Chapter I

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1778-1780).

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1778-1780).

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

used before a singular noun to mean one of a group, when it is not a particular one

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

perform an action, or work out or perform (an action)

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

an announcement that usually advises or warns the public of some threat

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

used to join words or parts of a sentence that go together

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

United States naturalist who contributed to paleontology and geology (1884-1960)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the form of “be” used with you, we, they, or a plural noun

From this reading Two of these are reprinted here.

elected vice president and became 21st President of the United States when Garfield was assassinated (1830-1886)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a person who contributes to the fulfillment of a need or furtherance of an effort or purpose

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a narrative song with a recurrent refrain

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

cattle that are reared for their meat

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

a white metallic element that burns with a brilliant light; the fifth most abundant element in the earth's crust; an important component of most plants and animals

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

a state in the western United States on the Pacific; the 3rd largest state; known for earthquakes

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a musical composition for voices and orchestra based on a religious text

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

a period of 100 years

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

largest city in Illinois; a bustling Great Lakes port that extends 26 miles along the southwestern shoreline of Lake Michigan

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

conducted with or marked by hidden aims or methods

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

United States explorer who (with Meriwether Lewis) led an expedition from St. Louis to the mouth of the Columbia River; Clark was responsible for making maps of the area (1770-1838)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the body of faculty and students of a college

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a North American river; rises in southwestern Canada and flows southward across Washington to form the border between Washington and Oregon before emptying into the Pacific; known for its salmon runs in the spring

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

light and humorous drama with a happy ending

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

the use of speech for informal exchange of views or ideas or information etc.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

accompanying

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

patron saint of Wales (circa 520-600)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a beguiler who leads someone into danger (usually as part of a plot)

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

suitable to or characteristic of drama

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a British peer ranking below a marquess and above a viscount

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

of or relating to an article stating opinions or giving perspectives

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

coming next after the seventeenth in position

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a division of the United Kingdom

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

cut or impressed into a surface

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

plural of “entertainment” — an activity that is diverting and that holds the attention

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

plural of “france” — a republic in western Europe; the largest country wholly in Europe

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

United States economist noted as a proponent of monetarism and for his opposition to government intervention in the economy (born in 1912)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

applying to all or most members of a category or group

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a nonmetallic univalent element that is normally a colorless and odorless highly flammable diatomic gas; the simplest and lightest and most abundant element in the universe

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

in or at this place; where the speaker or writer is

From this reading Two of these are reprinted here.

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

have as a part, be made up out of

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

being of such surpassing excellence as to suggest inspiration by the gods

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the act of beginning something new

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a unit of electrical energy equal to the work done when a current of one ampere passes through a resistance of one ohm for one second

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a person belonging to the worldwide group claiming descent from Jacob (or converted to it) and connected by cultural or religious ties

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

a son who has the same first name as his father

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Roman martyr; supposedly Lawrence was ordered by the police to give up the church's treasure and when he responded by presenting the poor people of Rome he was roasted to death on a gridiron (died in 258)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a room where books are kept

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

United States prizefighter who was world heavyweight champion for 12 years (1914-1981)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

social deportment

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

the state of being a married couple voluntarily joined for life (or until divorce)

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a recognition of meritorious service

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

12 o'clock at night; the middle of the night

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

laborer who works in a mine

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a midwestern state

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

belonging to the modern era; since the Middle Ages

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

a male religious living in a cloister and devoting himself to contemplation and prayer and work

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

United States composer of works noted for their use of the American vernacular (1893-1969)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

concern with the distinction between good and evil or right and wrong; right or good conduct

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

belonging to, or connected with, somebody or something

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

a performance using gestures and body movements without words

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

United States general who was the first African American to serve as chief of staff; later served as Secretary of State under President George W. Bush (born 1937)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a university town in central New Jersey

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

plural of “print” — the text appearing in a book, newspaper, or other printed publication

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

gradual improvement or growth or development

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1759), ballad opera (_The Decoy_),[1] pantomime (_The Jew Decoy'd_ and _The Harlot's Progress_, 1733), and a morality ballad opera (_The Rake's Progress_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

tall woody perennial grasses with hollow slender stems especially of the genera Arundo and Phragmites

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

past form of “reprint” — print anew

From this reading Two of these are reprinted here.

cook with dry heat, usually in an oven

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

(Old Testament) Hebrew prophet and judge who anointed Saul as king

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a person who is head of an administrative department of government

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

plural of “sequence” — serial arrangement in which things follow in logical order or a recurrent pattern

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

an asset of special worth or utility

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

United States painter best known for his portraits of George Washington (1755-1828)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Australian operatic soprano (born in 1926)

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a base found in DNA (but not in RNA) and derived from pyrimidine; pairs with adenine

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a group of people attractively arranged (as if in a painting)

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the plural of “this”: the people or things near, or just mentioned

From this reading Two of these are reprinted here.

in every part of a place, or for the whole of a period

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Two of these are reprinted here.

plural of “type” — a subdivision of a particular kind of thing

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

the body of faculty and students at a university

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

the local time at the 0 meridian passing through Greenwich, England; it is the same everywhere

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

a state in the eastern United States; one of the original 13 colonies; one of the Confederate States in the American Civil War

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

having great (or a certain) extent from one side to the other

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library EDITORIAL ASSISTANT Frances M. Reed, University of California, Los Angeles INTRODUCTION The prints and engraved sequences of William Hogarth (1697-1764) inspired a wide range of dramatic entertainments throughout the eighteenth century.

in the company of; together with

From this reading The types include comedy of manners (_The Clandestine Marriage_, 1766), burletta with _tableau vivant_ (_Ut Pictura Poesis!_ 1789), specialty act (_A Modern Midnight Conversation_, 1742), cantata (_The Roast Beef of Old England_, ca.