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The Guilty River
The Guilty River

Chapter V · Chapter 5

Chapter 5 of The Guilty River is here in full — 334 sentences across 67 reading sections, with audio for every sentence and word.

Cover illustration for The Guilty River
Context Illustration Reading 1/66 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.
I betray no confidence in presenting this copy of his confession.
Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.
If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.
Not one impression, but many impressions, troubled and confused my mind.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Guilty River

Chapter V · Chapter 5

Chapter 5 of The Guilty River is here in full — 334 sentences across 67 reading sections, with audio for every sentence and word.

Reading 1/66 · 5 reading units · Lines 1–5

Line 1
THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.
Line 2
I betray no confidence in presenting this copy of his confession.
/aɪ bɪˈtreɪ noʊ ˈkɑːnfədəns ɪn prɪˈzentɪŋ ðɪs ˈkɑːpi ʌv hɪz kənˈfeʃən/
Line 3
Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.
/taɪm hæz pæst sɪns aɪ fɜːrst red ɪt ənd ˈtʃeɪndʒəz hæv əˈkɜːrd ɪn ðə ˈɪntərvəl wɪtʃ liːv miː friː tuː ˈeksərsaɪz maɪ oʊn dɪˈskreʃən ənd tuː let ðə ˌɔːtəbaɪˈɑːɡrəfi spiːk fɔːr ˌɪtˈself/
Line 4
If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.
Line 5
Not one impression, but many impressions, troubled and confused my mind.
/nɑːt wʌn ˌɪmˈpreʃən bʌt ˈmeni ˌɪmˈpreʃənz ˈtrʌbəld ənd kənˈfjuːzd maɪ maɪnd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

autobiography noun US /ˌɔːtəbaɪˈɑːɡrəfi/

a biography of yourself

From this reading “Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.”

betray verb US /bɪˈtreɪ/

reveal unintentionally

From this reading “I betray no confidence in presenting this copy of his confession.”

discretion noun US /dɪˈskreʃən/

freedom to act or judge on one's own

From this reading “Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.”

entrusted verb US /enˈtrʌstɪd/

past form of “entrust” — confer a trust upon

From this reading “THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.”

impressions noun US /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading “Not one impression, but many impressions, troubled and confused my mind.”

interval noun US /ˈɪntərvəl/

a definite length of time marked off by two instants

From this reading “Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.”

portfolio noun US /pɔːrtˈfoʊlioʊ/

a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading “THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.”

presenting verb US /prɪˈzentɪŋ/

-ing form of “present” — give an exhibition of to an interested audience

From this reading “I betray no confidence in presenting this copy of his confession.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

autobiographynounUS /ˌɔːtəbaɪˈɑːɡrəfi/

a biography of yourself

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

betrayverbUS /bɪˈtreɪ/

reveal unintentionally

From this reading I betray no confidence in presenting this copy of his confession.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Not one impression, but many impressions, troubled and confused my mind.

byprepositionUS /baɪ/

showing who or what does the action

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

changesnounUS /ˈtʃeɪndʒəz/

plural of “change” — an event that occurs when something passes from one state or phase to another

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

confessionnounUS /kənˈfeʃən/

an admission of misdeeds or faults

From this reading I betray no confidence in presenting this copy of his confession.

confidencenounUS /ˈkɑːnfədəns/

freedom from doubt; belief in yourself and your abilities

From this reading I betray no confidence in presenting this copy of his confession.

confusedadjectiveUS /kənˈfjuːzd/

perplexed by many conflicting situations or statements; filled with bewilderment

From this reading Not one impression, but many impressions, troubled and confused my mind.

