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The Heroine
The Heroine

Chapter XXXIV

Chapter 34 of The Heroine is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Cover illustration for The Heroine
Context Illustration Reading 1/19 · 5 lines
English subtitles · tap any word to listen 1 / 5
MS.
O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.
VAIN HOPE!
YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.
KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Heroine

Chapter XXXIV

Chapter 34 of The Heroine is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/19 · 5 reading units · Lines 1–5

Line 1
MS.
/mɪz/
Line 2
O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.
Line 3
VAIN HOPE!
/veɪn hoʊp/
Line 4
YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.
Line 5
KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

foes noun US /foʊz/

plural of “foe” — an armed adversary (especially a member of an opposing military force)

From this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

hereafter adverb US /hɪˈræftər/

in a subsequent part of this document or statement or matter etc.

From this reading “O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.”

imparts verb US /ˌɪmˈpɑːrts/

third-person singular of “impart” — transmit (knowledge or skills)

From this reading “YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.”

minstrel noun US /ˈmɪnstrəl/

a singer of folk songs

From this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

reveal verb US /rɪˈviːl/

make visible

From this reading “O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.”

ruthless adjective US /ˈruːθləs/

without mercy or pity

From this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

sufferings noun US /ˈsʌfərɪŋz/

plural of “suffering” — a state of acute pain

From this reading “YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.”

wrongs noun US /rɔːŋz/

plural of “wrong” — that which is contrary to the principles of justice or law

From this reading “O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

VAIN HOPE adjective + noun

In this reading “VAIN HOPE!”

FOUR MEN noun + noun

In this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

TAKEN SHELTER adjective + noun

In this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

FATAL DAY adjective + noun

In this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

INTO A CARRIAGE preposition + article + noun counted as “into … carriage”

In this reading “KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.”

SOME COMFORT adjective + noun

In this reading “YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

AREauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

ASKverbUS /æsk/

make a request or demand for something to somebody

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

BELIEVEverbUS /bɪˈliːv/

accept as true; take to be true

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

BLACKadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

BOREverbUS /bɔːr/

cause to be bored

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

CARRIAGEnounUS /ˈkærɪdʒ/

a railcar where passengers ride

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

CASTLEnounUS /ˈkæsəl/

a large and stately mansion

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

CHANCEnounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

COMFORTnounUS /ˈkʌmfərt/

a state of being relaxed and feeling no pain

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

CONDUCTverbUS /ˈkɑːndəkt/

direct the course of; manage or control

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

COTTAGEnounUS /ˈkɑːtədʒ/

a small house with a single story

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

DAYnounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

DRAWverbUS /drɔː/

cause to move by pulling

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

DRIVENadjectiveUS /ˈdrɪvən/

compelled forcibly by an outside agency

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

EYEnounUS /aɪ/

the organ of sight

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

FATALadjectiveUS /ˈfeɪtəl/

bringing death

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

FEELINGnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

FELLOW-CREATURE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

FOESnounUS /foʊz/

plural of “foe” — an armed adversary (especially a member of an opposing military force)

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

FORCEDadjectiveUS /fɔːrst/

produced by or subjected to forcing

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

FOURnounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

HADauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

HEARTnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

HEREAFTERadverbUS /hɪˈræftər/

in a subsequent part of this document or statement or matter etc.

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

HOPEnounUS /hoʊp/

a specific instance of feeling hopeful

From this reading VAIN HOPE!

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

IMPARTSverbUS /ˌɪmˈpɑːrts/

third-person singular of “impart” — transmit (knowledge or skills)

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

INTOprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

ITpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

KNOWverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

MAYmodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

MEpronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

MEETverbUS /miːt/

come together

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

MENnounUS /men/

the force of workers available

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

MINSTRELnounUS /ˈmɪnstrəl/

a singer of folk songs

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

MISFORTUNEnounUS /mɪˈsfɔːrtʃən/

unnecessary and unforeseen trouble resulting from an unfortunate event

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

MSnounUS /mɪz/

a chronic progressive nervous disorder involving loss of myelin sheath around certain nerve fibers

From this reading MS.

