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The Haunted Hotel: A Mystery of Modern Venice
The Haunted Hotel: A Mystery of Modern Venice

Chapter XXVI · Chapter 26

Chapter 26 of The Haunted Hotel: A Mystery of Modern Venice is here in full — 270 sentences across 54 reading sections, with audio for every sentence and word.

Cover illustration for The Haunted Hotel: A Mystery of Modern Venice
Context Illustration Reading 1/54 · 5 lines
English subtitles · tap any word to listen 1 / 5
Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.
His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.
The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.
She presented herself and her work with the easy familiarity of an old friend.
Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Haunted Hotel: A Mystery of Modern Venice

Chapter XXVI · Chapter 26

Chapter 26 of The Haunted Hotel: A Mystery of Modern Venice is here in full — 270 sentences across 54 reading sections, with audio for every sentence and word.

Reading 1/54 · 5 reading units · Lines 1–5

Line 1
Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.
/ˈentərɪŋ hɪz oʊn ruːm ɑːn ðə ˈʌpər flɔːr ˈhenri pleɪst ðə ˈmæn.jə.skrɪpt ɑːn hɪz ˈteɪbəl ˈoʊ.pən æt ðə fɜːrst liːf/
Line 2
His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.
/hɪz nɜːrvz wɜːr ənˈkwestʃənəbli ˈʃeɪkən hɪz hænd ˈtrembəld æz hiː tɜːrnd ðə ˈpeɪdʒəz hiː ˈstɑːrtɪd æt tʃæns ˈnɔɪzɪz ɑːn ðə ˈsterkeɪs ʌv ðə hoʊˈtel/
Line 3
The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.
Line 4
She presented herself and her work with the easy familiarity of an old friend.
/ʃiː priˈzentɪd hərˈself ənd hɜːr wɜːrk wɪð ðə ˈiːzi fəˌmɪˈljerəti ʌv æn oʊld frend/
Line 5
Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

familiarity noun US /fəˌmɪˈljerəti/

personal knowledge or information about someone or something

From this reading “She presented herself and her work with the easy familiarity of an old friend.”

formal adjective US /ˈfɔːrməl/

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading “The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.”

manuscript noun US /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading “Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.”

noises noun US /ˈnɔɪzɪz/

plural of “noise” — sound of any kind (especially unintelligible or dissonant sound)

From this reading “His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.”

outline noun US /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading “The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.”

phrases noun US /ˈfreɪzəz/

plural of “phrase” — an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading “The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.”

scenario noun US /sɪˈnerioʊ/

an outline or synopsis of a play (or, by extension, of a literary work)

From this reading “The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.”

unquestionably adverb US /ənˈkwestʃənəbli/

without question

From this reading “His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AllowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading She presented herself and her work with the easy familiarity of an old friend.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She presented herself and her work with the easy familiarity of an old friend.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

atprepositionUS /æt/

in or near a particular place or position

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

chancenounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

Countess's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

dearadjectiveUS /dɪr/

dearly loved

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading She presented herself and her work with the easy familiarity of an old friend.

EnteringnounUS /ˈentərɪŋ/

a movement into or inward

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

familiaritynounUS /fəˌmɪˈljerəti/

personal knowledge or information about someone or something

From this reading She presented herself and her work with the easy familiarity of an old friend.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

formaladjectiveUS /ˈfɔːrməl/

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

Francis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading She presented herself and her work with the easy familiarity of an old friend.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She presented herself and her work with the easy familiarity of an old friend.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading She presented herself and her work with the easy familiarity of an old friend.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

hotelnounUS /hoʊˈtel/

a building where travelers can pay for lodging and meals and other services

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

introduceverbUS /ˌɪntrəˈduːs/

cause to come to know personally

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

leafnounUS /liːf/

the main organ of photosynthesis and transpiration in higher plants

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

nervesnounUS /nɜːrvz/

an uneasy psychological state

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

nodeterminerUS /noʊ/

not any; not one

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

noisesnounUS /ˈnɔɪzɪz/

plural of “noise” — sound of any kind (especially unintelligible or dissonant sound)

