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The humour of Holland
The humour of Holland

Chapter I

Chapter 1 of The humour of Holland is here in full — 445 sentences across 89 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/89 · 5 lines
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There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”
As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.
Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.
The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.
Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The humour of Holland

Chapter I

Chapter 1 of The humour of Holland is here in full — 445 sentences across 89 reading sections, with audio for every sentence and word.

Reading 1/89 · 5 reading units · Lines 1–5

Line 1
There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”
/ðer əˈpɪrz tuː biː æn aɪˈdiːə əˈbrɔːd tuː ðə ɪˈfekt ðæt ðə ˈhjuːmər ʌv ˈhɑːlənd kʊd biː moʊst ˌsætɪˈsfæktrəli delt wɪð ɪn ə ˈtʃæptər rɪˈzembəlɪŋ ðə ˈfeɪməs wʌn ʌv sneɪks ɪn ˈaɪərlənd/
Line 2
As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.
Line 3
Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.
Line 4
The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.
Line 5
Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.
/ʌv kɔːrs bɪˈfɔːr dɪˈtɜːrmənɪŋ wʌt ðə ˈhjuːmər ʌv ə ˈneɪʃən ɪz laɪk wiː niːd tuː noʊ wʌt ɪz ðæt ˈneɪʃənz ˌɪntəˈlektʃuːəl bent æz ə hoʊl ənd wʌt ˈfɔːrsɪz hæv bɪn æt wɜːrk tuː dəˈtɜːrmən ɪts ˈkerɪktər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

constructive adjective US /kənˈstrʌktɪv/

constructing or tending to construct or improve or promote development

From this reading “As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.”

denying verb US /dɪˈnaɪɪŋ/

-ing form of “deny” — declare untrue; contradict

From this reading “The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.”

destitute adjective US /ˈdestətuːt/

poor enough to need help from others

From this reading “Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.”

determining adjective US /dɪˈtɜːrmənɪŋ/

having the power or quality of deciding

From this reading “Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.”

nation's noun US /ˈneɪʃənz/

possessive form of “nation” — a politically organized body of people under a single government

Rembrandt noun US /ˈrembrænt/

influential Dutch artist (1606-1669)

From this reading “As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.”

satisfactorily adverb US /ˌsætɪˈsfæktrəli/

in a satisfactory manner

From this reading “There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.””

Steen noun US /stiːn/

Dutch genre painter (1626-1679)

From this reading “Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

entirely destitute adverb + adjective

In this reading “Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.”

most favourable adverb + adjective

In this reading “As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.”

many people adjective + noun

In this reading “The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.”

Of course preposition + noun

as might be expected

In this reading “Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.”

dealt with verb + particle counted as “deal with”

In this reading “There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.””

All words in this reading · 129

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

abroadadverbUS /əˈbrɔːd/

to or in a foreign country

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

adoptverbUS /əˈdɑːpt/

choose and follow; as of theories, ideas, policies, strategies or plans

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

atprepositionUS /æt/

in or near a particular place or position

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

averageadjectiveUS /ˈævərɪdʒ/

approximating the statistical norm or average or expected value

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

bentnounUS /bent/

a relatively permanent inclination to react in a particular way

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

Bilderdijk

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

CatsnounUS /kæts/

plural of “cat” — feline mammal usually having thick soft fur and no ability to roar: domestic cats; wildcats

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

constructiveadjectiveUS /kənˈstrʌktɪv/

constructing or tending to construct or improve or promote development

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

dealtverbUS /delt/

inflected form of “deal” — act on verbally or in some form of artistic expression

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

denyingverbUS /dɪˈnaɪɪŋ/

-ing form of “deny” — declare untrue; contradict

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

destituteadjectiveUS /ˈdestətuːt/

poor enough to need help from others

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

determineverbUS /dəˈtɜːrmən/

establish after a calculation, investigation, experiment, survey, or study

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

determiningadjectiveUS /dɪˈtɜːrmənɪŋ/

having the power or quality of deciding

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

DutchadjectiveUS /dʌtʃ/

of or relating to the Netherlands or its people or culture

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

estimatenounUS /ˈestəmət/

an approximate calculation of quantity or degree or worth

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

existencenounUS /eɡˈzɪstəns/

the state or fact of existing

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

favourableadjective

encouraging or approving or pleasing

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

fieldnounUS /fiːld/

a piece of land cleared of trees and usually enclosed

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

findingnounUS /ˈfaɪndɪŋ/

the act of determining the properties of something, usually by research or calculation

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

forcesnounUS /ˈfɔːrsɪz/

plural of “force” — a powerful effect or influence

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

groundnounUS /ɡraʊnd/

the solid part of the earth's surface

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

HollandnounUS /ˈhɑːlənd/

a constitutional monarchy in western Europe on the North Sea; half the country lies below sea level

