Quesnay?

Work through the 28 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 28 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Guest of Quesnay

Common questions about reading The Guest of Quesnay by Booth Tarkington on this page, its source edition and its audio.

Is this the complete text of The Guest of Quesnay?

Yes. All 3471 sentences of Project Gutenberg eBook #5756 are kept, with a record of which sentences cover which part.

Which edition of The Guest of Quesnay is used?

Project Gutenberg eBook #5756, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Guest of Quesnay take to read?

About 289 minutes of reading across 695 sections of 5 sentences each, at an unhurried pace.

How to read The Guest of Quesnay section by section

How to work through The Guest of Quesnay section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 22 chapters of The Guest of Quesnay to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Guest of Quesnay

Words and structures a reader meets early in The Guest of Quesnay, each tappable for pronunciation and meaning.

Portrait-painter
A word that appears in the opening chapter of The Guest of Quesnay; the reader can tap it to hear it and see its dictionary entry.
Matter
A word that appears in the opening chapter of The Guest of Quesnay; the reader can tap it to hear it and see its dictionary entry.
Vogue
A word that appears in the opening chapter of The Guest of Quesnay; the reader can tap it to hear it and see its dictionary entry.
Pinnacles
A word that appears in the opening chapter of The Guest of Quesnay; the reader can tap it to hear it and see its dictionary entry.