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The House of Arden: A Story for Children
The House of Arden: A Story for Children

Chapter IX

Chapter 9 of The House of Arden: A Story for Children is here in full — 296 sentences across 60 reading sections, with audio for every sentence and word.

Cover illustration for The House of Arden: A Story for Children
Context Illustration Reading 1/59 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.
And yet, when she _was_ there, as you know, she never could let events alone.
She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.
They wanted the treasure, and theyElfrida especiallywanted adventures.
Well, now they had got an adventure, both of them.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The House of Arden: A Story for Children

Chapter IX

Chapter 9 of The House of Arden: A Story for Children is here in full — 296 sentences across 60 reading sections, with audio for every sentence and word.

Reading 1/59 · 5 reading units · Lines 1–5

Line 1
THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.
Line 2
And yet, when she _was_ there, as you know, she never could let events alone.
/ənd jet wen ʃiː wɑːz ðer æz juː noʊ ʃiː ˈnevər kʊd let ɪˈvents əˈloʊn/
Line 3
She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.
Line 4
They wanted the treasure, and theyElfrida especiallywanted adventures.
Line 5
Well, now they had got an adventure, both of them.
/wel naʊ ðeɪ hæd ɡɑːt æn ædˈventʃər boʊθ ʌv ðem/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accused noun US /əˈkjuːzd/

a defendant in a criminal proceeding

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

Gunpowder noun US /ˈɡʌnpaʊdər/

a mixture of potassium nitrate, charcoal, and sulfur in a 75:15:10 ratio which is used in gunnery, time fuses, and fireworks

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

Imprisoned adjective US /ˌɪmˈprɪzənd/

being in captivity

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

interfere verb US /ˌɪntərˈfɪr/

come between so as to be hindrance or obstacle

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

Plot noun US /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

romantic adjective US /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

thrilling adjective US /ˈθrɪlɪŋ/

causing a surge of emotion or excitement

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

treason noun US /ˈtriːzən/

a crime that undermines the offender's government

From this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

high treason adjective + noun

a crime that undermines the offender's government

In this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

intimate knowledge adjective + noun

In this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

perfectly happy adverb + adjective

In this reading “She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.”

interfere with verb + particle

In this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

help feeling verb + noun

In this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

any sort adjective + noun

In this reading “THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.”

All words in this reading · 93

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

accusednounUS /əˈkjuːzd/

a defendant in a criminal proceeding

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

adventureverbUS /ædˈventʃər/

take a risk in the hope of a favorable outcome

From this reading Well, now they had got an adventure, both of them.

adventuresnounUS /ædˈventʃərz/

plural of “adventure” — a wild and exciting undertaking (not necessarily lawful)

From this reading They wanted the treasure, and they—Elfrida especially—wanted adventures.

againadverbUS /əˈɡen/

anew

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Well, now they had got an adventure, both of them.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

Arden

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

backadverbUS /bæk/

in or to or toward a former location

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Well, now they had got an adventure, both of them.

byprepositionUS /baɪ/

showing who or what does the action

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

castlenounUS /ˈkæsəl/

a large and stately mansion

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

confessedverbUS /kənˈfest/

past form of “confess” — confess to a punishable or reprehensible deed, usually under pressure

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

contentnounUS /ˈkɑːntent/

(usually plural) everything that is included in a collection and that is held or included in something

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

dangerousadjectiveUS /ˈdeɪndʒərəs/

involving or causing danger or risk; liable to hurt or harm

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

didn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

Edred

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

Elfrida

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading They wanted the treasure, and they—Elfrida especially—wanted adventures.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

everadverbUS /ˈevər/

at any time

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading Well, now they had got an adventure, both of them.

