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The Indian Scout: A Story of the Aztec City
The Indian Scout: A Story of the Aztec City

Chapter XXIV

Chapter 24 of The Indian Scout: A Story of the Aztec City is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/19 · 5 lines
English subtitles · tap any word to listen 1 / 5
QUIEPAA TANI.
We must return to the two chief characters of our story, whom we have neglected too long.
For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.
A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.
His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Indian Scout: A Story of the Aztec City

Chapter XXIV

Chapter 24 of The Indian Scout: A Story of the Aztec City is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/19 · 5 reading units · Lines 1–5

Line 1
QUIEPAA TANI.
Line 2
We must return to the two chief characters of our story, whom we have neglected too long.
/wiː mʌst rɪˈtɜːrn tuː ðə tuː tʃiːf ˈkærəktərz ʌv ˈaʊər ˈstɔːri huːm wiː hæv nəˈɡlektəd tuː lɔːŋ/
Line 3
For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.
Line 4
A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.
Line 5
His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

confided verb US /kənˈfaɪdɪd/

past form of “confide” — reveal in private; tell confidentially

From this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

inquisitive adjective US /ˌɪnˈkwɪzɪtɪv/

showing curiosity

From this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

maidens noun US /ˈmeɪdənz/

plural of “maiden” — an unmarried girl (especially a virgin)

From this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

Marksman noun US /ˈmɑːrksmən/

someone skilled in shooting

From this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

narrative noun US /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

plains noun US /pleɪnz/

plural of “plain” — extensive tract of level open land

From this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

quiver verb US /ˈkwɪvər/

shake with fast, tremulous movements

From this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

sparkling adjective US /ˈspɑːrklɪŋ/

shining with brilliant points of light like stars

From this reading “His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

young ladies adjective + noun counted as “young lady”

a young female

In this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

set out verb + adjective

take the first step or steps in carrying out an action

In this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

go back verb + particle

belong to an earlier time

In this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

free from verb + particle

In this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

followed by verb + particle counted as “follow by”

In this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

passed over verb + particle counted as “pass over”

bypass

In this reading “A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.”

too long adverb + adjective

In this reading “We must return to the two chief characters of our story, whom we have neglected too long.”

take up verb + adjective

pursue or resume

In this reading “For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.”

All words in this reading · 84

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

Addick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

atprepositionUS /æt/

in or near a particular place or position

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

backadverbUS /bæk/

in or to or toward a former location

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

byprepositionUS /baɪ/

showing who or what does the action

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

clear-sightedadjective

having sharp clear vision

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

confidedverbUS /kənˈfaɪdɪd/

past form of “confide” — reveal in private; tell confidentially

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

DonnounUS /dɑːn/

a Spanish gentleman or nobleman

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

Doña

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

extraordinaryadjectiveUS /ˌekstrəˈɔːrdəneri/

beyond what is ordinary or usual; highly unusual or exceptional or remarkable

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

eyenounUS /aɪ/

the organ of sight

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

glancesnounUS /ˈɡlænsɪz/

plural of “glance” — a quick look

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

IndianadjectiveUS /ˈɪndiən/

of or relating to or characteristic of India or the East Indies or their peoples or languages or cultures

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

inquisitiveadjectiveUS /ˌɪnˈkwɪzɪtɪv/

showing curiosity

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

ladiesnounUS /ˈleɪdiz/

plural of “lady” — a polite name for any woman

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

Laura

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

Luisa

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

maidensnounUS /ˈmeɪdənz/

plural of “maiden” — an unmarried girl (especially a virgin)

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

MarksmannounUS /ˈmɑːrksmən/

someone skilled in shooting

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

Miguel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

neglectedadjectiveUS /nəˈɡlektəd/

disregarded

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

passedverbUS /pæst/

past form of “pass” — go across or through

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

plainsnounUS /pleɪnz/

plural of “plain” — extensive tract of level open land

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

QUIEPAA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading QUIEPAA TANI.

quiververbUS /ˈkwɪvər/

shake with fast, tremulous movements

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

restverbUS /rest/

not move; be in a resting position

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

sawverbUS /sɔː/

cut with a saw

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

setverbUS /set/

put into a certain place or abstract location

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

soonadverbUS /suːn/

in the near future

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

sparklingadjectiveUS /ˈspɑːrklɪŋ/

shining with brilliant points of light like stars

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

takeverbUS /teɪk/

carry out

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

TANI

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading QUIEPAA TANI.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

unableadjectiveUS /əˈneɪbəl/

(usually followed by “to”) not having the necessary means or skill or know-how

From this reading His eye, sparkling with pleasure, passed from Doña Laura to Doña Luisa, unable to rest longer on one than the other.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

voluptuousnessnoun

the quality of being attractive and exciting (especially sexually exciting)

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

waynounUS /weɪ/

how something is done or how it happens

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

whenconjunctionUS /wen/

at the time that

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading We must return to the two chief characters of our story, whom we have neglected too long.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

withprepositionUS /wɪð/

in the company of; together with

From this reading A quiver of extraordinary voluptuousness passed over the Indian so soon as he saw himself in the plains with the maidens, free from the inquisitive glances of Don Miguel, and those even more clear-sighted of Marksman.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading For that purpose we will go back a little way, and take up our narrative at the moment when Addick, followed by the two young ladies Don Miguel confided to him, set out for Quiepaa Tani.

Chapter 24 of The Indian Scout: A Story of the Aztec City by Gustave Aimard holds 97 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 24 of The Indian Scout: A Story of the Aztec City contain?

Chapter 24 holds 97 sentences of The Indian Scout: A Story of the Aztec City, unabridged, divided into 20 reading sections.

This page carries chapter 24 of The Indian Scout: A Story of the Aztec City by Gustave Aimard exactly as it stands in the source edition, without abridgement. It runs to 97 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 24 of The Indian Scout: A Story of the Aztec City?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 24 be read aloud to me?

Yes — every sentence and every individual word in chapter 24 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Indian Scout: A Story of the Aztec City

Common questions about reading The Indian Scout: A Story of the Aztec City by Gustave Aimard on this page, its source edition and its audio.

Is this the complete text of The Indian Scout: A Story of the Aztec City?

Yes. All 6558 sentences of Project Gutenberg eBook #44196 are kept, with a record of which sentences cover which part.

Which edition of The Indian Scout: A Story of the Aztec City is used?

Project Gutenberg eBook #44196, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Indian Scout: A Story of the Aztec City take to read?

About 546 minutes of reading across 1312 sections of 5 sentences each, at an unhurried pace.

How to read The Indian Scout: A Story of the Aztec City section by section

How to work through The Indian Scout: A Story of the Aztec City section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Indian Scout: A Story of the Aztec City to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Indian Scout: A Story of the Aztec City

Words and structures a reader meets early in The Indian Scout: A Story of the Aztec City, each tappable for pronunciation and meaning.

Indian
A word that appears in the opening chapter of The Indian Scout: A Story of the Aztec City; the reader can tap it to hear it and see its dictionary entry.
Scout
A word that appears in the opening chapter of The Indian Scout: A Story of the Aztec City; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of The Indian Scout: A Story of the Aztec City; the reader can tap it to hear it and see its dictionary entry.
Aztec
A word that appears in the opening chapter of The Indian Scout: A Story of the Aztec City; the reader can tap it to hear it and see its dictionary entry.