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The Historical Nights' Entertainment
The Historical Nights' Entertainment

Chapter I · Chapter 1

Chapter 1 of The Historical Nights' Entertainment is here in full — 163 sentences across 33 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/32 · 5 lines
English subtitles · tap any word to listen 1 / 5
In approaching The Historical Nights' Entertainment I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.
I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.
For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.
Such was the task I set myself.
I am aware that it has been attempted once or twice already, beginning, perhaps, with the Crimes Celebres of Alexandre Dumas.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Historical Nights' Entertainment

Chapter I · Chapter 1

Chapter 1 of The Historical Nights' Entertainment is here in full — 163 sentences across 33 reading sections, with audio for every sentence and word.

Reading 1/32 · 5 reading units · Lines 1–5

Line 1
In approachingThe Historical Nights' EntertainmentI set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.
/ɪn əˈproʊtʃɪŋ ðə hɪˈstɔːrɪkəl naɪts ˌentərˈteɪnmənt aɪ set ˌmaɪˈself ðə tæsk ʌv ˌriːkənˈstrʌktɪŋ ɪn ðə ˈfʊləst ˈpɑːsəbəl dɪˈteɪl ənd wɪð ɔːl ðə ˈkʌlər əˈveɪləbəl frʌm sərˈvaɪvɪŋ rəˈkɔːrdz ə ɡruːp ʌv mɔːr ɔːr les ˈfeɪməs ɪˈvents/
Line 2
I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.
/aɪ wʊd səˈlekt fɔːr maɪ ˈpɜːrpəs ðoʊz wɪtʃ wɜːr ɪn ðemˈselvz bəˈzɑːr ənd rɪˈzʌltɪŋ frʌm ðə ˈɪntərpleɪ ʌv ˈhjuːmən ˈpæʃənz ənd waɪlst rɪˈleɪtɪŋ iːtʃ ʌv ðiːz ɪˈvents ɪn ðə fɔːrm ʌv ə ˈstɔːri aɪ wʊd kəmˈpel ðæt ˈstɔːri ˈskruːpjələsli tuː ˈfɑːloʊ ðə ˈæktʃəwəl rəˈkɔːrdɪd fækts wɪˈθaʊt ˈoʊɪŋ ˈeniθɪŋ tuː ˈfɪkʃən ənd aɪ wʊd drɔː əˈpɑːn maɪ ˌɪmædʒəˈneɪʃən ɪf æt ɔːl ˈmɪrli æz wʌn maɪt emˈplɔɪ ˈkʌlər tuː fɪl ɪn ðə ˈaʊtlaɪnz wɪtʃ ˈhɪstəri liːvz ɡreɪ ˈteɪkɪŋ ker ðæt maɪ ˈkʌlər ʃʊd biː æz truː tuː ˈneɪtʃər æz ˈpɑːsəbəl/
Line 3
For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.
Line 4
Such was the task I set myself.
/sʌtʃ wɑːz ðə tæsk aɪ set ˌmaɪˈself/
Line 5
I am aware that it has been attempted once or twice already, beginning, perhaps, with theCrimes Celebresof Alexandre Dumas.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

amplifying verb US /ˈæmpləfaɪɪŋ/

-ing form of “amplify” — increase in size, volume or significance

From this reading “For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.”

bizarre adjective US /bəˈzɑːr/

conspicuously or grossly unconventional or unusual

From this reading “I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.”

chronicled verb US /ˈkrɑːnɪkəld/

past form of “chronicle” — record in chronological order; make a historical record

From this reading “For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.”

chroniclers noun US /ˈkrɑːnɪklərz/

plural of “chronicler” — someone who writes chronicles

From this reading “For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.”

Dumas noun US /ˈduːməz/

French writer remembered for his swashbuckling historical tales (1802-1870)

From this reading “I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.”

interplay noun US /ˈɪntərpleɪ/

reciprocal action and reaction

From this reading “I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.”

reconstructing verb US /ˌriːkənˈstrʌktɪŋ/

-ing form of “reconstruct” — reassemble mentally

From this reading “In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.”

translating verb US /trænzˈleɪtɪŋ/

-ing form of “translate” — restate (words) from one language into another language

From this reading “For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.”

All words in this reading · 114

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

actualadjectiveUS /ˈæktʃəwəl/

presently existing in fact and not merely potential or possible

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

Alexandre

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

amplifyingverbUS /ˈæmpləfaɪɪŋ/

-ing form of “amplify” — increase in size, volume or significance

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

approachingnounUS /əˈproʊtʃɪŋ/

the event of one object coming closer to another

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

atprepositionUS /æt/

in or near a particular place or position

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

attemptedadjectiveUS /əˈtemptɪd/

tried unsuccessfully

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

availableadjectiveUS /əˈveɪləbəl/

obtainable or accessible and ready for use or service

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

awareadjectiveUS /əˈwer/

(sometimes followed by “of”) having or showing knowledge or understanding or realization or perception

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

bizarreadjectiveUS /bəˈzɑːr/

conspicuously or grossly unconventional or unusual

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

byprepositionUS /baɪ/

showing who or what does the action

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

casenounUS /keɪs/

an occurrence of something

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

Celebres

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

chronicledverbUS /ˈkrɑːnɪkəld/

past form of “chronicle” — record in chronological order; make a historical record

