Chapter XXXI · Chapter 31

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

higher than, or over, something

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

in addition

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

surrounded by; in the middle of a group

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the form of “a” used before a word that begins with a vowel sound

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

used to join words or parts of a sentence that go together

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

of or relating to heraldry or heraldic arms

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

at the same time that; because; in the way that

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

plural of “barn” — an outlying farm building for storing grain or animal feed and housing farm animals

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “beam” — a signal transmitted along a narrow path; guides airplane pilots in darkness or bad weather

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

plural of “bearing” — relevant relation or interconnection

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

plural of “beauty” — the qualities that give pleasure to the senses

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

earlier than; in front of

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the event consisting of the start of something

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the -ing form of “be”

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

past form of “belong” — be owned by; be in the possession of

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Directly under; in or to a lower position than.

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

plural of “boss” — a person who exercises control over workers

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a structure that has a roof and walls and stands more or less permanently in one place

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

(used of soaps or cleaning agents) having a substance (an abrasive or filler) added to increase effectiveness

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

showing who or what does the action

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

made for or formed by carving (“carven” is archaic or literary)

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “chair” — a seat for one person, with a support for the back

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

English architect (1723-1796)

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

a condition that accompanies or influences some event or activity

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

a collection of things sharing a common attribute

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

the activity of communicating; the activity of conveying information

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

without variation or change, in every case

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

gotten under control

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

accompanying

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

plural of “corridor” — an enclosed passageway; rooms usually open onto it

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the attire worn in a play or at a fancy dress ball

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

too numerous to be counted

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

an assembly (including one or more judges) to conduct judicial business

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

plural of “court” — an assembly (including one or more judges) to conduct judicial business

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

plural of “crook” — someone who has committed a crime or has been legally convicted of a crime

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

placed crosswise

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

overfilled or compacted or concentrated

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

absence of light or illumination

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

relatively deep or strong; affecting one deeply

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

to a great depth psychologically or emotionally

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

separated into parts or pieces

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “dormitory” — a college or university building containing living quarters for students

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

being or moving lower in position or less in some value

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

every one of two or more people or things, taken separately

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

earlier in time; previously

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a very dark black

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

King of England and Ireland in 1936; his marriage to Wallis Warfield Simpson created a constitutional crisis leading to his abdication (1894-1972)

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

with elaboration

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

past form of “emblazon” — decorate with colors

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

the end of a word (a suffix or inflectional ending or final morpheme)

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a division of the United Kingdom

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

extraordinarily large in size or extent or amount or power or degree

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

something that provides access (to get in or get out)

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

on or from the outside

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

having a face or facing especially of a specified kind or number; often used in combination

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

a social unit living together

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

indulging in or influenced by fancy

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

a hoop worn beneath a skirt to extend it horizontally; worn by European women in the 16th and 17th centuries

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

(usually followed by “with” or used as a combining form) generously supplied with

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a hill in Northumberland where the invading Scots were defeated by the English in 1513

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

intended to be given to, or used by, somebody

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

inflammation of the laminated tissue that attaches the hoof to the foot of a horse

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the cardinal number that is the sum of three and one

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

showing where something starts, or who sent it

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

showing displeasure or anger

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

spectators at a golf or tennis match

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

an entrance that can be closed by a gate

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

having the deep slightly brownish color of gold

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

a brittle transparent solid with irregular atomic structure

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

of behavior that is impressive and ambitious in scale or scope

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the father of your father or mother

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

death of a person

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a tool used by an engraver

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

relatively large in size or number or extent; larger than others of its kind

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “guest” — a visitor to whom hospitality is extended

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

an interior passage or corridor onto which rooms open

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

in or at this place; where the speaker or writer is

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

plural of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

having a high back

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

favorable to life and growth

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

a dwelling that serves as living quarters for one or more families

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “house” — a dwelling that serves as living quarters for one or more families

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

unusually great in size or amount or degree or especially extent or scope

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

inflected form of “hang” — be suspended or hanging

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a married man; a woman's partner in marriage

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “image” — an iconic mental representation

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

inside something, or within a place, period, or state

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

past form of “intersect” — meet at a point

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

moving to the inside of something

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

belonging to the thing or animal already mentioned

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the cardinal number that is the sum of three and one

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a historical area of northwestern England on the Irish Sea; noted for textiles

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

above average in size or number or quantity or magnitude or extent

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

plural of “lawyer” — a professional person authorized to practice law; conducts lawsuits or gives legal advice

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

diode such that light emitted at a p-n junction is proportional to the bias current; color depends on the material used

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

prefer or wish to do something

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

similarity in appearance or character or nature between persons or things

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a formation of people or things one beside another

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the act of directing the eyes toward something and perceiving it visually

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

move something or somebody to a lower position

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

made smooth and bright by or as if by rubbing; reflecting a sheen or glow

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the mansion of a lord or wealthy person

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

(astrology) one of 12 equal areas into which the zodiac is divided

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

shelf that projects from wall above fireplace

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

imposing in size or bulk or solidity

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

concerned with worldly rather than spiritual interests

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

past form of “mention” — make reference to

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

English playwright and pamphleteer (1570-1627)

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

ditch dug as a fortification and usually filled with water

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

-ing form of “neighbour” — live or be located as a neighbor

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

the hard durable wood of any oak; used especially for furniture and flooring

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

belonging to, or connected with, somebody or something

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

plural of “office” — place of business where professional or clerical duties are performed

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

touching and supported by a surface

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

used to mean any person in general, including the speaker

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

To move from a closed position.