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading She presented herself and her work with the easy familiarity of an old friend.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

outlinenounUS /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

ownverbUS /oʊn/

have ownership or possession of

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

phrasesnounUS /ˈfreɪzəz/

plural of “phrase” — an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

placedadjectiveUS /pleɪst/

situated in a particular spot or position

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

playverbUS /pleɪ/

participate in games or sport

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

prefatoryadjective

serving as an introduction or preface

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading She presented herself and her work with the easy familiarity of an old friend.

proposedverbUS /prəˈpoʊzd/

past form of “propose” — make a proposal, declare a plan for something

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

scenarionounUS /sɪˈnerioʊ/

an outline or synopsis of a play (or, by extension, of a literary work)

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

shakenadjectiveUS /ˈʃeɪkən/

disturbed psychologically as if by a physical jolt or shock

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She presented herself and her work with the easy familiarity of an old friend.

staircasenounUS /ˈsterkeɪs/

a way of access (upward and downward) consisting of a set of steps

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

startedverbUS /ˈstɑːrtɪd/

past form of “start” — take the first step or steps in carrying out an action

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

tablenounUS /ˈteɪbəl/

a set of data arranged in rows and columns

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

trembledverbUS /ˈtrembəld/

past form of “tremble” — move or jerk quickly and involuntarily up and down or sideways

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

unquestionablyadverbUS /ənˈkwestʃənəbli/

without question

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

upperadjectiveUS /ˈʌpər/

the topmost one of two

From this reading Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading His nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on the staircase of the hotel.

Westwick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

withprepositionUS /wɪð/

in the company of; together with

From this reading The scenario, or outline, of the Countess’s play began with no formal prefatory phrases.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading She presented herself and her work with the easy familiarity of an old friend.

youpronounUS /juː/

the person or people being spoken to

From this reading “Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play.

Chapter 26 of The Haunted Hotel: A Mystery of Modern Venice by Wilkie Collins holds 270 sentences, grouped into 54 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 26 of The Haunted Hotel: A Mystery of Modern Venice contain?

Chapter 26 holds 270 sentences of The Haunted Hotel: A Mystery of Modern Venice, unabridged, divided into 54 reading sections.

This page carries chapter 26 of The Haunted Hotel: A Mystery of Modern Venice by Wilkie Collins exactly as it stands in the public-domain source edition, without abridgement. It runs to 270 sentences, grouped into 54 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 26 of The Haunted Hotel: A Mystery of Modern Venice?

Work through the 54 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 54 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 26 be read aloud to me?

Yes — every sentence and every individual word in chapter 26 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Haunted Hotel: A Mystery of Modern Venice

Common questions about reading The Haunted Hotel: A Mystery of Modern Venice by Wilkie Collins on this page, its source edition and its audio.

Is this the complete text of The Haunted Hotel: A Mystery of Modern Venice?

Yes. All 4082 sentences of Project Gutenberg eBook #170 are kept, with a record of which sentences cover which part.

Which edition of The Haunted Hotel: A Mystery of Modern Venice is used?

Project Gutenberg eBook #170, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Haunted Hotel: A Mystery of Modern Venice take to read?

About 340 minutes of reading across 817 sections of 5 sentences each, at an unhurried pace.

How to read The Haunted Hotel: A Mystery of Modern Venice section by section

How to work through The Haunted Hotel: A Mystery of Modern Venice section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of The Haunted Hotel: A Mystery of Modern Venice to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Haunted Hotel: A Mystery of Modern Venice

Words and structures a reader meets early in The Haunted Hotel: A Mystery of Modern Venice, each tappable for pronunciation and meaning.

Reputation
A word that appears in the opening chapter of The Haunted Hotel: A Mystery of Modern Venice; the reader can tap it to hear it and see its dictionary entry.
Doctor
A word that appears in the opening chapter of The Haunted Hotel: A Mystery of Modern Venice; the reader can tap it to hear it and see its dictionary entry.
Wybrow
A word that appears in the opening chapter of The Haunted Hotel: A Mystery of Modern Venice; the reader can tap it to hear it and see its dictionary entry.
London
A word that appears in the opening chapter of The Haunted Hotel: A Mystery of Modern Venice; the reader can tap it to hear it and see its dictionary entry.