Chapter I · Chapter 1

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the quality of being able to perform; a quality that permits or facilitates achievement or accomplishment

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

plural of “adjunct” — something added to another thing but not an essential part of it

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

later than; following

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

the part of the day between noon and evening

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

touching and pressing; in opposition to

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

Having no one else present.

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

in addition

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

at all times; all the time and on every occasion

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

used to join words or parts of a sentence that go together

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

separated or at a distance in place or position or time

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

the form of “be” used with you, we, they, or a plural noun

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

-ing form of “arise” — come into existence; take on form or shape

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

an old form of “are”, used with “thou”

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

at the same time that; because; in the way that

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

-ing form of “attach” — cause to be attached

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

past form of “avail” — use to one's advantage

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

stay clear from; keep away from; keep out of the way of someone or something

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

the -ing form of “be”

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

the supreme effort one can make

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

plural of “brain” — that part of the central nervous system that includes all the higher nervous centers; enclosed within the skull; continuous with the spinal cord

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

used to introduce something that contrasts with what came before

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

showing who or what does the action

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

capability to perform or produce

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

an officer holding a rank below a major but above a lieutenant

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

a person who is confined; especially a prisoner of war

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

a subdivision of a written work; usually numbered and titled

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

your overall circumstances or condition in life (including everything that happens to you)

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

an often persistent bodily disorder or disease; a cause for complaining

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

a bounded scope

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

the past of “can”; used for possibility or polite requests

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

plural of “counsel” — a lawyer who pleads cases in court

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

approval

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

a state in which you want to learn more about something

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

time for Earth to make a complete rotation on its axis

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

act on verbally or in some form of artistic expression

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

treated with dislike or contempt

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

an instrumentality invented for a particular purpose

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

the past form of “do”, used in questions and negatives

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

plural of “digression” — a message that departs from the main subject

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the main meal of the day served in the evening or at midday

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

a Spanish gentleman or nobleman

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

hard monotonous routine work

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

free from liquid or moisture; lacking natural or normal moisture or depleted of water; or no longer wet

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

one or the other of two

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

a refined quality of gracefulness and good taste

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

giving or marked by complete attention to

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

plural of “episode” — a happening that is distinctive in a series of related events

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

be identical or equivalent to

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

divisible by two

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

plural of “exploit” — a notable achievement

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

preceding all others in time or space or degree

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

intended to be given to, or used by, somebody

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

produced by or subjected to forcing

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

set up or found

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

showing where something starts, or who sent it

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

come into the possession of something concrete or abstract

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

acknowledged as a supposition

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

change location; move, travel, or proceed, also metaphorically

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

plural of “go” — a time period for working (after which you will be relieved by someone else)

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

the past form of “have”, used to form the past perfect

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the (prehensile) extremity of the superior limb

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

having or involving the use of hands

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

the form of “have” used with he, she, it, or a singular noun

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

in a hurried or hasty manner

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

the -ing form of “have”

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

a man, boy, or male animal already mentioned, as the subject

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the male already mentioned, as the object of a verb or preposition

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

used when the man or boy doing the action is also its object

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

belonging to a man, boy, or male animal already mentioned

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the aggregate of past events

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

without careful prior deliberation or counsel

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

with impatience; in an impatient manner

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

inside something, or within a place, period, or state

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

plural of “incident” — a single distinct event

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

give free rein to

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

put or introduce into something

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

a sense of concern with and curiosity about someone or something

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

arousing or holding the attention

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

someone who mediates between speakers of different languages

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

linked or locked closely together as by dovetailing

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

incapable of being tolerated or endured

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

the form of “be” used with he, she, it, or a singular noun

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

a thing, animal, or idea already mentioned

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

a social class comprising those who do manual labor or work for wages

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

prefer or wish to do something

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

plural of “limit” — the greatest possible degree of something

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

limited or below average in number or quantity or magnitude or extent

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

produced by a manufacturing process

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

engage in

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

provide evidence for; stand as proof of; show by one's behavior, attitude, or external attributes

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

used to say something is possible, or to give permission

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

being nothing more than specified

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

used to say something is possible but not certain

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

The element of a person that enables awareness and thought.

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

secure in or as if in a berth or dock

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

plural of “mouth” — the opening through which food is taken in and vocalizations emerge

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

make or become more narrow or restricted

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

not ever; at no time in the past or future

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

not any; not one

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

not one, and not any

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

used to make a word, phrase, or sentence negative

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

-ing form of “notice” — discover or determine the existence, presence, or fact of

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

inflected form of “occur” — come to pass

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

belonging to, or connected with, somebody or something

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

inflected form of “omit” — prevent from being included or considered or accepted

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

touching and supported by a surface

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

used to mean any person in general, including the speaker

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

and nothing more

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

used to join alternatives or possibilities

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

preceding all others in time or being as first made or performed

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

not allowed to continue to bat or run

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

above and across; more than

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

something determined in relation to something that includes it

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

go across or through

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

a writing implement with a point from which ink flows

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

everlastingly; for all time

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

clearly revealed to the mind or the senses or judgment

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

give an exhibition of to an interested audience

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

prepared and printed for distribution and sale

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

interpret something that is written or printed

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

past form of “refrain” — resist doing something

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

plural of “request” — a formal message requesting something that is submitted to an authority

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

subject to restriction or subjected to restriction

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

third-person singular of “restrict” — place restrictions on

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

a phenomenon that follows and is caused by some previous phenomenon

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

being the one previously mentioned or spoken of

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

Identical; not different.

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

express in words

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

a word or phrase that particular people use in particular situations

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

plural of “say” — the chance to speak

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

act as a barrier between; stand between

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

concerned with work or important matters rather than play or trivialities

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

being or characteristic of a single thing or person

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

for that reason; with the result that

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him.

a thing, without saying which

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

to a meager degree or in a meager manner

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

express in speech

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the utterance of intelligible speech

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

be standing; be upright

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

declared as fact; explicitly stated

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the subject matter of a conversation or discussion

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

be sufficient; be adequate, either in quality or quantity

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

carry out

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

understood in a certain way; made sense of

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

used to introduce the second part of a comparison

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

used to introduce what somebody said, thought, or felt

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

belonging to the people or things already mentioned

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

the people or things already mentioned, as the object

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

used when the people doing the action are also its object

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

in or at that place or location

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

for that reason; as a result

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

the plural of “this”: the people or things near, or just mentioned

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

the people, animals, or things already mentioned, as the subject

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

used for a person or thing that is near, or that has just been mentioned

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

in spite of the fact that

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

the content of cognition; the main thing you are thinking about

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

from one end or side of something to the other

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

used before the base form of a verb to make the infinitive

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

to a degree exceeding normal or proper limits

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

restate (words) from one language into another language

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

consistent with fact or reality; not false

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

everything that exists anywhere

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

a formal word for “on”

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

a collection containing a variety of sorts of things

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

-ing form of “venture” — proceed somewhere despite the risk of possible dangers

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

precisely as stated

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

the past form of “be” used with you, we, they, or a plural noun

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

used to ask for information about something

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

at the time that

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

used to introduce a clause giving more about a thing just mentioned

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

in the company of; together with

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

not having, not using, or not accompanied by

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

the words that are spoken

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

used for something imagined, polite, or habitual in the past

From this reading He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho.

produce a literary work

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.

third-person singular of “write” — produce a literary work

From this reading Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.

the act of creating written works

From this reading He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted.

inflected form of “write” — produce a literary work

From this reading It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it--that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting.