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The Heart of Rome: A Tale of the "Lost Water"
The Heart of Rome: A Tale of the "Lost Water"

Chapter XXIV · Chapter 24

Chapter 24 of The Heart of Rome: A Tale of the "Lost Water" is here in full — 142 sentences across 29 reading sections, with audio for every sentence and word.

Cover illustration for The Heart of Rome: A Tale of the "Lost Water"
Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
Sabina and Malipieri sat in silence during the minutes that followed.
From time to time, they looked at each other.
His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.
She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.
If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Heart of Rome: A Tale of the "Lost Water"

Chapter XXIV · Chapter 24

Chapter 24 of The Heart of Rome: A Tale of the "Lost Water" is here in full — 142 sentences across 29 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
Sabina and Malipieri sat in silence during the minutes that followed.
Line 2
From time to time, they looked at each other.
/frʌm taɪm tuː taɪm ðeɪ lʊkt æt iːtʃ ˈʌðər/
Line 3
His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.
Line 4
She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.
/ʃiː felt ðæt ðə ˈwʊmən hæd kʌm tuː meɪk ə siːn tuː ˈθretən ə ˈskændəl ənd ˈʌtərli tuː dɪˈstrɔɪ ðə ˌɪˈluːʒən ʌv ˈhæpinəs/
Line 5
If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

communicate verb US /kəˈmjuːnəkeɪt/

transmit information

From this reading “If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?”

decisive adjective US /dɪˈsaɪsɪv/

determining or having the power to determine an outcome

From this reading “His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.”

destroy verb US /dɪˈstrɔɪ/

do away with, cause the destruction or undoing of

From this reading “She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.”

illusion noun US /ˌɪˈluːʒən/

an erroneous mental representation

From this reading “She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.”

interview verb US /ˈɪntərvjuː/

conduct an interview in television, newspaper, and radio reporting

From this reading “If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?”

scandal noun US /ˈskændəl/

disgraceful gossip about the private lives of other people

From this reading “She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.”

threaten verb US /ˈθretən/

pose a threat to; present a danger to

From this reading “She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.”

utterly adverb US /ˈʌtərli/

completely and without qualification; used informally as intensifiers

From this reading “She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.”

All words in this reading · 65

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

atprepositionUS /æt/

in or near a particular place or position

From this reading From time to time, they looked at each other.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

communicateverbUS /kəˈmjuːnəkeɪt/

transmit information

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

couragenounUS /ˈkɜːrədʒ/

a quality of spirit that enables you to face danger or pain without showing fear

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

decisiveadjectiveUS /dɪˈsaɪsɪv/

determining or having the power to determine an outcome

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

destroyverbUS /dɪˈstrɔɪ/

do away with, cause the destruction or undoing of

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading From time to time, they looked at each other.

feltverbUS /felt/

mat together and make felt-like

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading From time to time, they looked at each other.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

happinessnounUS /ˈhæpinəs/

state of well-being characterized by emotions ranging from contentment to intense joy

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

illusionnounUS /ˌɪˈluːʒən/

an erroneous mental representation

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

interviewverbUS /ˈɪntərvjuː/

conduct an interview in television, newspaper, and radio reporting

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading From time to time, they looked at each other.

makeverbUS /meɪk/

engage in

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

Malipieri

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

minutesnounUS /ˈmɪnəts/

a written account of what transpired at a meeting

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading From time to time, they looked at each other.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

Sabina

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

Sabina's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

scandalnounUS /ˈskændəl/

disgraceful gossip about the private lives of other people

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

scenenounUS /siːn/

the place where some action occurs

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

self-possessionnoun

the trait of resolutely controlling your own behavior

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

standingadjectiveUS /ˈstændɪŋ/

having a supporting base

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

stilladjectiveUS /stɪl/

not in physical motion

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

takeverbUS /teɪk/

carry out

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Sabina and Malipieri sat in silence during the minutes that followed.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading From time to time, they looked at each other.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

threatenverbUS /ˈθretən/

pose a threat to; present a danger to

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading From time to time, they looked at each other.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading From time to time, they looked at each other.

utterlyadverbUS /ˈʌtərli/

completely and without qualification; used informally as intensifiers

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading His self-possession and courage had returned, now that something decisive was to take place, but Sabina's heart was almost standing still.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

withprepositionUS /wɪð/

in the company of; together with

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading She felt that the woman had come to make a scene, to threaten a scandal and utterly to destroy the illusion of happiness.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading If not, and if she had merely had something of importance to communicate, why had she not gone to Malipieri first, or written to ask for this interview with Sabina?

Chapter 24 of The Heart of Rome: A Tale of the "Lost Water" by F. Marion (Francis Marion) Crawford holds 142 sentences, grouped into 29 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 24 of The Heart of Rome: A Tale of the "Lost Water" contain?

Chapter 24 holds 142 sentences of The Heart of Rome: A Tale of the "Lost Water", unabridged, divided into 29 reading sections.

This page carries chapter 24 of The Heart of Rome: A Tale of the "Lost Water" by F. Marion (Francis Marion) Crawford exactly as it stands in the public-domain source edition, without abridgement. It runs to 142 sentences, grouped into 29 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 24 of The Heart of Rome: A Tale of the "Lost Water"?

Work through the 29 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 29 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 24 be read aloud to me?

Yes — every sentence and every individual word in chapter 24 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Heart of Rome: A Tale of the "Lost Water"

Common questions about reading The Heart of Rome: A Tale of the "Lost Water" by F. Marion (Francis Marion) Crawford on this page, its source edition and its audio.

Is this the complete text of The Heart of Rome: A Tale of the "Lost Water"?

Yes. All 5300 sentences of Project Gutenberg eBook #5847 are kept, with a record of which sentences cover which part.

Which edition of The Heart of Rome: A Tale of the "Lost Water" is used?

Project Gutenberg eBook #5847, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Heart of Rome: A Tale of the "Lost Water" take to read?

About 441 minutes of reading across 1060 sections of 5 sentences each, at an unhurried pace.

How to read The Heart of Rome: A Tale of the "Lost Water" section by section

How to work through The Heart of Rome: A Tale of the "Lost Water" section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Heart of Rome: A Tale of the "Lost Water"

Words and structures a reader meets early in The Heart of Rome: A Tale of the "Lost Water", each tappable for pronunciation and meaning.

Signor
A word that appears in the opening chapter of The Heart of Rome: A Tale of the "Lost Water"; the reader can tap it to hear it and see its dictionary entry.
Pompeo
A word that appears in the opening chapter of The Heart of Rome: A Tale of the "Lost Water"; the reader can tap it to hear it and see its dictionary entry.
Sassi
A word that appears in the opening chapter of The Heart of Rome: A Tale of the "Lost Water"; the reader can tap it to hear it and see its dictionary entry.
Dingy
A word that appears in the opening chapter of The Heart of Rome: A Tale of the "Lost Water"; the reader can tap it to hear it and see its dictionary entry.