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading I betray no confidence in presenting this copy of his confession.

discretionnounUS /dɪˈskreʃən/

freedom to act or judge on one's own

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

endnounUS /end/

either extremity of something that has length

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

entrustedverbUS /enˈtrʌstɪd/

past form of “entrust” — confer a trust upon

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

exercisenounUS /ˈeksərsaɪz/

the activity of exerting your muscles in various ways to keep fit

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

extraordinaryadjectiveUS /ˌekstrəˈɔːrdəneri/

beyond what is ordinary or usual; highly unusual or exceptional or remarkable

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading I betray no confidence in presenting this copy of his confession.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I betray no confidence in presenting this copy of his confession.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

impressionsnounUS /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading Not one impression, but many impressions, troubled and confused my mind.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I betray no confidence in presenting this copy of his confession.

intervalnounUS /ˈɪntərvəl/

a definite length of time marked off by two instants

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

lastadjectiveUS /læst/

immediately past

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

leaveverbUS /liːv/

go away from a place

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

Lodgernoun

a tenant in someone's house

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

lossnounUS /lɔːs/

something that is lost

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Not one impression, but many impressions, troubled and confused my mind.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

MillverbUS /mɪl/

move about in a confused manner

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Not one impression, but many impressions, troubled and confused my mind.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

nodeterminerUS /noʊ/

not any; not one

From this reading I betray no confidence in presenting this copy of his confession.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Not one impression, but many impressions, troubled and confused my mind.

occurredverbUS /əˈkɜːrd/

inflected form of “occur” — come to pass

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Not one impression, but many impressions, troubled and confused my mind.

ownverbUS /oʊn/

have ownership or possession of

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

passedverbUS /pæst/

past form of “pass” — go across or through

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

PORTFOLIOnounUS /pɔːrtˈfoʊlioʊ/

a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

presentingverbUS /prɪˈzentɪŋ/

-ing form of “present” — give an exhibition of to an interested audience

From this reading I betray no confidence in presenting this copy of his confession.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

readverbUS /red/

interpret something that is written or printed

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

replynounUS /rɪˈplaɪ/

a statement (either spoken or written) that is made to reply to a question or request or criticism or accusation

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

RETURNverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

speakverbUS /spiːk/

express in speech

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I betray no confidence in presenting this copy of his confession.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

TimenounUS /taɪm/

an instance or single occasion for some event

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

troubledadjectiveUS /ˈtrʌbəld/

characterized by or indicative of distress or affliction or danger or need

From this reading Not one impression, but many impressions, troubled and confused my mind.

whatpronounUS /wʌt/

used to ask for information about something

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Time has passed since I first read it, and changes have occurred in the interval, which leave me free to exercise my own discretion, and to let the autobiography speak for itself.

WithprepositionUS /wɪð/

in the company of; together with

From this reading THE RETURN OF THE PORTFOLIO With that serious question the last of the leaves entrusted to me by the Lodger at the Mill came to an end.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading If I am asked what impression of the writer those extraordinary pages produced on me, I feel at a loss how to reply.

Chapter 5 of The Guilty River by Wilkie Collins holds 334 sentences, grouped into 67 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The Guilty River contain?

Chapter 5 holds 334 sentences of The Guilty River, unabridged, divided into 67 reading sections.

This page carries chapter 5 of The Guilty River by Wilkie Collins exactly as it stands in the public-domain source edition, without abridgement. It runs to 334 sentences, grouped into 67 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The Guilty River?

Work through the 67 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 67 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Guilty River

Common questions about reading The Guilty River by Wilkie Collins on this page, its source edition and its audio.

Is this the complete text of The Guilty River?

Yes. All 2911 sentences of Project Gutenberg eBook #3634 are kept, with a record of which sentences cover which part.

Which edition of The Guilty River is used?

Project Gutenberg eBook #3634, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Guilty River take to read?

About 242 minutes of reading across 583 sections of 5 sentences each, at an unhurried pace.

How to read The Guilty River section by section

How to work through The Guilty River section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of The Guilty River to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Guilty River

Words and structures a reader meets early in The Guilty River, each tappable for pronunciation and meaning.

Stood
A word that appears in the opening chapter of The Guilty River; the reader can tap it to hear it and see its dictionary entry.
Alone
A word that appears in the opening chapter of The Guilty River; the reader can tap it to hear it and see its dictionary entry.
Ugliest
A word that appears in the opening chapter of The Guilty River; the reader can tap it to hear it and see its dictionary entry.
Stream
A word that appears in the opening chapter of The Guilty River; the reader can tap it to hear it and see its dictionary entry.