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

HumournounUS /ˈhjuːmər/

a characteristic (habitual or relatively temporary) state of feeling

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

instancesnounUS /ˈɪnstənsəz/

plural of “instance” — an occurrence of something

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

intellectualadjectiveUS /ˌɪntəˈlektʃuːəl/

of or associated with or requiring the use of the mind

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

IrelandnounUS /ˈaɪərlənd/

a republic consisting of 26 of 32 counties comprising the island of Ireland; achieved independence from the United Kingdom in 1921

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

JannounUS /dʒæn/

the first month of the year; begins 10 days after the winter solstice

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

knowsnounUS /noʊz/

plural of “know” — the fact of being aware of information that is known to few people

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

likingnounUS /ˈlaɪkɪŋ/

a feeling of pleasure and enjoyment

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

logicnounUS /ˈlɑːdʒɪk/

the branch of philosophy that analyzes inference

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

makeverbUS /meɪk/

engage in

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

moodsnounUS /muːdz/

plural of “mood” — a characteristic (habitual or relatively temporary) state of feeling

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

mostadverbUS /moʊst/

used to form the superlative

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

nationnounUS /ˈneɪʃən/

a politically organized body of people under a single government

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

nation'snounUS /ˈneɪʃənz/

possessive form of “nation” — a politically organized body of people under a single government

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

neednounUS /niːd/

a condition requiring relief

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

obviousadjectiveUS /ˈɑːbviəs/

easily perceived by the senses or grasped by the mind

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

offersnounUS /ˈɔːfərz/

plural of “offer” — the verbal act of offering

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

practicallyadverbUS /ˈpræktɪkli/

almost; nearly

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

readverbUS /red/

interpret something that is written or printed

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

RembrandtnounUS /ˈrembrænt/

influential Dutch artist (1606-1669)

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

resemblingverbUS /rɪˈzembəlɪŋ/

-ing form of “resemble” — appear like; be similar or bear a likeness to

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

satisfactorilyadverbUS /ˌsætɪˈsfæktrəli/

in a satisfactory manner

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

SnakesnounUS /sneɪks/

plural of “snake” — limbless scaly elongate reptile; some are venomous

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

Southeynoun

English poet and friend of Wordsworth and Coleridge (1774-1843)

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

SteennounUS /stiːn/

Dutch genre painter (1626-1679)

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

Teniers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

ThereadverbUS /ðer/

in or at that place or location

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

unfamiliaradjectiveUS /ˌʌnfəˈmɪljər/

not known or well known

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

Vondel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The estimate of its quality may be a question of taste; but—though many people practically do adopt this form of logic—we cannot make the fact of our not finding it to our liking a ground for denying its existence.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

withprepositionUS /wɪð/

in the company of; together with

From this reading There appears to be an idea abroad to the effect that the “Humour of Holland” could be most satisfactorily dealt with in a chapter resembling the famous one “Of Snakes in Ireland.”

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Of course, before determining what the humour of a nation is like, we need to know what is that nation’s intellectual bent as a whole, and what forces have been at work to determine its character.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading As the average English reader, in the most favourable instances, knows little more of Dutch literature than a name or two (Rembrandt has introduced us to “the poet Vondel,” and if Southey were not so little read in these days Bilderdijk and Cats would not be so unfamiliar), the subject offers a free field to the constructive imagination.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet even so, one would think it must be obvious that the nation which has produced a Teniers, a Jan Steen, and—in some of his moods—a Rembrandt, could not be entirely destitute of humour.

Chapter 1 of The humour of Holland by W. H. (Will H.) [Editor] Dircks holds 445 sentences, grouped into 89 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The humour of Holland contain?

Chapter 1 holds 445 sentences of The humour of Holland, unabridged, divided into 89 reading sections.

This page carries chapter 1 of The humour of Holland by W. H. (Will H.) [Editor] Dircks exactly as it stands in the source edition, without abridgement. It runs to 445 sentences, grouped into 89 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The humour of Holland?

Work through the 89 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 89 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The humour of Holland

Common questions about reading The humour of Holland by W. H. (Will H.) [Editor] Dircks on this page, its source edition and its audio.

Is this the complete text of The humour of Holland?

Yes. All 6954 sentences of Project Gutenberg eBook #64761 are kept, with a record of which sentences cover which part.

Which edition of The humour of Holland is used?

Project Gutenberg eBook #64761, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The humour of Holland take to read?

About 579 minutes of reading across 1391 sections of 5 sentences each, at an unhurried pace.

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How to work through The humour of Holland section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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Vocabulary met early in The humour of Holland

Words and structures a reader meets early in The humour of Holland, each tappable for pronunciation and meaning.

Appears
A word that appears in the opening chapter of The humour of Holland; the reader can tap it to hear it and see its dictionary entry.
Abroad
A word that appears in the opening chapter of The humour of Holland; the reader can tap it to hear it and see its dictionary entry.
Effect
A word that appears in the opening chapter of The humour of Holland; the reader can tap it to hear it and see its dictionary entry.
Humour
A word that appears in the opening chapter of The humour of Holland; the reader can tap it to hear it and see its dictionary entry.