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

used to join alternatives or possibilities

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

past form of “ornament” — make more attractive by adding ornament, colour, etc.

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

not the same one or ones already mentioned or implied

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

not allowed to continue to bat or run

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

(law) someone who owns (is legal possessor of) a business

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

coated with paint

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

something determined in relation to something that includes it

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “passage” — the act of passing from one state or place to the next

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

beyond or deviating from the usual or expected

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

an amount of time

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a collection of objects laid on top of each other

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

perfected or made shiny and smooth

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “portrait” — a word picture of a person's appearance and character

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

give an exhibition of to an interested audience

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the original amount of a debt on which interest is calculated

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

of or relating to or shaped like a quadrangle

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

plural of “rafter” — one of several parallel sloping beams that support a roof

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

have sovereign power

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

appear like; be similar or bear a likeness to

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

set aside for the use of a particular person or party

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

any address at which you dwell more than temporarily

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

plural of “rib” — support resembling the rib of an animal

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

a protective covering that covers or forms the top of a building

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

a charge of ammunition for a single shot

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

an external body part consisting of feathers or hair about the neck of a bird or other animal

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

(of fluids) moving or issuing in a stream

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

Identical; not different.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

cut into a desired shape

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

put into a certain place or abstract location

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “shield” — a protective covering or structure

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

marked by exceptional merit

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

transport commercially

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the display of a motion picture

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

term of address for a man

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the region of the United States lying to the south of the Mason-Dixon line

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

very large in expanse or scope

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

plural of “stable” — a farm building for housing horses or other livestock

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

a flight of stairs or a flight of steps

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

not moving or operating freely

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

a natural body of running water flowing on or under the earth

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

a thing constructed; a complex entity constructed of many parts

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

how something is done or how it happens

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

inflected form of “supply” — give something useful or necessary to

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

confined on all sides

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

-ing form of “sustain” — lengthen or extend in duration or space

From this reading The lower beams were elaborately carved and ornamented with gilded bosses and sculptured images, sustaining shields emblazoned with the armorial bearings of the Asshetons.

plural of “table” — a set of data arranged in rows and columns

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

great in vertical dimension; high in stature

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

having come or been brought to a conclusion

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

in or at that place or location

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the people, animals, or things already mentioned, as the subject

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

used for a person or thing that is near, or that has just been mentioned

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

the content of cognition; the main thing you are thinking about

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

from one end or side of something to the other

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the wood of trees cut and prepared for use as building material

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

used before the base form of a verb to make the infinitive

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

an English dynasty descended from Henry Tudor; Tudor monarchs ruled from Henry VII to Elizabeth I (from 1485 to 1603)

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

moved around an axis or center

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

a formal word for “on”

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the highest or uppermost side of anything

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

characterized by variety

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

unusually great in size or amount or degree or especially extent or scope

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

nut of any of various walnut trees having a wrinkled two-lobed seed with a hard shell

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

plural of “warrior” — someone engaged in or experienced in warfare

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

the past form of “be” used with you, we, they, or a plural noun

From this reading Here, also, above stairs, there were long corridors looking out through lattices upon the court, and communicating with the almost countless dormitories; while, on the floor beneath, corresponding passages led to all the principal chambers, and terminated in the grand entrance hall, the roof of which being open and intersected by enormous rafters, and crooks of oak, like the ribs of some "tall ammiral," was thought from this circumstance, as well as from its form, to resemble "a ship turned upside down."

used to introduce a clause giving more about a thing just mentioned

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

during the time that

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

a Caucasian

From this reading Middleton Hall, the residence of Sir Richard Assheton, was a large quadrangular structure, built entirely of timber, and painted externally in black and white checker-work, fanciful and varied in design, in the style peculiar to the better class of Tudor houses in South Lancashire and Cheshire.

which person or people

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

the form of “who” used as the object of a verb or preposition

From this reading Surrounded by a deep moat, supplied by a neighbouring stream, and crossed by four drawbridges, each faced by a gateway, this vast pile of building was divided into two spacious courts, one of which contained the stables, barns, and offices, while the other was reserved for the family and the guests by whom the hospitable mansion was almost constantly crowded.

(trademark) an operating system with a graphical user interface

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.

in the company of; together with

From this reading In the last-mentioned part of the house was a great gallery, with deeply embayed windows filled with painted glass, a floor of polished oak, walls of the same dark lustrous material, hung with portraits of stiff beauties, some in ruff and farthingale, and some in a costume of an earlier period among whom was Margaret Barton, who brought the manor of Middleton into the family; frowning warriors, beginning with Sir Ralph Assheton, knight-marshal of England in the reign of Edward IV., and surnamed "the black of Assheton-under-line," the founder of the house, and husband of Margaret Barton before mentioned, and ending with Sir Richard Assheton, grandfather of the present owner of the mansion, and one of the heroes of Flodden; grave lawyers, or graver divines--a likeness running through all, and showing they belonged to one line--a huge carved mantelpiece, massive tables of walnut or oak, and black and shining as ebony, set round with high-backed chairs.