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

chroniclersnounUS /ˈkrɑːnɪklərz/

plural of “chronicler” — someone who writes chronicles

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

colouradjectiveUS /ˈkʌlər/

having or capable of producing colors

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

compelverbUS /kəmˈpel/

force somebody to do something

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

contemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

CrimesnounUS /kraɪmz/

plural of “crime” — (criminal law) an act punishable by law; usually considered an evil act

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

dependverbUS /dɪˈpend/

be contingent upon (something that is elided)

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

drawverbUS /drɔː/

cause to move by pulling

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

DumasnounUS /ˈduːməz/

French writer remembered for his swashbuckling historical tales (1802-1870)

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

employverbUS /emˈplɔɪ/

put into service; make work or employ for a particular purpose or for its inherent or natural purpose

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

EntertainmentnounUS /ˌentərˈteɪnmənt/

an activity that is diverting and that holds the attention

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

fillverbUS /fɪl/

make full, also in a metaphorical sense

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

fullestadjectiveUS /ˈfʊləst/

superlative of “full” — containing as much or as many as is possible or normal

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

greyadjectiveUS /ɡreɪ/

of an achromatic color of any lightness intermediate between the extremes of white and black

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

groupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

HistoricaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

interplaynounUS /ˈɪntərpleɪ/

reciprocal action and reaction

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

NightsnounUS /naɪts/

Periods of darkness between sunset and sunrise.

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

onceadverbUS /wʌns/

on one occasion

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

outlinesnounUS /ˈaʊtlaɪnz/

plural of “outline” — the line that appears to bound an object

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

owingadjectiveUS /ˈoʊɪŋ/

owed as a debt

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

paraphrases

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

passionsnounUS /ˈpæʃənz/

plural of “passion” — a strong feeling or emotion

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

perhapsadverbUS /pərˈhæps/

by chance

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

reconstructingverbUS /ˌriːkənˈstrʌktɪŋ/

-ing form of “reconstruct” — reassemble mentally

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

recordedadjectiveUS /rəˈkɔːrdɪd/

set down or registered in a permanent form especially on film or tape for reproduction

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

recordsnounUS /rəˈkɔːrdz/

plural of “record” — anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

relatingverbUS /rɪˈleɪtɪŋ/

-ing form of “relate” — make a logical or causal connection

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

resultingverbUS /rɪˈzʌltɪŋ/

-ing form of “result” — issue or terminate (in a specified way, state, etc.); end

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

scrapsnounUS /skræps/

food that is discarded (as from a kitchen)

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

scrupulouslyadverbUS /ˈskruːpjələsli/

with extreme conscientiousness

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

selectadjectiveUS /səˈlekt/

of superior grade

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

setverbUS /set/

put into a certain place or abstract location

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

speechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

survivingadjectiveUS /sərˈvaɪvɪŋ/

still in existence

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

tasknounUS /tæsk/

any piece of work that is undertaken or attempted

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

termsnounUS /tɜːrmz/

status with respect to the relations between people or groups

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

translatingverbUS /trænzˈleɪtɪŋ/

-ing form of “translate” — restate (words) from one language into another language

From this reading For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

twiceadverbUS /twaɪs/

two times

From this reading I am aware that it has been attempted once or twice already, beginning, perhaps, with the “Crimes Celebres” of Alexandre Dumas.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Such was the task I set myself.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

whilstconjunctionUS /waɪlst/

an old and formal word for “while”

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

withprepositionUS /wɪð/

in the company of; together with

From this reading In approaching “The Historical Nights' Entertainment” I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible.

Chapter 1 of The Historical Nights' Entertainment by Rafael Sabatini holds 163 sentences, grouped into 33 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Historical Nights' Entertainment contain?

Chapter 1 holds 163 sentences of The Historical Nights' Entertainment, unabridged, divided into 33 reading sections.

This page carries chapter 1 of The Historical Nights' Entertainment by Rafael Sabatini exactly as it stands in the public-domain source edition, without abridgement. It runs to 163 sentences, grouped into 33 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Historical Nights' Entertainment?

Work through the 33 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 33 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Historical Nights' Entertainment

Common questions about reading The Historical Nights' Entertainment by Rafael Sabatini on this page, its source edition and its audio.

Is this the complete text of The Historical Nights' Entertainment?

Yes. All 5642 sentences of Project Gutenberg eBook #2636 are kept, with a record of which sentences cover which part.

Which edition of The Historical Nights' Entertainment is used?

Project Gutenberg eBook #2636, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Historical Nights' Entertainment take to read?

About 470 minutes of reading across 1129 sections of 5 sentences each, at an unhurried pace.

How to read The Historical Nights' Entertainment section by section

How to work through The Historical Nights' Entertainment section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of The Historical Nights' Entertainment to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Historical Nights' Entertainment

Words and structures a reader meets early in The Historical Nights' Entertainment, each tappable for pronunciation and meaning.

Approaching
A word that appears in the opening chapter of The Historical Nights' Entertainment; the reader can tap it to hear it and see its dictionary entry.
Historical
A word that appears in the opening chapter of The Historical Nights' Entertainment; the reader can tap it to hear it and see its dictionary entry.
Nights'
A word that appears in the opening chapter of The Historical Nights' Entertainment; the reader can tap it to hear it and see its dictionary entry.
Entertainment
A word that appears in the opening chapter of The Historical Nights' Entertainment; the reader can tap it to hear it and see its dictionary entry.