MYdeterminerUS /maɪ/

belonging to the person speaking

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

NIGHTnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

NOWadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

OnounUS /oʊ/

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

ONEpronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

ORconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

PITYnounUS /ˈpɪti/

a feeling of sympathy and sorrow for the misfortunes of others

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

REVEALverbUS /rɪˈviːl/

make visible

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

REVENGEnounUS /riˈvendʒ/

action taken in return for an injury or offense

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

RUSHEDadjectiveUS /rʌʃt/

done under pressure

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

RUTHLESSadjectiveUS /ˈruːθləs/

without mercy or pity

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

SAWverbUS /sɔː/

cut with a saw

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

SHELTERnounUS /ˈʃeltər/

a structure that provides privacy and protection from danger

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

SOMEadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

SPEAKverbUS /spiːk/

express in speech

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

SPOTnounUS /spɑːt/

a point located with respect to surface features of some region

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

STORYnounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

SUFFERINGSnounUS /ˈsʌfərɪŋz/

plural of “suffering” — a state of acute pain

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

TAKENadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

TELLverbUS /tel/

express in words

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

THATconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

THEMpronounUS /ðem/

the people or things already mentioned, as the object

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

THENadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

THISdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

VAINadjectiveUS /veɪn/

characteristic of false pride; having an exaggerated sense of self-importance

From this reading VAIN HOPE!

VISAGES

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

WHATpronounUS /wʌt/

used to ask for information about something

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

WHEREconjunctionUS /wer/

in or at the place that

From this reading KNOW THEN, THAT ON THE NIGHT OF THE FATAL DAY WHICH SAW ME DRIVEN FROM MY CASTLE, BY RUTHLESS FOES, FOUR MEN IN BLACK VISAGES, RUSHED INTO THE COTTAGE WHERE I HAD TAKEN SHELTER, BORE ME FROM IT, AND FORCED ME AND MY MINSTREL INTO A CARRIAGE.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

WHOEVER

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

WHOMpronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

WORDSnounUS /wɜːrdz/

the words that are spoken

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

WRITEverbUS /raɪt/

produce a literary work

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

WRONGSnounUS /rɔːŋz/

plural of “wrong” — that which is contrary to the principles of justice or law

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

YEpronounUS /jiː/

an old word for “you”, speaking to more than one person

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

YETconjunctionUS /jet/

but in spite of that

From this reading YET IT IMPARTS SOME COMFORT TO BELIEVE, THAT WHAT I NOW WRITE MAY ONE DAY MEET THE EYE OF A FELLOW-CREATURE; THAT THE WORDS WHICH TELL MY SUFFERINGS MAY ONE DAY DRAW PITY FROM THE FEELING HEART.

YOUpronounUS /juː/

the person or people being spoken to

From this reading O YE, WHOEVER YE ARE, WHOM CHANCE OR MISFORTUNE MAY HEREAFTER CONDUCT TO THIS SPOT, TO YOU I SPEAK, TO YOU REVEAL THE STORY OF MY WRONGS, AND ASK YOU TO REVENGE THEM.

Chapter 34 of The Heroine by Eaton Stannard Barrett holds 97 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 34 of The Heroine contain?

Chapter 34 holds 97 sentences of The Heroine, unabridged, divided into 20 reading sections.

This page carries chapter 34 of The Heroine by Eaton Stannard Barrett exactly as it stands in the source edition, without abridgement. It runs to 97 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 34 of The Heroine?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 34 be read aloud to me?

Yes — every sentence and every individual word in chapter 34 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Heroine

Common questions about reading The Heroine by Eaton Stannard Barrett on this page, its source edition and its audio.

Is this the complete text of The Heroine?

Yes. All 5821 sentences of Project Gutenberg eBook #43065 are kept, with a record of which sentences cover which part.

Which edition of The Heroine is used?

Project Gutenberg eBook #43065, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Heroine take to read?

About 485 minutes of reading across 1165 sections of 5 sentences each, at an unhurried pace.

How to read The Heroine section by section

How to work through The Heroine section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Heroine to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Heroine

Words and structures a reader meets early in The Heroine, each tappable for pronunciation and meaning.

Published
A word that appears in the opening chapter of The Heroine; the reader can tap it to hear it and see its dictionary entry.
Talents
A word that appears in the opening chapter of The Heroine; the reader can tap it to hear it and see its dictionary entry.
Comet
A word that appears in the opening chapter of The Heroine; the reader can tap it to hear it and see its dictionary entry.
Newspaper
A word that appears in the opening chapter of The Heroine; the reader can tap it to hear it and see its dictionary entry.