GunpowdernounUS /ˈɡʌnpaʊdər/

a mixture of potassium nitrate, charcoal, and sulfur in a 75:15:10 ratio which is used in gunnery, time fuses, and fireworks

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Well, now they had got an adventure, both of them.

happenverbUS /ˈhæpən/

come to pass

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

helpverbUS /help/

give help or assistance; be of service

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

ImprisonedadjectiveUS /ˌɪmˈprɪzənd/

being in captivity

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

interfereverbUS /ˌɪntərˈfɪr/

come between so as to be hindrance or obstacle

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

intimateadjectiveUS /ˈɪntəmət/

marked by close acquaintance, association, or familiarity

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

knowledgenounUS /ˈnɑːlədʒ/

the psychological result of perception and learning and reasoning

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

magicnounUS /ˈmædʒɪk/

any art that invokes supernatural powers

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

mouldiwarpiness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

niceadjectiveUS /naɪs/

pleasant or pleasing or agreeable in nature or appearance

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Well, now they had got an adventure, both of them.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

ownverbUS /oʊn/

have ownership or possession of

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

perfectlyadverbUS /ˈpɜːrfəktli/

completely and without qualification; used informally as intensifiers

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

PlotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

PRISONERSnounUS /ˈprɪzənərz/

plural of “prisoner” — a person who is confined; especially a prisoner of war

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

thereadverbUS /ðer/

in or at that place or location

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

thrillingadjectiveUS /ˈθrɪlɪŋ/

causing a surge of emotion or excitement

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

TOWERnounUS /ˈtaʊər/

a structure taller than its diameter; can stand alone or be attached to a larger building

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

treasonnounUS /ˈtriːzən/

a crime that undermines the offender's government

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

treasurenounUS /ˈtreʒər/

accumulated wealth in the form of money or jewels etc.

From this reading They wanted the treasure, and they—Elfrida especially—wanted adventures.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading They wanted the treasure, and they—Elfrida especially—wanted adventures.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

WelladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Well, now they had got an adventure, both of them.

whenconjunctionUS /wen/

at the time that

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

whereconjunctionUS /wer/

in or at the place that

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading She and Edred could not be content with that castle and that house which, even as they stood, would have made you and me so perfectly happy.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

yetconjunctionUS /jet/

but in spite of that

From this reading And yet, when she _was_ there, as you know, she never could let events alone.

youpronounUS /juː/

the person or people being spoken to

From this reading THE PRISONERS IN THE TOWER Imprisoned in the Tower of London, accused of high treason, and having confessed to a too intimate knowledge of the Gunpowder Plot, Elfrida could not help feeling that it would be nice to be back again in her own time, and at Arden, where, if you left events alone, and didn’t interfere with them by any sort of magic mouldiwarpiness, nothing dangerous, romantic or thrilling would ever happen.

Chapter 9 of The House of Arden: A Story for Children by E. (Edith) Nesbit holds 296 sentences, grouped into 60 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of The House of Arden: A Story for Children contain?

Chapter 9 holds 296 sentences of The House of Arden: A Story for Children, unabridged, divided into 60 reading sections.

This page carries chapter 9 of The House of Arden: A Story for Children by E. (Edith) Nesbit exactly as it stands in the source edition, without abridgement. It runs to 296 sentences, grouped into 60 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of The House of Arden: A Story for Children?

Work through the 60 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 60 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The House of Arden: A Story for Children

Common questions about reading The House of Arden: A Story for Children by E. (Edith) Nesbit on this page, its source edition and its audio.

Is this the complete text of The House of Arden: A Story for Children?

Yes. All 4521 sentences of Project Gutenberg eBook #57799 are kept, with a record of which sentences cover which part.

Which edition of The House of Arden: A Story for Children is used?

Project Gutenberg eBook #57799, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The House of Arden: A Story for Children take to read?

About 376 minutes of reading across 905 sections of 5 sentences each, at an unhurried pace.

How to read The House of Arden: A Story for Children section by section

How to work through The House of Arden: A Story for Children section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of The House of Arden: A Story for Children to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The House of Arden: A Story for Children

Words and structures a reader meets early in The House of Arden: A Story for Children, each tappable for pronunciation and meaning.

Nesbit
A word that appears in the opening chapter of The House of Arden: A Story for Children; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The House of Arden: A Story for Children; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of The House of Arden: A Story for Children; the reader can tap it to hear it and see its dictionary entry.
Amulet
A word that appears in the opening chapter of The House of Arden: A Story for Children; the reader can tap it to hear it and see its dictionary entry.